Poland
Lee Miller, Tate Britain review - an extraordinary career that remains an enigmaSaturday, 04 October 2025![]() Tate Britain’s Lee Miller retrospective begins with a soft focus picture of her by New York photographer Arnold Genthe dated 1927, when she was working as a fashion model. The image is so hazy that she appears as dreamlike and insubstantial as a... Read more... |
Rohtko, Barbican review - postmodern meditation on fake and authentic art is less than the sum of its partsSaturday, 04 October 2025![]() It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually challenging as they are visually exhilarating. Last week, audiences were asked to understand the forces of... Read more... |
Album: Lorde - VirginThursday, 26 June 2025![]() Lorde’s trajectory is continually fascinating. From the minimalist, sparse electropop of Pure Heroine to the similar but more grandiose production of Melodrama was a linear progression, but then came the acoustic... Read more... |
The Last Musician of Auschwitz review - a haunting testamentTuesday, 13 May 2025![]() “It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring to the genocide perpetrated by the Nazis in concentration camps like Auschwitz-Birkenau, where she was... Read more... |
Blu-ray: GolemTuesday, 18 February 2025![]() In Jewish folklore, a golem is an inanimate clay figure, brought to life when a magic word is placed inside its mouth. Piotr Szulkin’s dark 1979 film debut makes reference both to this legend and to Gustav Meyrink’s unsettling 1914 novel, moving the... Read more... |
A Real Pain review - Jesse Eisenberg and Kieran Culkin take a Holocaust tour of PolandWednesday, 08 January 2025![]() Jesse Eisenberg's first film as writer/director was 2022’s When You Finish Saving the World, which met with modest acclaim. But he’s taken a giant leap forward with the follow-up, A Real Pain, which has been hoovering up critical plaudits from... Read more... |
Blu-ray: PharaohTuesday, 19 November 2024![]() Jerzy Kawalerowicz’s Pharaoh (Faraon) is a state-funded superprodukcja, a 152-minute Polish epic, set, incongruously, in Ancient Egypt. First released in 1966, it wasn’t intended to be an Eastern Bloc copy of Mankiewicz’s Cleopatra; Pharaoh is an... Read more... |
Olga Tokarczuk: The Empusium review - paranoid proseTuesday, 22 October 2024![]() In his first of a series of meditations on the sickness that was consuming him, John Donne reflected upon the special kind of paranoia that attends the ill individual. Each person is, by virtue of "being a little world", supremely conscious of a... Read more... |
London Film Festival 2024 - the Vatican, the Blitz, a trip to Poland and a surfin' nightmareSaturday, 12 October 2024![]() ConclaveDirector Edward Berger won an Oscar for his last feature, All Quiet on the Western Front (2022), but here he concerns himself with the more intimate and claustrophobic battlefield of the Vatican. The Pope (Bruno Novelli) has died, and under... Read more... |
Green Border review - Europe's baleful boundaryFriday, 21 June 2024![]() We’re used to dabs of colour splashing briefly across black-and-white movies – Spielberg’s Schindler’s List or Coppola’s Rumble Fish spring to mind – but director Agnieszka Holland has a new and uncompromising variant on the ruse.The colour opening... Read more... |
Murray, Vlaams Radiokor, LPO, Gardner, RFH review - visual ‘interpretation’ blunts sonic brilliance in Szymanowski rarityThursday, 07 March 2024Chances are few enough to catch Polish composer Szymanowski’s densely brilliant 1920s score for a ballet about love in the Tatra mountains. Harnasie (Robbers) is so little known that we need a clear line through action and sung text. That all went... Read more... |
Blu-ray: Jerzy Skolimowski - Walkower, Bariera, Dialóg 20-40-60Tuesday, 20 February 2024![]() Diving into this three-disc set of early films by maverick Polish director Jerzy Skolimowski leaves one reeling, an arresting reminder of the vibrancy and flair of so much 1960s Eastern European cinema.This isn’t a valedictory package: Skolimowski,... Read more... |
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