Paris
Kieron Tyler
A woman tramps the streets of Paris looking for a man. It’s night. It’s raining. She pops into bars asking for him. Everyone knows who he is. He’s been seen, but not recently. Earlier, early in the evening, she was supposed to meet him but he hadn’t turned up. She doesn’t know it, but he’s stuck in the lift of an office block. He thought he’d be in and out of the building in moments. While trapped, the car he’d parked across the street has been taken by a leather-jacketed young tough who brings his girlfriend from a florist’s along for the joyride.Lift to the Scaffold has three strands, Read more ...
fisun.guner
From Hogarth through to Gillray and Cruikshank, it was Georgian England that gave rise to a graphic tradition of satire. The powerful were lampooned and the pretensions and avarice of the upper and aspiring classes duly ridiculed. But the poor did not escape moral censure. Far from it. Then as now we had the virtuous and the feckless poor, and it was the love of gin that often bought the latter down.But as biting caricature in England waned, giving way to the more genteel illustrations of the Victorian era, one figure in France was to dominate the form: Honoré Daumier, whom Baudelaire – that Read more ...
Demetrios Matheou
The careers of writer Hanif Kureishi and director Roger Michell are indelibly linked, with a collaboration that has now lasted 20 years. In 1993 Michell, then an accomplished theatre director who was relatively new to the camera, directed Kureishi’s adaptation of his novel The Buddha of Suburbia for the BBC, with great success. After a nine-year gap – and Michell’s phenomenal hit with Notting Hill – they rekindled their relationship for the big screen, with Michell directing Kureishi’s original screenplays for The Mother (2003), Venus (2006) and now, their third film together, Le Week- Read more ...
Kieron Tyler
Arriving in Paris from New York after graduating from university and splitting with his girlfriend, Simon has no idea what he’s going to do there beyond trying to find the focus lost during the break-up. What he actually does is the subject of Simon Killer, an unsettling, atmospheric yet not wholly satisfying second film as director from Antonio Campos, the producer of the more-recent Martha Marcy May Marlene, which also featured Brady Corbet. Simon Killer was devised while that was being completed.As the repellent and unfathomable Simon, Corbet is on screen the whole time. He may or may not Read more ...
stephen.walsh
Having spent most of the summer on Wagner’s Ring, Longborough are now giving, as a kind of bergamasque, an opera whose entire length would fit into the first act of Götterdämmerung. La Bohème is everything The Ring is not. It is concise, melodious, playful, sentimental and weepy. Yet oddly enough, it could never have been written without Wagner. Puccini’s ears were open to every kind of influence, and quick to transform everything into a personal expression. So Bohème thrives on leitmotifs, skilfully worked transitions, complex simultaneities, and thematic orchestration – all those devices Read more ...
David Nice
You can get away with playing ballet music of the Ancien Régime on Bastille Day so long as you end with a revolution. That was how live wire François-Xavier Roth and his mostly French musicians angled it, covering nearly 250 years of Parisian dance premieres on their way to the Proms centenary performance of Stravinsky’s The Rite of Spring. Roth promised surprises in heading back to Stravinsky’s 1913 autograph manuscript, but those mostly came in the last minute, and plenty of other novelties delighted on the way to the sacrifice.There were spectacles few, if any, will have seen at the Proms Read more ...
Simon Munk
Memory is fertile ground for dystopian science fiction. After all, if you can't remember the past properly, if your memories are fake, implanted, then you can't trust your own beliefs or the history that you are being told informs the current political discourse.Charlie Brooker's excellent Black Mirror series looked at this with "The Entire History Of You" episode and science fiction writer (and paranoid schizophrenic) Philip K Dick was a master of memory games ‑ see both Total Recall and Bladerunner. At the core of Remember Me is a brilliant, interactive take on implanted memories.Nilin is Read more ...
Tom Birchenough
You can only marvel at the family intrigues that virtually closed down the legacy of photographer Erwin Blumenfeld in the years following his death in 1969. "Destroy, destruct, separate, divide,” was the emphatic double-phrased imperative with which one of his granddaughters described the “family legacy” in The Man Who Shot Beautiful Women, the BBC Four documentary that’s itself the work of another descendant, grandson Remy Blumenfeld, who wrote and produced this film by Nick Watson.It’s astonishing that it’s the first such screen tribute to a figure of Blumenfeld’s stature: the efforts of Read more ...
mark.kidel
“Chronicle of a Summer” (“Chronique d’un été”) is one of the great documentaries of all time – and a work that could only have been made in France, home of the immensely influential Cahiers du cinéma and the constant ferment of speculation on the nature of film. The BFI’s release of the 1960 classic by Jean Rouch and Edgar Morin couldn't be more timely: documentary flourishes today as at no other time in the history of cinema and attracts some of the world's best film-makers.The realm of non-fiction cinema, first explored by the Russian avant-garde pioneer Dziga Vertov in the 1920s, is free Read more ...
David Nice
Fans of this bewilderingly popular musical, and they are legion, will not be disappointed. Director Tom Hooper knows how to tell a fast-moving tale that makes light of the final running time (originally 158 minutes, slightly shorter in this DVD release, which offers no extras. Those who went to the film more than once will, I'm told, miss a couple of scenes). The lighting is appropriately lugubrious, most of the settings convincing – though occasionally there’s too much dependence on CGI – and famously the singing actors perform their numbers on set, often in long takes. Casting is strong, Read more ...
Sebastian Scotney
Orpheus, set in an imaginary Paris in the 1930s, delivers an unashamedly escapist and a quite delightful evening's entertainment. The Orpheus myth is often a pretext for fantasy or fun. Maybe the original, tragic tale is just too unremittingly dark and poignant. But while Offenbach, for example, camped and cancanned it up, and Cocteau found poetry in his vintage cars and his motorbikes, the Little Bulb company's twist on the story – in a co-production with Battersea Arts Centre - has been to make Orpheus into a suave guitarist - Django Reinhardt (Dominic Conway) - and Eurydice (doubling as Read more ...
David Nice
Excess of light and heat sends sun-god Apollo’s son Phaeton tumbling from his father’s chariot. The light was iridescent and the temperature well conditioned as peerless Christophe Rousset led his period-instrument Les Talens Lyriques and a variable group of singers through a concert performance of Lully’s 1684 tragédie-lyrique, a specially pertinent, heliotropic operatic homage to le roi soleil Louis XIV. That there was never a dull moment probably owed more to Rousset’s extraordinary if always tasteful animating gift as both conductor and harpsichordist than to the work itself, sensitive to Read more ...