thu 07/11/2024

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How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy

It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs...

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Filumena, Theatre Royal Windsor review - Mozartian marriage comedy with pasta sauce

Of all the ingenues in all the world of golden TV sitcom, Felicity Kendal was the most innocent, the most wicked, the most deceptive, with an amaretto voice that wheedled like a child and seduced like a witch. Half a century on, there must be a heck...

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Joker: Folie à Deux review - supervillainy laid low

“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing good business for Hollywood before and since.We root for them and we don’t root for them at the same time, which is perhaps...

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Album: Joan as Police Woman - Lemons, Limes and Orchids

You don’t need me to tell you that this particular law enforcer has served up yet another meaty helping of genius. It’s what we expect. So here she is, over-delivering again on her 12th album. A salve for the soul, Joan Wasser’s...

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Album: Snow Patrol - The Forest is the Path

Contrary to popular belief, not all music journalists get off on being snide about the same old easy-to-slate bands. When something like this album arrives in my review schedule, my instinct is to seek the good, to stick two fingers up to my...

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Blu-ray: Floating Clouds

Once regarded as highly as Kurosawa and Ozu, Japanese director Mikio Naruse’s star has fallen in recent decades, with few of his films readily available in the West. I’d suggest reading Hayley Scanlon’s concise introduction to Naruse’s work on the...

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Shifters, Duke of York's Theatre review - star-crossed lovers shine in intelligent rom-com

Pete Waterman, responsible (some might prefer the word guilty) for more than 100 Top 40 hits, said that a pop song is the hardest thing to write. Boy meets girl; boy loses girl; boy gets girl back – all wrapped up in three minutes. Benedict Lombe’s...

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Fiddler on the Roof, Regent's Park Open Air Theatre review - dazzling gem of a production marks its diamond anniversary

If I were a rich man, I'd be inclined to put together a touring production of Fiddler on the Roof and send it around the world, a week here, a week there, to educate and entertain. But, like Tevye, I also have to sell a little milk to put...

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Tristan und Isolde, Glyndebourne review - infinite love at white heat

Richard Strauss described conducting Wagner’s Tristan und Isolde for the first time as "the most wonderful day of my life". It’s understandable that Glyndebourne’s music director Robin Ticciati should wish to improve upon “wonderful” in conducting a...

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Edinburgh Fringe 2024 reviews: Heartbreak Hotel / The Gummy Bears' Great War / The Ceremony

Heartbreak Hotel, Summerhall ★★★★ If the show’s title leaves you expecting schmaltz and dodgy Elvis impressions – well, you might be disappointed, and possibly pleasantly surprised. This quietly powerful two-hander from New Zealand-based...

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Marie Curie, Charing Cross Theatre review - like polonium, best left undiscovered

There are many women whose outstanding science was attributed to men or simply devalued to the point of obscurity, but recent interest in the likes of DNA pioneer Rosalind Franklin and NASA’s Katherine Johnson has given credit where credit is due....

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Spirited Away, London Coliseum review - spectacular re-imagining of beloved film

Legions of Ghibli fanatics may love the heartwarming My Neighbour Totoro and the heartbreaking Grave of the Fireflies, but they revere Spirited Away, their, our, The Godfather and The Wizard of Oz rolled into one. Totoro has been magnificently...

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