London
Fast Food, Fast Music, Spitalfields Festival online - sizzling, scintillating fun and masteryWednesday, 09 December 2020
A good idea on paper – commission composers of all ages who happen to be women to write music for one, two or three instruments with the fundamental theme of swiftness and brevity, food element an optional extra – turns out to work brilliantly on... Read more... |
Not-quite-solitude on the 34th floor: violinist Maxine Kwok on the short film 'Rising'Thursday, 03 December 2020
2020: a year that at some point felt like the end of live performance for the world of the performing arts, certainly for the foreseeable future. Artists spent months without any form of collaboration, leading to a serious lack of motivation due to... Read more... |
City of London Sinfonia, Southwark Cathedral review – towards Haydn’s last symphonyWednesday, 18 November 2020
Nearly two weeks into the latest lockdown, and already I feel nostalgic about the last day of freedom. You should too, just watching the film released last night of the CLS’s most recent happening in Southwark Cathedral. It’s of the evening... Read more... |
Small Axe: Mangrove, BBC One review - explosive start to five films about racial injusticeMonday, 16 November 2020
With the Black Lives Matter movement spurred this year by another wave of police brutality against African Americans, Steve McQueen’s blisteringly powerful, viscerally topical drama reminds us of the UK’s own torrid record in that regard,... Read more... |
The Crown, Season 4, Netflix review - royalty rocked by personal and political turbulenceSunday, 15 November 2020
Pre-release excitement about the fourth coming of The Crown (Netflix) has centred on Emma Corrin’s portrayal of Princess Diana, still big box-office 23 years after her death. There’s no denying that Corrin has risen heroically to the challenge of... Read more... |
theartsdesk Q&A: Mick Talbot of The Style CouncilSaturday, 07 November 2020
Following the break-up of The Jam in 1982, Mick Talbot (b 1958) was chosen by Paul Weller as his sparring partner in a new band, The Style Council. Talbot, a keyboard player from south London, had flourished amid the late-Seventies Mod revival,... Read more... |
Harlots, BBC Two review – sublime, ridiculous, and always entertainingThursday, 05 November 2020
Back to Georgian brothels, now – at least, for those of us who don’t have a Hulu subscription. The BBC’s airing of the second series of Harlots over the summer felt strangely timely. Barely an episode in and an angry crowd was hammering at the local... Read more... |
Album: Dizzee Rascal - E3 AFThursday, 29 October 2020
You can’t ever go all the way home again, and for years Dizzee Rascal didn’t want to. His Mercury-winning debut Boy In Da Corner (2003) electrified with the shock of the new, its eccentric, genre-mashing sound topping juddering jungle bass with a... Read more... |
Pavel Kolesnikov, Wigmore Hall review - the stuff of dreamsWednesday, 28 October 2020
To plan a programme around The Tempest, its symbolism and the idea of evanescence, the fragility of the human condition, is one thing. To pull it off convincingly is quite another. The young Russian pianist Pavel Kolesnikov not only did so in... Read more... |
Tasmin Little Farewell Recital, RFH review - memories, tributes and dreamsFriday, 23 October 2020
Bidding farewell to the Royal Festival Hall, Tasmin Little was at the very peak of her powers. It’s almost unthinkable that we will never see her play here again. Many have hoped that she’d be one of those musicians who announce their retirement... Read more... |
Jeneba Kanneh-Mason, Sode, Chineke! Orchestra, Edusei, RFH review - protest, passion and joyWednesday, 21 October 2020
During the Black Lives Matter demonstrations in London earlier this year, a black man named Patrick Hutchinson hoisted over his shoulder an injured white man from the counter-protest of the English Defence League and carried him to safety. The... Read more... |
Ronnie's review – fascinating story of the fabled Soho jazz clubMonday, 19 October 2020
Ronnie Scott was a remarkable man: “Jazz Musician, Club Proprietor, Raconteur and Wit, he was the leader of our generation,” reads the memorial to him at Golders Green Crematorium. Oliver Murray’s documentary film Ronnie’s is an affectionate and... Read more... |
