jazz
Thomas H. Green
Madeleine Peyroux made her name with her second album, 2004’s Careless Love. It consists almost completely of cover versions, delivered in a quiet, jazz-bluesey shuffle redolent of singers from the 1930s. She’s never flown as high again but has maintained a decent career, mostly mining similar sonic territory. Her new album, and first in six years, does not wander far from the path, but is all originals, written with regular collaborator Jon Herington. Despite being spiked with songs that have something to say, it’s a deliciously lazy summer listen.Contrary to a common perception, Peyroux is Read more ...
Kieron Tyler
Late summer 1966. Jazz was Margo Guryan’s thing. She was not interested in pop music. This changed when she was played The Beach Boys’s “God Only Knows.” Amazed by what she heard, she tuned in to pop radio for the first time. Her head was further turned by The Beatles and The Mamas & the Papas. A copy of “God Only Knows’s” parent album Pet Sounds was bought.Newly thrilled by a pop she saw as more innovative than a jazz scene she thought too full of Ornette Coleman imitators, she wrote a song titled “Think of Rain.” In tune with the burgeoning harmony pop style, its baroque leanings and Read more ...
Thomas H. Green
VINYL OF THE MONTHAriel Sharratt & Matthias Kom Never Work (BB*Island) + Ella Ronen The Girl With No Skin (BB*Island)Two offbeat albums from the uncategorisable Hamburg label BB*Island. They are home to the literary indie outfit The Burning Hell. The central figures of that band are Canadian singers Mathias Kom and Ariel Sharratt (assuming the latter is Canadian as Google wouldn't tell me). Together, their second album is a concept affair loaded with brilliant, poignant freak-folk responses to contemporary capitalism, the gig economy and similar. These include the inspiring title track “ Read more ...
Guy Oddy
Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the vibes of a one-man Rat Pack with a dash of the legendary Lee Hazelwood, his music certainly doesn’t have much in common with mainstream tastes.The former Magazine bassist and Bad Seed’s new album is a stylish and charismatic collection that draws on gospel, classic soul, blues and jazz through a widescreen cinematic lens that may be mature, but certainly isn’t square. Louche but sharp, Cut to Black is by turns atmospheric and soulful but wholly witty Read more ...
Sebastian Scotney
The previous solo piano solo album from Fred Hersch, one of the world’s great jazz pianists, was called Songs from Home, released on the New York indie jazz label Palmetto Records towards the end of 2020. Silent, Listening, released this month on ECM could not be more different in it moods and in its aims.Songs from Home was recorded at the time of the pandemic at Hersch’s home in Pennsylvania. The pianist sought solace from a “loss of identity” (and loss of work) by recalling the songs which had been around during his youth. As a “child of the 60s” he remembers, “when the craft of Read more ...
Thomas H. Green
Record Store Day is tomorrow! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check out the reviews, then check out your local record shop! See you amongst it.THEARTSDESK ON VINYL’S CHOICE CUT OF RECORD STORE DAY APRIL 2024The Near Jazz Experience featuring Mike Garson Character Actor EP (Sartorial)It’s been a while since we heard from this unit. The NJE, as they're mostly known, consist of sax’n’brass player Terry Edwards, who’s played on a billion tunes you love (from PJ Harvey to Hot Chip to Tom Waits), Mark Bedford, who’s Bedders from Madness, and Simon Read more ...
joe.muggs
As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm, that’s pretty nice”, now it was more “mmmmmmm, that’s pretty niiiiiice!” That’s not just a suble distinction, either. It was a fundamental shift in how and where the music was hitting mentally, emotionally and physiologically. It went from being a slickly pleasant mood enhancer to something that made my shoulders drop, my chest expand, my limbs loosen, my attention let go of distractions zoom in on what was happenning in the moment. Read more ...
Helen Hawkins
Sam Taylor-Johnson has fashioned her biopic of Amy Winehouse with great care and affection, but sometimes, as she shows her subject discovering, love isn’t quite enough. The superb jazz-inflected singer from north London, who in 2011 joined the sad club of pop-culture luminaries who died at the age of 27, has already been given the documentary treatment by award-winning film-maker Asif Kapadia. Documentarists can expose their subject both visually and forensically, but a feature film has the tougher challenge of telling some of the same basic story without the mesmerising presence of the Read more ...
Sebastian Scotney
Gal Beckerman’s 2023 book The Quiet Before makes a plea that if ideas, revolutionary or otherwise, are to grow, there needs to be a retreat from “our current cacophony”. And if there is one artist who is truly living out that principle in his musical life, it is Shabaka. As he said to the audience at this year’s Winter Jazzfest in NYC: “Change is never easy.”What is clear, though, is how utterly serious and focused he is on the change. Perceive its Beauty, Acknowledge its Grace is almost entirely a meditative and quiet album. His live shows in the past few months have all been in Read more ...
Kieron Tyler
“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as “William Parker, bass” – is firm about the designation under which the three musicians on stage are operating.Mayan Space Station is also the title of a recent album. On the 2021 release, Parker was joined by drummer Gerald Cleaver and guitarist Ava Mendoza. All three are here, on stage in the basement of the Park Hotel in the lakeside village of Voss, to the east of Bergen. Getting here from Norway’s second city, the just-more than an hour train Read more ...
Thomas H. Green
Dee C Lee was born Diane Sealy in London in 1961. She is best known for her 1985 hit “See the Day”, later covered by Girls Aloud, and for being in two of the Eighties' most notable pop acts, The Style Council and WHAM!. But she was also prolifically involved in multiple other musical projects, and now has a new album appearing, Just Something, her first in over 25 years.Lee’s first break came through talking her way into working with the British soul outfit Central Line, who had a couple of US club hits in 1981. From here, EMI picked her up as a session singer and, alongside Shirlie Holliman Read more ...
peter.quinn
Released yesterday to coincide with International Women’s Day, The Sisterhood will surely prove to be one of the brightest jewels in Sarah Jane Morris’s varicoloured discography.A labour of love which Morris has been contemplating for two decades, the album presents a tribute to “my ten singers, my essential lodestars”, as she puts it, acknowledging and honouring female artists past and present who have inspired her own musical journey. Wonderfully arranged and stylistically diverse, Morris and her co-writer/co-producer Tony Rémy pull off a remarkable feat of crafting 10 songs which tell each Read more ...