Manchester
Robert Beale
Adam Gorb’s The Path to Heaven, with libretto by Ben Kaye, is his longest work to date (almost two hours’ running time without interval) and on a story that could hardly be more tragic – the Holocaust. Its premiere at the Royal Northern College of Music was conducted by Mark Heron and given by members of Psappha with singers and musicians from the RNCM, directed by Stefan Janski.This was the culmination of a two-day festival of the music of Anthony Gilbert and Adam Gorb (pictured below), the first and present Heads of Composition of the RNCM respectively. It’s really a kind of opera Read more ...
Robert Beale
Juanjo Mena, chief conductor of Manchester's BBC Philharmonic for the past seven years, took his official leave of them with a programme reflecting his great love, the music of his Spanish homeland. Albéniz and Falla, to be precise, and the greater part was a complete concert performance of the latter’s opera La Vida Breve. A quality list of Spanish singers had been engaged – notable among them Nancy Fabiola Herrera, as Salud – along with the Spanish Radio and TV Chorus, Coro RTVE.So there was a festive feeling in the air from the outset: the concert was to be a celebration of a warm Read more ...
Javi Fedrick
Although once famous for her Australian drawl and hazy jams, on her most recent album Tell Me How You Really Feel, Courtney Barnett has transformed herself into an all-singing indie star, resulting in something more assured, vulnerable, and intense than her previous work. Touring the UK with her band of Bones Sloan, Dave Mudie and Katie Harkin, her 19-song set in Albert Hall in Manchester is faultless.Barnett starts by playing Tell Me How You Really Feel in its entirety. The reflective songs sound hefty and visceral live. The delicate “Need A Little Time Out” rests on chugging guitars and Read more ...
Javi Fedrick
Unknown Mortal Orchestra’s four albums all centre around off-kilter pop and flirtations with distortion; their latest LP, Sex & Food, carries this tradition forwards in a more laid-back manner. Their current European tour in support of the album seems to have lined up nicely with the schedules of American acts Deerhunter, Black Lips and Sam Evian (as well as much-hyped British act Boy Azooga), with all five artists descending on the Albert Hall in Manchester for the six-hour Strange Waves III.Between the criminally early start time of 5pm and Transport for Manchester’s bus timetabling Read more ...
Javi Fedrick
Pinkshinyultrablast might be a long way from their hometown of St Petersburg, but in recent years they’ve built themselves up in England as one of the more bizarre and original bands in today’s psych/shoegaze revival, and on the day their third album Miserable Miracles is released, they hit the north for a night of fuzz and electronic trickery.Support comes from Warm Digits, whose propulsive set has the room hooked from the off. Mostly playing tracks from their 2017 LP Wireless World, drummer Andrew Hodson and guitarist Steve Jefferies don’t let the groove drop, with their songs forming, Read more ...
Thomas H. Green
Blossoms are the latest inheritors of the massive-in-Manchester mantle that has, so often in the past, translated into massive-almost-everywhere ubiquity. That their eponymous 2016 debut album was a chart-topper shows they’re on the way, although they’ve not yet mustered a single that’s thrown them to the next level. The surprise when they first appeared was that, although they look indie and have fans such as Ian Brown of The Stone Roses, their sound was a blend of polished yacht-rock and electro-pop, more The Killers than New Order. With Cool Like You, the rock aspect is almost gone. This Read more ...
Robert Beale
John Wilson has built a reputation as a conductor which marks him out as a musicians’ musician. He doesn’t present himself with any pomposity, even wearing a neat black tie and lounge jacket on this occasion, while the male musicians around him were in white tie and tails. He doesn’t play to the gallery either: there’s a smile and a bow, but no flamboyance in his on-stage demeanour. He does deliver in performance, though – with a crystal-clear beat, lots of cues and anticipation, and calm and gentle reminders of points of expression and phrasing.His niche in the gallery of conductor Read more ...
Robert Beale
Engelbert Humperdinck’s Hansel and Gretel is a ‘"fairytale opera" (its composer’s description), and yet one characteristic frequently commented on is its "Wagnerian" scoring. For this production, with David Pountney’s English translation, the RNCM used Derek Clark’s reduced orchestration.Good idea, because the college has always been concerned that still-maturing voices should not be forced into trying to dominate massive orchestral sounds, and with that in mind has in recent years often provided surtitles for the audience to follow, even when the sung language was English. This time they Read more ...
Robert Beale
Just over a year since his Bridgewater Hall début, Ben Gernon appeared with the BBC Philharmonic there again – this time well into his role as their Principal Guest Conductor, yet his first concert with them there since officially taking up the position. A lot has happened in his career in those 13 months, both with the Philharmonic and elsewhere, and his website now boasts many more laudatory quotes beside the one from me a year ago, that he “knows how to give his musicians the freedom to do what they do best”.But that’s still one of the main impressions of the way he works with the Read more ...
Robert Beale
The Czech Philharmonic on tour are a familiar sight, and they have built a following appreciative of their particular qualities, since they are an orchestra with a sound of their own – the way European orchestras used to be, in some respects. A distinguished colleague used to call them the bouncing Czechs: I like to think they are like the best of their homeland’s beer: rich, mellow, and full of character and body.The present tour has partly varied programmes, but Dvořák’s "New World" Symphony and a cello concerto with soloist Alisa Weilerstein are in most of the remaining ones, with tomorrow Read more ...
Javi Fedrick
Kendrick Lamar has never been afraid to experiment. Since his first studio album, Section 80, was released in 2011, he’s explored funk, jazz, rock, soundtracks, ballads, and (of course) hip-hop, building himself a reputation based as much on his musical risks as his outspoken political views (as seen in the Black Lives Matter-orientated To Pimp A Butterfly, released to critical acclaim in 2015). Although latest album DAMN. is perhaps his most conventional to date, the wit, religious allusion, and vague sense of unease lurking beneath the surface are fully brought out live, making Lamar’s set Read more ...
Jasper Rees
In 11 seasons of Frasier, John Mahoney played Marty Crane, a cussed blue-collar ex-cop who couldn’t quite understand how his loins came to produce two prissily cultured psychiatrists. His ally in straight-talking was his physiotherapist Daphne, whose fish-out-of-water flat-cap vowels were apparently the result of a gap in the scriptwriters’ field of knowledge. “When they wrote that Daphne is a working girl from Manchester," explained Mahoney, "they had no idea what that meant. The accent really threw them." It wasn't apparent from his Midwestern growl, but Mahoney was the one who was able to Read more ...