Regulars of theartsdesk will be familiar with the work of Jillian Edelstein. Her portraits of cultural figures have adorned several of our series, theartsdesk Q&A. There is now a chance to see pictures from her most celebrated collection at a new gallery and bookshop in south London. Edelstein was the photographer charged with recording in her native South Africa the Truth and Reconciliation Commission hearings. Held all over the country across a four-year time span, the Commission afforded victims the chance to confront their perpetrators and through their confessions seek, if not Read more ...

Either it’s a bizarre accident. Or there’s something in the water. Port Talbot, the unlovely steel town in Wales where smoke stacks belch fumes into the cloudy coastal sky, has been sending its sons to work in Hollywood for decades now. Richard Burton was the first to put his glowering blue eyes and golden larynx at the service of Tinseltown. Anthony Hopkins, for all his American passport, has never shed the native tinge from his accent. And in recent years there has been Michael Sheen (b. 1969).Right from the start it was clear that Sheen was more suited to playing oddballs and misfits than Read more ...

As there's something of a forest theme this weekend on theartsdesk, with the Royal Opera House's If-A-Tree festival curated by Joanna McGregor with Scanner, and a report from this year's Borneo Rainforest World Music Festival, and here, a diary of an extraordinary trip I took in 2003 to sample the culture and music of the Pygmies deep in the heart of the Central African Republic.Day 1: The Beauty Contest The Miss Bangui beauty contest takes place at the Palais de l'Assemblée, an edifice built by North Koreans, where the Central African Republic's parliament used to meet. Since democracy was Read more ...

Tony Blair’s style of leadership was often mocked for being “presidential”, but last night it was Andrew Marr, in sober suit/ shocking orange tie combo, who gave off something of that self-assured “presidential” air. Standing outside No 10, Marr addressed the people in his smoothly measured, gently emphatic way. He is, of course, an interviewer we feel we can trust (not to be flim-flammed or bamboozled), but, really, we already knew that this was hardly going to be the political TV interview of the decade – just, more or less, a reaffirmation of everything Tony Blair always knew and believed Read more ...

JasperRees Not long now till Tony Blair faces interrogation by A Marr. GraemeAThomson and I tweeting a live reviewGraemeAThomson Nice to see they’ve scheduled it straight after Restoration Roadshow. Someone at the Beeb with a GSOH?GraemeAThomson Marr's gone with the orange tie. ProvocativeJasperRees Are you prepared to speculate about the timing of the Hague twin-bed allegations? Who wins? Who loses?GraemeAThomson I admired the directness of Hague’s statement earlier on. May make everything Blair says seem a bit evasive by comparisonJasperRees Can’t quite tell if he's really slagging off Read more ...

The Leopard is being re-released by the BFI this week in a new digital restoration. Luchino Visconti’s adaptation of Giuseppe Tomasi di Lampedusa’s great Sicilian novel was first seen in 1963 and went on to win the Palme d’Or at Cannes. Il Gattopardo, to give it its Italian name, charts the decline of the house of Salina, a once mighty clan of Sicilian nobles who watch their power slip away as Garibaldi drags 19th-century Italy toward unity and modernity. But alongside the political narrative, book and film give a starring role to another timeless Italian reality: food.Lampedusa’s novel Read more ...

With the charm-cum-cheek of a naughty schoolboy, Patrick Monahan is an instantly likeable presence whose latest show, I Walked, I Danced, Iran, is a lop-sided but very funny hour-and-a-bit of observational comedy. Monahan is a veteran of several Fringes and a regular on The Paul O’Grady Show on Channel 4. His physical verve is dampened only slightly by ligament damage, caused by “pratting about” at the previous evening’s show but his pronounced limp doesn’t stop him sliding down the stairs from the balcony to make his arrival, although he does retreat to a stool at several points.Patrick Read more ...

After making her Edinburgh debut last year, Tiffany Stevenson returns with another cracking show, Dictators. Ostensibly it’s about Mao, Hitler, Pol Pot, et al, but in reality she cleverly  manages to do a show about the mother-daughter relationship and our obsession with celebrity in the guise of a political theme. Mums, celebs and bastards on the same bill - it's a stroke of genius.Tiffany Stevenson, The Stand **** Stevenson is hugely likeable and self-deprecating; before she wrote this show, she tells us, “the Cultural Revolution was a pot of yoghurt to me”. But the serious stuff is very Read more ...

In the second part of this historic career overview interview with the unique British impresarios, Victor and Lilian Hochhauser talk about their razor-edged relations with Soviet apparatchiks and the pressures they came under to prevent artist defections. Victor (who is a very engaging raconteur) reveals the lengths the Russians tried to go to stop Pierre Boulez conducting Berg in the USSR - liver-busting ceremonial vodka sessions, and a solution of Lewis Carrollian ludicrousness. "I hated them," he says, "but we needed each other."Following on from last week's revelations about their Read more ...

During the 1980s, a major artistic response to the Conservative government came in the form of a sustained surge in music that was, on some level at least, politically engaged. Not necessarily in the classic agitprop manner either. For every band of Red Wedge-compliant rabblerousers, there'd be another act insisting that "the personal is political", as they made domestic power struggles or everyday banalities their preferred songwriting topic. With a Tory government once more, pursuing an aggressive programme that possesses uncomfortable echoes of the Thatcher era, emerging Liverpool Read more ...

The Arts Council of England has escaped the government axe - unlike the UK Film Council. Reports over the past week or two paint a grim picture of diminishing arts budgets in Scotland, Wales and England while the Conservative-Lib Dem Government takes its machete to what it considers the fat in public spending.The ACE is already implementing a £23 million cut in its 2010-11 budgets originally set at £468 million - £4million ordered last year in Darling's budget, another £19million now. Detailed budgets for supported arts organisations will become clearer over the autumn.In a written statement Read more ...

If you could boil down Robert Tressell’s brilliant socialist novel to a single observation, it would be that rich people do nothing, while the poor work their (ragged-trousered) arses off. So it’s a very clever conceit on the part of Howard Brenton’s new adaptation for the Chichester Festival, as well as a thrifty move for what must be one of its lower-budget productions, to have members of the workforce play their well-to-do exploiters. They line up near the beginning as if queuing for stewed tea or tools, and instead receive padded waistcoats and rubbery facemasks, all tusk-like Read more ...