tue 07/07/2020

race issues

Hamilton, Disney+ review - puts us all in the room where it happened

The movie adaptation of Lin-Manuel Miranda’s In the Heights was meant to hit cinemas this summer, but, in response to Covid-19, has been put back to 2021. Instead, we get the early release on Disney+ of Miranda’s Hamilton – filmed, NT Live style,...

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On the Record review - #MeToo turns its lens to the music industry, gives the mic to women of colour

On the Record, the latest documentary from Kirby Dick and Amy Ziering (acclaimed directors of The Hunting Ground), dives into the sexual misconduct allegations against music mogul Russell Simmons, the so-called ‘Godfather of Hip Hop.’ It...

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Small Island, National Theatre At Home review – big-hearted story hits every beat

A British-Jamaican man is confused. It's the Second World War, and he signed up for the RAF on the understanding that he would serve as a pilot overseas. But instead he's ended up as ground crew in a grey Lincolnshire village. "You are overseas,...

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Theatre Lockdown Special 10: Epic plays from the National Theatre and Broadway alongside voices raised in protest

As lockdown continues, National Theatre at Home has announced its final sequence of plays, and several of the very best are being saved for last. That certainly applies to this week's offering, Small Island, whose dissection of Britain's racist past...

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Romantic Comedy review - a not-so-guilty pleasure

Only those who really love you can deliver the hard truths, and for filmmaker Elizabeth Sankey, that one love is romantic comedies. Better known as one half of band Summer Camp, Sankey is a self-confessed romcom expert, having watched nearly every...

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Moffie review - heart rates will rise with Oliver Hermanus’ powerful war film

Oliver Hermanus’ potent fourth feature Moffie certainly has a controversial film title. A homophobic slur, it can be translated from Afrikaans as "faggot". If you were to see buses with film posters emblazoned with the title in translation...

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Jane Eyre, National Theatre at Home review - a fiery feminist adaptation

The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope...

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Sondheim at 90 Songs: 4 - 'America'

Ever since I heard the quintessential prog rock group The Nice do a psychedelic instrumental version of “America” in 1968, I have loved this song. Later on, I was better able to appreciate Sondheim’s lyrics, whose satirical sharpness and superb...

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The Special Relationship, Soho Theatre review - informative, but uninspiring

Since 2000, Esther Baker's Synergy Theatre Project has worked with prisoners, ex-offenders and young people at risk of offending to produce powerful dramas about some of the most fraught social situations you can imagine. The latest show, written by...

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Berlinale 2020: Berlin Alexanderplatz review - a contemporary twist on a classic

Burhan Qurbani isn’t the first director to bring Alfred Döblin’s seminal 1929 novel, Berlin Alexanderplatz, to the screen. First, there was the Weimar Republic era adaptation that Döblin himself worked on. Fifty years later, Rainer Werner...

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Pass Over, Kiln Theatre review - fierce critique of racist brutality

The Black Lives Matter movement is such an important international protest that it is odd how few contemporary plays even mention it. Since the hashtag #BlackLivesMatter has been around since 2013, following the acquittal of George Zimmerman who...

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The High Table, Bush Theatre review - party on in Lagos and London

Queer people of colour face a double discrimination: racism and homophobia. Against this sickness of negation and stupidity one of the best antidotes is a culture of celebration. And in this theatre can play its part. At the Bush, last September,...

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