tue 19/03/2024

London Sinfonietta

First Person: Geoffrey Paterson on conducting the London Sinfonietta and working with Marius Neset

By my count, tomorrow’s Proms première of Marius Neset’s jazz epic Geyser will be my 51st performance conducting the London Sinfonietta. It’s a tally that has crept up over the last decade, and is something I could hardly have dreamed of more than...

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First Person: Conductor Maxime Pascal on Stockhausen at the Southbank Centre

Stockhausen stands alongside Monteverdi and Beethoven as a composer who exploded the understanding of his art. Stockhausen deeply changed the relationship between space, time and music; there’s a human, intimate dimension to his composition, and he...

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Lawson, London Sinfonietta, Kings Place Review – diverse explorations of time

Kings Place takes a broad and "curated" approach to season programming, and events often have to fit into very nebulous and abstract themes. This concert by the London Sinfonietta was part of a strand called "Time Unwrapped" and sought to explore...

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in vain, London Sinfonietta, Lubman, Royal Festival Hall

If Georg Friedrich Haas’s in vain was a work of political protest when it premiered in 2000, in 2017 it’s a piece that reads more like a commentary – a disturbing musical documentary that captures nearly 20 years of escalating European tensions,...

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In C, London Sinfonietta, Kings Place

There’s nothing like Terry Riley’s In C to reawaken a past epoch. Of variable length, built from 53 melodic fragments, this minimalist construct of 1964 was almost designed to be performed and experienced lying on cushions in a marijuana haze –...

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Birtwistle 80th Birthday Concert, London Sinfonietta, Atherton, QEH review

Sir Harrison Birtwistle has never sought to make life easy for his audiences, nor for interviewers, often giving short shrift to both. His music is as uncompromising as his carefully curated public persona. But fortunately last night we were treated...

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Stockhausen/Nono, Royal Festival Hall

There’s been a lot of backslapping over the success (so far) of The Rest is Noise festival, the Southbank’s year-long trawl through the music of the 20th century. They’re particularly pleased about the numbers of ignorant musical souls they’ve...

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Prom 40: 6 Music Prom, The Stranglers, Laura Marling, London Sinfonietta

“That was a bit of a dog’s breakfast,” said the guy in the row behind. Yes, but then the said canine repast can also no doubt be nutritious and delicious, for dogs anyway. The most dogs-breakfasty (in the bad sense) moment was right at the end, when...

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Radio Rewrite, Royal Festival Hall: The Rock Review

Like a piece of conceptual art, it may be the idea rather than the actual music that is the most significant thing about the world premiere last night of Steve Reich’s Radio Rewrite. There will be a hundred times more people discussing the fact...

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Conlon Nancarrow Weekend, South Bank Centre

This has to be the only music festival I've ever been to where two vacuum cleaners were on standby in case the star performer conked out. But that's what happens when your star performer is a player piano - they seem to run on Hoover tubes. With 11...

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Pierre Boulez Weekend, Southbank Centre

William Glock once claimed that Pierre Boulez could literally vomit at music he believed to be substandard. I wonder what he would have made of my friend, who fled at the interval of the opening concert of the Southbank festival on Friday blaming...

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BBC Proms: London Sinfonietta, BBC Singers, Atherton, Cadogan Hall

Sirs Harrison Birtwistle and Peter Maxwell Davies have now been at each others’ heels for almost 60 years. First, the composers were students together at the Royal Manchester College of Music. Then, once their careers began flourishing they kept...

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