Bruckner: Symphony No. 8 Australian World Orchestra/Sir Simon Rattle (ABC Classics)
Beethoven: Complete Piano Sonatas Fazil Say (Warner Classics)
When Macedonian pianist Simon Trpčeski first bounced on to the concert scene, he seemed part will-o-the-wisp, part jack-in-the-box, a real personality of coruscating brilliance.
For the first 20 or so minutes and the second encore of this generous recital, I turned into a Trifonite, in thrall to the 28-year-old Russian pianist's communicative powers. Has Scriabin, in an imperious sweep from early to late, ever made more consistent sense?
Floating Islands: Guitar music by Axel Borup-Jørgensen Frederik Munk Larsen (guitar) (OUR Recordings)
Your first thought on hearing there's a new Matthew Bourne Romeo and Juliet might well be 'doesn't it exist already?' So obvious does this marriage of high drama, lush iconic score, and Britain's premier dance maker seem that you might well be forgiven for assuming it had happened years ago. In fact, the show Bourne presented at Sadler's Wells this week is brand new this year.
Montrealers exude a particular kind of happiness and have wonderfully snappy expressions to convey it: “Chu correc”, means ‘I’m fine’, and “C’est l’fun” means...exactly what it looks like.
In the Netherlands, Mark Wigglesworth is already a musical legend for his work with Dutch youth orchestras. Hopefully, in addition to the year and a bit when he wrought miracles at English National Opera, he will become so in the UK after his training of the National Youth Orchestra of Great Britain. That culminated in last night's Prom, with more than a little help from co-inspirer Nicola Benedetti.
On the UK's biggest day of shame, it was some relief to tap in to the fury of the Russian people at a much greater national degradation (Napoleon's invasion in 1812, Hitler's in 1941).
Martinů: The Complete Music for Violin and Orchestra Bohuslav Matoušek (violin), Czech Philharmonic Orchestra/Christopher Hogwood (Hyperion)