National Theatre
james.woodall
Nine years ago, historian Jan T Gross published a book called Neighbours. It chronicled, and tried to analyse the reasons for, the massacre of 1,600 Jews in a north-eastern Polish village, Jedwabne, in July 1941. That was a month after Hitler’s invasion of the Soviet Union, into which, in 1939, this bit of Poland had been absorbed by Stalin. The unexamined historical assumption had been that, like so many similar east European communities, Jedwabne simply fell victim to the by then efficiently exercised Nazi lust for Jewish annihilation.Gross suggested otherwise – that half of Jedwabne’s non- Read more ...
aleks.sierz
Richard Bean's monster mainstage play, England People Very Nice, was about immigration to London's East End - and was easily the most controversial play of 2009. He is a son of Hull (b. 1956). He is one of the most prolific and talented playwrights to emerge on the British new writing scene since the start of the new millennium. He is also a late developer: before becoming a playwright, he was a stand-up comic, and before that an occupational psychologist. As a writer, he first came to attention with his play Toast at the Royal Court in 1999, one of his gritty work plays, which he once Read more ...
Matt Wolf
Adrian Lyne met controversy in the cinema with it head on, while Vladimir Nabokov's novel prompted one of the resounding Broadway flops of Edward Albee's stage career. (Trust me: I am among the few who caught its 1981 New York run.) So here is Lolita once more, this time filleted and distilled into a one-person show suspended somewhere between a stage reading and an actual play. Call it what you will, the result is mesmerising.By letting Nabokov's own sly, ever-shifting narrative voice do the talking, Richard Nelson's adaptation cuts to the quick in a way that the various other Lolitas simply Read more ...