physical theatre
British Paraorchestra: The Nature of Why, Brighton Festival 2019 review - it's a happening!Tuesday, 07 May 2019
The Nature of Why is not so much a concert as a multi-discipline happening. To assess it is to relate a human experience rather than just an aesthetic appreciation of the new orchestral work by Goldfrapp’s Will Gregory which is at its heart. On the... Read more... |
Brighton Festival 2019 launches with Guest Director Rokia TraoréWednesday, 13 February 2019
The striking cover for the Brighton Festival 2019 programme shouts out loud who this year’s Guest Director is. Silhouetted in flowers, in stunning artwork by Simon Prades, is the unmistakeable profile of Malian musician Rokia Traoré. Taking place... Read more... |
Counting Sheep, The Vaults review - visceral recreation of an uprisingThursday, 31 January 2019
Is there a connection between revolution and theatre? The answer has to be yes – a visceral one. The supremacy of symbols, the collective strength of a crowd, a sense that some kind of pressure valve is being released to challenge the dominant... Read more... |
The Unreturning, Theatre Royal Stratford East review - hymn to homeFriday, 18 January 2019
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first season having begun in September last year, has been widely seen as part of a new wave of cultural leaders who are expected to shake up the country's... Read more... |
Pericles, National Theatre review - a fizzingly energetic productionMonday, 27 August 2018
A break-dancing mini Michael Jackson, a transvestite Neptune, and a hero who wears his hubris as proudly as his gold-tipped trainers, are unconventional even by Shakespeare’s standards, but they all play a key part in this joyful act of subversion.... Read more... |
Edinburgh Festival 2018 reviews: Home / The PrisonerMonday, 27 August 2018
Home ★★★★ Philadelphia-based theatre artist Geoff Sobelle has scored highly with two previous Edinburgh Fringe shows. Flesh and Blood & Fish and Fowl, way back in 2010, imagined the natural world wreaking ruthless... Read more... |
English, Festival of Voice, Wales Millennium Centre review – lost in languageMonday, 18 June 2018
Despite the Welsh repute for singing, the Festival of Voice in Cardiff has always been more than just music. Indeed, on the Friday evening, Welsh/Cornish pop enigma Gwenno was appearing alongside the gloriously titled one woman show Lovecraft (Not... Read more... |
My Name is Lucy Barton, Bridge Theatre review - Laura Linney is luminous in a flawless productionThursday, 07 June 2018
In Harold Pinter’s memory play Old Times, one of the women declares, “There are some things one remembers even though they may never have happened.” Elizabeth Strout’s heroine in My Name Is Lucy Barton is in the reverse position. When it comes to... Read more... |
Fatherland, Lyric Hammersmith review - loud and proud, shame about the contentSaturday, 02 June 2018
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial subject for British new writing, and this new piece from playwright Simon Stephens, Frantic Assembly director Scott Graham and Underworld musician Karl Hyde... Read more... |
Picks of Brighton Festival 2018 by writer-director Neil BartlettThursday, 03 May 2018
Director, playwright and novelist Neil Bartlett has been making theatre and causing trouble since the 1980s. He made his name with a series of controversial stark naked performances staged in clubs and warehouses, then went on to... Read more... |
10 Questions for Sharon Smith of Arts Collective Gob SquadThursday, 26 April 2018
Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in multimedia performance. Beginning in Nottingham in 1994 and now based in Berlin, their work ranges from site-specific to installation and film but, more recently, mainly... Read more... |
Us/Them, National TheatreTuesday, 24 January 2017
Unimaginable tragedy is given poignant, piquant form in Us/Them. The hour-long performance piece from Belgian theatre company BRONKS has arrived at the National after a much-acclaimed Edinburgh Festival premiere last year. In its intricate weave of... Read more... |
