thu 18/07/2019

race issues

On making The Left Behind: 'We've plugged into the mains'

The Left Behind is a television drama marinated in real-world research. It tells the story of a young man unable to break free from his bullshit job, zero-hour existence, thrown out of his family home when the council decide that as a...

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Seven Methods of Killing Kylie Jenner, Royal Court review - memes, memories and meanings

Few theatres have done as much to promote new young talent as the Royal Court; few theatres have done as much to stage plays about the pains and pleasures of the digital world; few venues have tackled the themes of race and gender in contemporary...

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First Person: Matt Henry on fulfilling 'a dream come true' to play the legendary singer Sam Cooke

When I first read One Night in Miami, I instantly felt a strong connection to the piece and its story. The fact that Sam Cooke, Malcolm X, Cassius Clay and Jim Brown, four iconic black men at the top of their game in 1964, actually...

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King Hedley II, Theatre Royal Stratford East review - concentrated, enveloping drama

The huge achievement of the last two decades of August Wilson’s life, right up to his death in 2005, was his “American Century Cycle”, in which he charted the African American experience over that time frame decade by decade, its action set largely...

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salt., Royal Court review - revisiting the Atlantic slave trade

Most of the facts about the Atlantic slave trade are well known; what is less easily understood is how history can make a person feel today. A question which invites an experimental approach in which you test out emotions on your own body. In 2016,...

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Orpheus Descending, Menier Chocolate Factory review - Tennessee Williams scorcher needs more firepower

Where would Tennessee Williams's onetime flop be without the British theatre to rehabilitate it on an ongoing basis? Arriving at the Menier Chocolate Factory in a co-production with Theatre Clwyd, where Tamara Harvey's production has already been...

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The Specials, Margate Winter Gardens review - ska legends passionate and on-point

Here they come again – the band most adept at capturing the mood of an era in catchy, critical three-minute songs. Just at the very point we need them most, the original ska-punk popsters surface and their message is as deeply relevant as it was...

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Ain't Misbehavin', Southwark Playhouse review - a jazz-hot musical revue

The joint is jumpin’ at Southwark Playhouse, now hosting an irresistible Fats Waller-inspired, Manhattan-set musical revue (a co-production with Colchester’s Mercury Theatre, where it opened last month). Though originating in the Seventies,...

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Mo Amer and Guz Khan, Leicester Square Theatre review - racism examined from both sides of the Atlantic

Well this is a nice change from the standard stand-up fare. Not many comics have a DJ introduce them with a cracking set of his own, and even fewer tour as part of a double bill with material that moves seamlessly from one set to the other as they...

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Blood Knot, Orange Tree Theatre review - defining apartheid-era drama delivers afresh

London's impromptu mini-season devoted to the work of Athol Fugard picks up real steam with Blood Knot, Matthew Xia's transfixing take on one of the benchmark titles of the apartheid era and beyond. I first encountered this play during its Tony-...

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Minding the Gap review – profound musings on life

Where would you go for a devastating study on the human condition? The home movies of teenage skaters would be very low down on that list. But most of those movies aren’t filmed, compiled and analysed by Bing Liu, the director of Minding the Gap....

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If Beale Street Could Talk review - love defies racism in James Baldwin adaptation

Films that show a young couple’s love deepening are rare because without personal conflict there’s no narrative progression. They're especially rare in the current mainstream American cinema since romantic dramas are commercially risky, though LGBTQ...

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