pop music
Kieron Tyler
West Coast Consortium’s first single was July 1967’s “Some Other Someday,” a delightful slice of Mellotron-infused harmony pop which wasn’t too far from The Ivy League’s “Funny How Love Can be” and The Rockin’ Berries’ “He’s in Town” – each of which were hits in, respectively, 1965 and 1964. All three bands were on the Pye label and its associated imprint Piccadilly.“Some Other Someday” wasn’t a hit, but it did pick up play on the pirate station Radio Luxembourg. On the single’s flip, the similarly luscious “Look Back.” The topside was co-written by Tony Macaulay, who had signed the band to Read more ...
Thomas H. Green
The joy of CVC, when they catch fire, is the zing of gatecrashing a gang of cheeky, very individual personalities having their own private party. There’s a moment tonight, for instance, midway through the evening, when guitarists David Bassey and Elliot Bradfield, close in on each other, lock eyes, and spar clanging notes with spine-tingling precision. This band are tight, tight, tight. Meanwhile frontman Francesco Orsi dances louchely as keys player Daniel Jones does a manic jig around him. They enliven the venue with a joyful, if practiced, energy.CVC stands for Church Village Collective, Read more ...
joe.muggs
This album has a lot to live up to. Its predecessor Future Nostalgia came along just as the Covid crisis was properly kicking into gear, and it became, in its way, era defining. As we said at the time, it was “the sound of a musician finding their own voice and revelling in it”: Lipa hitting a groove as a very charming avatar of disco/house glitterball vibes, just at the point we most needed them in our lives. Though she was no obscurity before, it catapulted her into the megastar firmament, with its singles achieving streams in the billions, and its status as a classic Read more ...
Miranda Heggie
It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022, saw her continue on the popstar trajectory with synth-heavy songs, so the more laid back folkiness of last year’s release, The Land is Inhospitable and So are We came as a bit of a surprise.Her gig at Edinburgh’s Usher Hall came with some deliberate seeming choices to cement her – at least for now – as a singer of folk-soaked country-style melodies as opposed to the brazen pop bangers of her last couple of records. The seats in the stalls remained, with the whole gig being Read more ...
Jonathan Geddes
First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes a crowd member was cutting, before confirming it wouldn’t be happening on this evening either. You’d have backed Shah to triumph too, given how the rest of the gig showcased her skills with style.Dressed in a black power suit that suggested she could tangle with Melanie Griffth and Sigourney Weaver in Working Girl, Shah has both a superb voice and a terrific stage presence. She prowled around on the opening “Even Light”, all nervy, tense rhythms, Read more ...
Kieron Tyler
The Lemon Twigs aren’t shy about telegraphing their inspirations. A Dream is all we Know, their swift follow-up to last May’s Everything Harmony, is stuffed with references. “Sweet Vibration” is rooted in The Left Banke’s “She May Call You up Tonight.” “In the Eyes of the Girl” draws from The Beach Boys’s “Girls on the Beach.” Album opener “My Golden Years” nods to second album Big Star. Todd Rundgren looms large over the album’s title track.Brian and Michael D’Addario’s bold fifth album needs, though, to have more going for it than good taste and evidence for a cool record collection to make Read more ...
Ellie Roberts
Taylor Swift’s unfathomable ability to articulate human emotion shines as brightly as ever in her latest double album The Tortured Poets Department: The Anthology. The 31 track collection combines the gentle melodies of previous albums folklore and evermore, the soul baring chaos of Red, the cool synth-pop production of Midnights, and the extreme vulnerability and intricate storytelling that is persistent throughout her entire discography.Swift’s dedication to authenticity is to be credited for the success and inevitable longevity of this album. Having shared a diaristic account of her Read more ...
joe.muggs
At 24, Bradfordian Nia Archives has already clearly marked out her musical territory.While many of her Gen Z contemporaries have embraced the rave, jungle and drum’n’bass sounds of the early-mid 1990s, she’s done it more wholeheartedly than most: particularly rebuilding the rolling breakbeats and deep bass of jungle as a kind of British urban folk music, collaborating with older generations (original junglists DJ Die and Randall of Watch The Ride), and demonstrating how her natural Caribbean-influenced Yorkshire vocal articulation fits perfectly into that. Crucially, though, having shown Read more ...
Kieron Tyler
Half-way through this three-CD set, the energy level suddenly shifts upwards. It’s just one track of the 67 collected, but in this context this basic, blunt recording stands on its own. Issued in October 1974, Dr. Feelgood’s debut single “Roxette” was an early sign that British music could change, needed to change.Along with “Roxette,” Patterns on the Window - The British Progressive Pop Sounds of 1974 features a few other tracks associated with the back-to-basics pub rock phenomenon: Ace’s soul-rock hit “How Long,” Brinsley Schwarz’s “The Ugly Things” and Kilburn & The High Roads's “ Read more ...
mark.kidel
The second act of a trilogy, launched with “Renaissance” (2022), Beyoncé’s latest release has been loudly proclaimed as her “Country” album. In a tradition of surprising and controversial self-reinventions that includes among others Bob Dylan’s gospel albums and Ray Charles’s “Modern Sounds in Country and Western” (1962), the superstar has once again broken the rules of genre, and done her own all-too-remarkable thing – with the usual brilliance and panache.Of course, this is so much more than a Country album, even though she's surrounded herself with some of the top black Country singers, Read more ...
Kieron Tyler
“So Ends Another Life” is strange. Very strange. The song’s dolefulness is immediately set up with a strummed guitar along the lines of the intro to The Bee Gees’ “New York Mining Disaster.” “In a world of agitation, there’s no time for compassion” are the opening lyrics.As it continues, the song asserts that life goes on until you don’t belong. The chorus bleakly commences “so ends another life.” It takes the Gibb brothers’s most maudlin moments to the Nth degree. The arrangement’s use of brass and strings enhance the Bee Gees feel.Next up on the album featuring “So Ends Another Life” is “ Read more ...
Thomas H. Green
Dee C Lee was born Diane Sealy in London in 1961. She is best known for her 1985 hit “See the Day”, later covered by Girls Aloud, and for being in two of the Eighties' most notable pop acts, The Style Council and WHAM!. But she was also prolifically involved in multiple other musical projects, and now has a new album appearing, Just Something, her first in over 25 years.Lee’s first break came through talking her way into working with the British soul outfit Central Line, who had a couple of US club hits in 1981. From here, EMI picked her up as a session singer and, alongside Shirlie Holliman Read more ...