pop music
bruce.dessau
The Meltdown Festival's tribute to Tony Wilson was a lot like the charismatic post-punk legend himself: funny, eccentric, obscure, populist; all over the place but never dull. Wilson died in August 2007 and this event was a reminder of his reputation as one of music's most fascinating post-punk provocateurs, giving the world Joy Division, Happy Mondays and more. It was also a reminder of his reputation, as poet Mike Garry put it, as a "knobhead". As someone who appeared on regional news programmes quoting Wordsworth while hang-gliding, Wilson could be spectacularly uncool.Proceedings, hosted Read more ...
matilda.battersby
Following in the stilettoed footsteps of Lady Gaga’s extended-play reissue of her platinum-selling The Fame, Take That’s Progressed is a two-disc repackaging of the November 2010 Progress album featuring eight additional tracks. With its menacing disco beats and penetrating falsetto vocals, it is an evolution to be proud of.Released to coincide with the band’s first tour with Robbie Williams since 1995, the eight new songs are a happy extended narrative of Progress which acknowledges the well-publicised falling outs, carefully mixed in with a hefty dollop of science fiction. Not a combination Read more ...
Thomas H. Green
I'm tired of Emmy the Great being lumped in with crappy singer-songwriters who've had way too much hype but couldn't write a decent lyric if they were tied to a chair and had a pistol pointed at their temple. Emma-Lee Moss bloomed from a singer-songwritery London milieu but she's a cut above the pack.I speak as one who's sick to death of acoustic guitar-strumming whiners. Like Malcolm Middleton, another fine underrated British singer-songwriter, she doesn't throw out one-size-fits-all palliatives for mopers; her songs are grounded yet enigmatic, allegorical, and as precisely constructed Read more ...
joe.muggs
The house music of Chicago, led by producers and DJs, has long had a tendency to feature the greatest vocals of any genre yet not make stars of its singers. And for most of his working life, Darryl Pandy, who died yesterday aged 48, was not the star his huge presence and elemental, gospel-schooled voice warranted – instead working the club circuit and soul revival shows, and featuring on dance tracks scattered across dozens of 12" singles on many labels worldwide.However, Pandy did have one moment of glorious exposure to the mainstream, one which will ensure his immortality, and which also Read more ...
Kieron Tyler
Early on, Vetiver were apparently a freak folk band. Associations and collaborations with Joanna Newsom and Devandra Banhardt helped that tag stick. But constraints don’t concern Vetiver main man Andy Cabac. Fifth album The Errant Charm is accessible and none too freaky. Although introspective and tinged with psychedelia, this is old-school West Coast pop.The Errant Charm is very tasteful. Shimmeringly produced, there’s a gloss that’s hard to get past. Cabac’s voice is softly resigned, close miked and often set back into the mix. The smoothness of The Errant Charm’s surface means that as it Read more ...
howard.male
Sometimes you hear something new and your perspective on music shifts seismically, making everything you were listening to previously sound safe and predictable by comparison. Inevitably, as one gets older and more musically knowledgeable, such moments are fewer and further between; either the shock of the new isn’t as high-voltage as it used to be, or it just irritates rather than stimulates. And so it was a pleasant surprise when, one morning – heralded by a storm of tape hiss and an enthusiastically bashed tribal drum – a new band called tUnE-yArDs (aka Merrill Garbus) came at me from the Read more ...
Thomas H. Green
Dubstep has now permeated pop. Drum and bass was the last British underground bass music to rub up against the mainstream but back in the mid-Nineties the major labels didn't know what to do with it. Apart from launching Goldie's career and leading David Bowie up another excruciating dead end, it failed commercially. Dubstep, on the other hand, has been eagerly embraced by US stars - Jay-Z, Rihanna and Britney Spears, to name three - and UK acts such as Chase and Status, Skream, and Magnetic Man have stormed the charts. This assimilation is invigorating but sometimes, when the latest Read more ...
david.cheal
How much did I like this show? Well, here’s a clue: at the end, the only really bad thing I could think of was that the bass guitar could have been a bit louder. I’ve seen David Gray on stage quite a few times now, and this was easily the most satisfying show, the one that did justice to his voice, his music, his songs, and especially his lyrics, which were, almost uniquely for such an event, audible and understandable almost word for word.Ever since he had a hit 12 years ago with the folktronic “Babylon”, David Gray has become the man that the pop cognoscenti like to sneer at; a singer- Read more ...
Kieron Tyler
Although record producer Martin Rushent was firmly identified with the punk and post-punk eras, the biggest records he had worked on before then were those of Shirley Bassey. His production of The Human League’s epoch-defining Dare changed that.Rushent was a freelance producer and studio engineer – mainly working with artists signed to the United Artists label. It was his enthusiasm that got The Stranglers signed to UA. Before that, he had worked with anyone from prog-rockers Curved Air to pop fodder like David Essex. He’d engineered the T-Rex album Electric Warrior as well.But it was the Read more ...
paul.mcgee
A potent combination of growling electronics, sub-bass frequencies and expressive vocals seems to have moved back to the centre of the UK's pop landscape in recent months, whether via the likes of James Blake, Magnetic Man or even the unlikely sound of Britney Spears appropriating dubstep signifiers on her new record. All of which makes the arrival in the UK of Canadian duo Bonjay seem very timely indeed.Having met at a Toronto club night in 2006, vocalist Alanna Stuart and producer/instrumentalist Ian Swain (aka DJ Pho) acquired a kind of inadvertent cult status through a succession of Read more ...
Kieron Tyler
A question passed through my mind before last night’s Donovan show. Special guests were billed for this celebration of his classic psychedelic album Sunshine Superman. Perhaps they'd include Jeff Beck or Jimmy Page, both of whom played on Donovan's records in the Sixties. Then, introducing “Sunshine Superman”, Donovan mentions the then-session player Jimmy Page, who walks on and joins in. Seeing Page reunited with his pre-Led Zeppelin, pre-Yardbirds session man self was incredible. Needless to say, he played great. Donovan shone.Although Donovan got off to a flying start, scoring a residency Read more ...
matilda.battersby
"I poured my aching heart into a pop song/ I couldn't get the hang of poetry": a line from the title track of the Arctic Monkeys' fourth studio offering, Suck It and See, pretty much sums things up really. The new album is a poppy selection of songs about being in love and the perils of youth, which showcases Alex Turner's distinctive vocals - but the lyrics are terrible.Songs such as "Piledriver Waltz", "The Hellcat Spangled Shalalala" and "Library Pictures" sound like they've been assembled using literary fridge magnets, so random are the descriptive couplings of words. Naturally, Read more ...