medieval
David Nice
They're having a laugh at Holland Park, surely: offering 700 pay-what-you-like tickets to hook newcomers on the wonderful world of opera, and then serving up a Pythonesque staging of an immoveable Italian dinosaur. Three fine singers wasted, a fourth prematurely past his prime: with these and less, director Martin Lloyd-Evans, the man who among many other things brought you Wallace and Gromit: Alive on Stage, apologetically presents Francesca da Rimini: Dead on Arrival.They're having a laugh at Holland Park, surely: offering 700 pay-what-you-like tickets to hook newcomers on the wonderful Read more ...
fisun.guner
Terry Jones and Tim Marlow engage in a polite conversation about art
He may be a writer, a director, an actor, a historian, and, of course, a former member of Monty Python, yet rather than being a Renaissance man, Terry Jones is clearly a mediaevalist at heart. We know this not only because he has written well-received books on Chaucer and medieval history, but an amiable half hour spent in his company at the National Gallery shows us just where his sensibilities lie. He was the first guest in a series inviting celebs to talk about their favourite artworks and Tim Marlow, whose televisual style is so effortlessly smooth and mellow that you might mistake him Read more ...
anne.billson
When were you last horrified by a horror movie? Really horrified, that is, as opposed to merely creeped out, or disgusted, or amused. Black Death is a proper horror movie, for grown-ups rather than ADD-afflicted teens, and I'll wager grown-ups will be duly horrified by it. Not because of the gore - although it does have a fair amount of that - but because it takes you on a real journey into the heart of darkness, and you might not like what you find there.This Anglo-German production is the fourth film from Bristol-born director Christopher Smith, who has been steadily improving since his Read more ...
Ismene Brown
Collaborations for dance, theatre and other things are coming thick and fast at Sadler’s Wells nowadays - these are not halcyon days for pure choreography. Sidi Larbi Cherkaoui has become a regular at Rosebery Avenue with his mixed-theatre works FOI, Myth, Zero Degrees and Sutra, with Antony Gormley, Akram Khan and the Shaolin Monks, and now here's his fifth, BABEL (words). This is definitely wordy, and certainly a Babel of languages, Japanese, French, Italian, Turkish, Dutch, German, daffy in places, an aimless drag in others, and a mystifying 100 minutes long (yet certainly no less Read more ...
Jasper Rees
Detail of the War of Troy tapestry, woven in wool and silk, Tournai, France (1475-1490)
After the opening earlier this autumn of the reconfigured Ceramic Galleries, the Victoria & Albert Museum's renovation continues. Here is a selection of exhibits on permanent display in the newly reopened Medieval and Renaissance Galleries - Fisun Güner reviews the display elsewhere in theartsdesk. The Robinson Casket, from Kotte, Ceylon, c. 1557 The Burghley Nef salt cellar, Paris, 1527-8 Andrea Riccio: Shouting Horseman, Padua, c 1510-15 Giovanni Antonio Baffo: Harpsichord, Venice, 1574 Giovanni Pisano: Figure of the Crucified Christ, Italy, 1285-1300 Salamander Pendant, Europe, late Read more ...