tue 29/09/2020

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Sunnymead Court, Tristan Bates Theatre review - a lovely lockdown romance

The first words of Sunnymead Court, a new play at the Tristan Bates Theatre, are ominous. “We are transitioning from human experiences to digital experiences.” Oof. Thankfully, this isn’t another gloomy lockdown drama about the evils of Zoom quizzes...

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I'm Thinking of Ending Things review - only disconnect

I’m Thinking of Ending Things ends in a giddying gusher of weirdness, the steady drip of earlier oddness finally bursting its narrative banks, till a horror scene becomes a Gene Kelly ballet, and an Oklahoma! tune is sung in bitter valediction by a...

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Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musical

Originally due to premiere back in March, Sleepless – a musical version of the winning 1993 movie Sleepless in Seattle – now acts as a test case for the return of fully staged but socially distanced indoor theatre, AKA Stage 4 of the Government’s “...

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Matthias & Maxime review - psychology and romance make for cinematic gold

The emotional rawness of Xavier Dolan’s films reflects a rare humanity and empathy. For someone still only 31, the French-Canadian writer and director displays an uncanny sense of the passionate turmoil that animates his characters. The subtle...

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Chemical Hearts review - turn off the sound

Musings on the agonies of adolescent love fall like dead weight in this wearying if well-acted adaptation by writer-director Richard Tanne of the 2016 Young Adult novel Our Chemical Hearts by Krystal Sutherland. 17-year-old Henry Page (Austin Abrams...

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Songs for a New World, The Other Palace Digital review - chimes with our extraordinary 'moment'

We’ve already had The Last Five Years in lockdown; now, we get a digital production of American composer Jason Robert Brown’s earliest work. A series of wistful pop/jazz numbers loosely linked thematically, rather than narratively, this 1995...

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Come As You Are review - a road trip with a difference

At a point in the early noughties, every third film was a teen comedy about a road trip to lose one's virginity. It’s a genre most were glad to see the back of. What a pleasant surprise Come As You Are is then, which brings much needed heart and...

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Hamilton, Disney+ review - puts us all in the room where it happened

The movie adaptation of Lin-Manuel Miranda’s In the Heights was meant to hit cinemas this summer, but, in response to Covid-19, has been put back to 2021. Instead, we get the early release on Disney+ of Miranda’s Hamilton – filmed, NT Live style,...

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A White, White Day review - white heat

This Icelandic film begins in the titular land of steam, as rain and mist envelop an erratic car which soon tumbles to its doom. The wife of rural policeman Ingimundur (Ingvar Sigurdsson) was driving, and the mystery of her death and open, infinite...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.7500 ★★★★ Debut thriller will have you avoiding airports for goodA...

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The Last Five Years, The Other Palace Digital review - socially distanced heartbreak

A musical featuring two people who are physically separated? Jason Robert Brown’s work is a shutdown natural – as this new digital theatre version demonstrates. Lauren Samuels and Danny Becker, who play doomed lovers Cathy and Jamie, recorded their...

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Antony and Cleopatra, National Theatre at Home review – Fiennes and Okonedo triumph in dragging tragedy

Like an asp eating its own tail, the National Theatre's 2018 production of Antony and Cleopatra, streaming on YouTube until 14 May, begins as it will end. Director Simon Godwin's first tableau is the play's finale: Cleopatra (Sophie Okonedo) lies in...

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