punk
theartsdesk on Vinyl 75: The Beach Boys, The Residents, Danny Goffey, Jean-Michel Jarre, black metal and Sixties psychMonday, 20 February 2023
Welcome to the first theartsdesk on Vinyl of 2023 and it’s another whopper, over 8000 words and a range of musical styles that defies genre or categorization, from the most cutting edge sounds to boxsets of golden vintage pop. Dive in!VINYL OF THE... Read more... |
Album: Paramore - This is WhyFriday, 10 February 2023
I’ll admit it. When I first saw that noughties indie rockers Bloc Party would be supporting Grammy award-winning emo stars Paramore on their Spring stadium tour, it seemed like a perplexing choice. But, four minutes into hearing the return sounds... Read more... |
Music Reissues Weekly: The Senders - All Killer No FillerSunday, 05 February 2023
The New York Dolls, The Ramones, Suicide, Television, Blondie, The Dictators, The Heartbreakers, The Shirts, Richard Hell and the Voidoids. From 1974 onwards, New York buzzed with bands. There were also Tuff Darts, The Fast, Pure Hell, Von Lmo and... Read more... |
Music Reissues Weekly: Bob Stanley / Pete Wiggs Present Winter of DiscontentSunday, 22 January 2023
At some point in 1979 a duo called The Door and the Window are playing a London Musician’s Collective show in a large brick building along the road from Cecil Sharp House in Camden. One of them has a synthesiser, probably a WASP. The other has tape... Read more... |
Album: Måneskin - Rush!Friday, 20 January 2023
Rock'n'roll rejuvenators, Eurovision winners with more of their songs streamed online than there are people in the world, the glammy young Roman rockers have opened for The Stones in Las Vegas, delivered a city-stopping sold-out show at Rome’s... Read more... |
Album: Iggy Pop - Every LoserWednesday, 11 January 2023
Iggy Pop is one of rock’s great survivors but his fans are divided into two categories; those who claim he hasn’t done anything worthwhile since the late-Seventies and those, like this writer, who find much to enjoy, right up to the present.Every... Read more... |
Music Reissues Weekly: Guerrilla Girlsǃ - She-Punks & Beyond 1975-2016Sunday, 01 January 2023
In December 1977, the music weekly Sounds included an article about the County Durham punk band Penetration. By Jon Savage, it was headlined The Future Is Female. The same four words would be used by the band for their promotional badges.Penetration... Read more... |
theartsdesk on Vinyl 74: The Muppets, The Beatles, Decius, Black Lab, Black Sabbath, Tinariwen and moreMonday, 19 December 2022
Welcome to the final theartsdesk on Vinyl of 2022 which is topped off by two Vinyl of the Months, one there for seasonal jollies and the other for musical adventurousness. As ever, the rest runs the gamut from reissues of albums from decades ago to... Read more... |
Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophileWednesday, 14 December 2022
Major Labels: A History of Popular Music in Seven Genres is American critic Kelefa Sanneh’s ambitious survey of musical history. As such, it risks remaining only a surface-level summary of the seven genres he describes. I was wrong to worry,... Read more... |
Album: White Lung - PremonitionThursday, 01 December 2022
In 2016’s abrasive album opener, "Dead Weight", frontwoman Mish Barber-Way laments over multiple miscarriages as her biological clock ticks away like a malevolent metronome.How much has changed in the last six years, then, and none more so than for... Read more... |
Working Men's Club, Chalk, Brighton review - untrammelled, noisy and grim-facedThursday, 24 November 2022
The chorus to Working Men’s Club’s song “Money is Mine” usually runs, “Endless depression, it’s time/Suicide is yours when the money is mine.” Presented as the penultimate song of their set, frontman Syd Minksy-Sargeant distils this. Grim-faced, his... Read more... |
Patti Smith: A Book of Days review - adding to Insta's debrisWednesday, 23 November 2022
On April Fool’s Day, in 1978, the godmother of American punk, Patti Smith, jumped offstage at the Rainbow Theatre in London halfway through a version of “The Kids Are Alright” and started dancing in the crowd. Her vertiginous feat was also a leap of... Read more... |
