punk
Tim Cumming
Carl Barat and Peter Doherty are "the Glimmer Twins" of their own wayward trajectory through the worlds of rock and roll, stardom, drugs, distraction and destruction.The noughties indie stars, releasing their first album in a decade, are perhaps as near as their generation will get to the steady state of the Mick-n-Keef equation. But it pulls you up to realise that, more than 20 years after they went in to a studio together, this is only their fourth album as a band.Recorded, in part, at their Albion Rooms hotel on Margate’s Eastern Esplanade, its 11 new tunes display Read more ...
Ellie Roberts
Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking back to their widely acclaimed debut All Killer No Filler, the album that gave us “Fat Lip” and “In Too Deep”, the band have maintained their commitment to making every track count with Heaven :x: Hell.“Waiting On a Twist of Fate” opens Heaven with as much energy as you can cram into 2 minutes and 46 seconds, and the early-2000s Pop Punk summer nostalgia does not falter in the 19 tracks that follow. Although Hell aims to dive deeper into heavy metal than Pop Read more ...
Thomas H. Green
VINYL OF THE MONTHMito y Comadre Guajirando (ZZK)Mito y Comadre are Guillermo Lares and Shana Comadre, a Bogota-based pair of Venezuelans whose debut album is produced by Christian Castagno (a man who’s more likely to be found helming outings by Iggy Pop, Arcade Fire and others). The duo are deep-dipped in their heritage, embracing an array of traditional instruments that I can’t even locate by name via Google (the quichimba, the macizón, etc). Such ignorance is no hindrance to adoring this music, heavily lathered and danceable funk and lively upbeat spirit, with electronic twiddlings and Read more ...
Kieron Tyler
“I hate it, so I guess Eater have succeeded.” NME’s March 1977 appraisal of the debut single by UK punk's teen sensations was direct. In his trailblazing British punk fanzine Sniffin' Glue, Mark Perry was equally forthright when contemplating “Outside View.” “Sorry lads but this single is crap,” he wrote. “It’s not even good crap, it’s just a waste of time.”Eater’s first single has become the opening track of Just Want To Be Myself: UK Punk Rock 1977–1979, a 32-track double album which almost – as some of the tracks aren’t really punk – does what its title says. Evidently, one era’s crap Read more ...
Guy Oddy
Around the time the time that he retired his Ziggy Stardust alter ego, David Bowie put out an album of covers, done in a Glam/Proto-punk style. This included tunes by the Yardbirds, the Kinks and various other Garage Rock bands that were somewhat outside the mainstream at the time.Fifty years or so later (yes, really), Soft Cell’s Marc Almond and Neal X, most famously of Sigue Sigue Sputnik, have put together a new outfit with Mat Hector and Ben Ellis of Iggy Pop’s touring band and James Beaumont, called The Loveless, and have done the same – albeit with a couple of fine original tunes for Read more ...
Kieron Tyler
In the Light of Time - UK Post-Rock and Leftfield Pop 1992-1998 was unexpected. Collecting 17 tracks, it brought a fresh perspective on a particular aspect of the UK’s independent-minded music. This ground-breaking, agenda-setting release was effectively the soundtrack to what has been written about post-rock.The groundswell dug into by In the Light of Time ran in parallel with shoegazing but what was heard – while as much about texture as shoegazing – came from a different perspective as it embraced elements of Krautrock and techno. This was music which impacted on Radiohead and sigur rós. Read more ...
Thomas H. Green
FRIDAYRennes Airport Parc Expo is about three miles west of the city. It’s vast, consisting of 110,000 metres of cavernous warehouse-like hangars, and has hosted everything from Holiday on Ice to France’s hugest annual agricultural conference. Every December it welcomes Trans Musicales, the 44-year-old French music festival, with performances from around 9.00 PM until dawn.The first act I catch, Twende Pamoja (pictured left), typifies the festival’s laudable attitude to curation. They are a little-known electro-hop hop act whose members are of French, Nigerian, Ugandan and Tanzanian origin, Read more ...
Thomas H. Green
The first of two December theartsdesk on Vinyls which will appear in quick succession. This one's mostly new artists. The next one will be our Christmas Special, filled with seasonal fare and present-suitable reissues and boxsets. For the best musical finds, dive in!VINYL OF THE MONTHViken Arman Alone Together (Denature)Minimalism is easy to do but very, very hard to do well. French producer Viken Arman starts his debut album by thrilling in this area. The word which springs to mind listening to that opener, “You With Me”, is “techno” but, while that’s in there, Arman also sprinkles an almost Read more ...
Guy Oddy
Gogol Bordello’s gig in Birmingham this week took place on the evening of Shane MacGowan’s funeral and inevitably turned into something of a celebration of that great poet and songwriter’s life. But then, with the raucous folk music on offer, it was hardly going to be any different.Support band, Peat and Diesel played an energetic take on “Dirty Old Town”, which received plenty of audience participation from the front of the stage to the back of the hall. While during the final encore, Eugene Hütz gave a fine eulogy for “the greatest songwriter for two generations” before busking through the Read more ...
Kieron Tyler
On 21 June 1977, listeners to John Peel’s radio show heard a song titled “Pretty Vacant.” It wasn’t a preview of the forthcoming Sex Pistols single of the same name, which would be in shops on 2 July, but a different song. The band lifting the title was Chelsea, a UK punk outfit whose first single, “Right to Work,” had been released on 3 June.It was bizarre. Punk fans and scene insiders alike knew “Pretty Vacant” was a Sex Pistols staple. Demos of the song were in circulation before the single was out, as were live recordings. Chelsea’s selection of the title was equivalent to a psych-era Read more ...
Miranda Heggie
Fresh from winning this year’s Scottish Album of the Year Award – for the third time no less! – Young Fathers gave a spectacular performance on Tuesday night on their home turf, at Edinburgh’s Usher Hall. Sure, it seems odd that a competition that’s only been running ten years has been won three times by a band who’ve released four albums.Listen to the albums though and you’ll get it. See Young Fathers live and you’ll realise why this is one of the most exciting bands making music right now not just in Scotland, nor even the UK, but internationally. This is a group who are always creating Read more ...
Thomas H. Green
Patterns is a small, low-ceilinged, underground, seafront venue. Tonight it would be a feast for any passing ancient succubae who happens to feed on raw human energy. From 7.00 PM until 10.00 PM, the room plays host to a package tour of three rising bands. Their short, vim-filled sets are hard-wired to a thrilling, relentless punk intensity.First up is Brighton four-piece Monakis (pictured left), fronted by bare-topped tattooed, bass-playing James Porter, who has a touch of Bon Scott about him. The band have just driven down from Glasgow, he tells us, and are glad to be home. They ramraid Read more ...