punk
Kieron Tyler
Immediately before recording their first album in 1977, Motörhead were on their last legs. They went into the studio after playing what was initially conceived as their farewell show. Appropriately, no one then could have predicted that the band formed by Hawkwind’s former bass player in 1975 would become integral to rock’s rich tapestry. It wasn’t even their first attempt to make an album: one begun in 1975 had been shelved. The early Motörhead were bedevilled by false starts and upsets.The unpremeditated subsequent durability of the band has ensured Motörhead was never deleted. Read more ...
Kieron Tyler
That this year is the 40th anniversary of 1977, the year punk rock went mainstream, shouldn’t obscure the pub rock foundations underpinning much of what was supposedly new. The Clash’s Joe Strummer had fronted pub circuit regulars The 101’ers. In 1976, the Sex Pistols regularly played West London pub The Nashville Rooms. The Damned came together after Brian James and Rat Scabies scouted the audience at a Nashville Pistols/101’ers show for potential members of the band they intended forming. The Damned’s future label Stiff Records was run by pub rock movers and shakers. Their producer, Nick Read more ...
Thomas H. Green
This is, in many ways, an underwhelming evening, but the fault does not primarily lie with The Psychedelic Furs. Things start well with support act Lene Lovich who gives a lively performance, in a black’n’red ensemble with striped sleeves and a gigantic, beribboned, plaited wig/hair/hat confabulation which has something of Big Chief Sitting Bull about it. Despite not playing her only Top 10 hit, 1979’s “Lucky Number”, she whoops and theatricalises while her band delivers a suitably punchy new wave racket.The Psychedelic Furs aren’t going to get away with not playing the hits, especially as Read more ...
Joe Muggs
With the wind behind them, the San Francisco-founded band Deerhoof are one of the greatest live experiences you can have. Two decades since their first album, they still have a relentlessly experimental hunger for sonic surprise, mixing extraordinary virtuosity with an indie/punk directness, love of infectious melody and natural surrealism, which all together makes every moment of their shows full of ideas but also thrilling on an immediate sonic level.It's tough to bottle something so predicated on spontaneity, and given years of studio experience the Deerhoof sound has naturally been Read more ...
Kieron Tyler
TV Tube Heart, the debut album from The Radiators From Space, was issued on 21 October 1977, a week before the Sex Pistols’ Never Mind the Bollocks. Each was a punk rock album and one, inevitably, has been subjected to greater historical analysis and many more reissues than the other. Of course, Johnny Rotten and co’s first and only long-player was significant but the other band’s album was important too. The Radiators From Space were the Republic of Ireland’s first punk band –The Boomtown Rats, if they were punk at all, were relative Johnny-come-latelies – and TV Tube Heart remains a Read more ...
Thomas H. Green
As a live phenomenon Gogol Bordello are unstoppable, a crowd-whipping Balkan-punk storm that sweeps venues away with them. For some years this blinded me to their recorded output. Their albums sent shivers up my spine, a tinctured version of their explosive performances, and I was unable to understand why, despite their wildness, rock’n’roll attitude, and ability to rip out a solid tune, their success remained of the cult variety. Listening to Seekers and Finders, things are clearer.Frontman Eugene Hutz has the charisma and zip of Joe Strummer, with whom his artistry has much in common, but Read more ...
Thomas H. Green
At the start of 2016 shouty Essex bedroom musician Jordan Cardy – AKA Rat Boy – was on all those media tastemaker lists of stars about to imminently explode. Maybe he’s been in major label development hell since. His debut album’s been a long time coming and, commercially, it will possibly need that lost initial momentum. But that’s for the streaming public to decide. In the meantime, SCUM is a bouncy, youthful, over-excited Labrador of a thing, distortion-amped, loud, flicking the Vs, and generally bringing the kind of party where crockery gets smashed.The obvious comparison is Jamie T’s Read more ...
Javi Fedrick
Mark E Smith’s wit and the ever-changing, ever-suffering line-up behind him have established The Fall as one of the most seminal post-punk bands in Britain. From their classic 1976 debut Live at the Witch Trials to 2015’s acclaimed Sub-Lingual Tablet, they’ve regularly churned out record after record of blisteringly off-kilter and innovative jams and in true Fall fashion, New Facts Emerge both continues and contradicts this legacy.Following 30 seconds of incoherent slurring, “Fol De Rol” bursts in sounding vaguely reminiscent of Thee Oh Sees’ latest albums, with its glinting guitar lines, Read more ...
Kieron Tyler
Production gloss and deliberation are not notions immediately springing to mind while pondering the 1976-era Ramones. Even so, this new edition of their second album, the ever-wonderful Leave Home, reveals that careful consideration was given to how they presented themselves on record.Leave Home demonstrated the Ramones more-than had the goods to build on the promise of their era-defining debut, and little needs saying about the album itself. It steps beyond punk and is a rock classic. The meat of this new reissue is unfamiliar though: fifteen never-before-heard in-progress tracks – the whole Read more ...
Barney Harsent
Duff McKagan is a survivor. He’s a bass player too, from the fledgling Seattle punk/proto-grunge outfit 10 Minute Warning to the stadium-filling behemoth of Guns N’ Roses, but if you were judging by the narrative weight of this 2015 documentary, you’d have to conclude that he’s mostly survivor. Now, it’s true that drugs and booze burst his rock’n’roll bubble – and very nearly his pancreas – but it seemed odd that the film concentrated so heavily on the effect rather than the cause.Part book reading, part documentary, part animation, It’s So Easy… never succeeded in being any one thing well Read more ...
Thomas H. Green
If there’s a downside to the resurgence of vinyl, it’s that all that’s left in most charity shops these days is James Galway and his cursed flute and Max Bygraves medley albums. Then again, there’s always new stuff coming in so it’s down to everybody to get in there quick, before the local record shops hoover up all the gems. And there it is. Many small towns now have local record shops again. That’s surely something to celebrate. There’s even a Vinyl Festival this September in Rotherhithe [Notification 20.7.2017: This event has been cancelled] with a hundred stalls featuring independent Read more ...
Kieron Tyler
In February 1983, New Musical Express ran a cover feature categorising what it termed “positive punk”. Bands co-opted into this ostensibly new trend were Blood & Roses, Brigandage, Danse Society, Rubella Ballet, Sex Gang Children, Southern Death Cult, The Specimen, UK Decay and The Virgin Prunes. Writer Richard North – a member of Brigandage – said the unifying factors were “mystical/metaphysical imagery”, “the sub-world of Crowleyan abyss” and personal style taking in backcombing, blue hair, long black skirts, red trousers and bootlace ties. The Doors were, he said, an influence. So were Read more ...