mon 13/01/2025

Ireland

Under the Black Rock, Arcola Theatre review - political thriller turns soapy

“Darkly comic thrillers” (as they like to say) set in Ireland tracking how families, or quasi-families, fall apart under pressure are very much in vogue just now. Whether The Banshees of Inisherin will garner the Oscars haul it hardly deserves...

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Der Rosenkavalier, Irish National Opera review - world-class delight

Silver rose, golden voices. Richard Strauss calls for four of the best: two sopranos and a mezzo for the love-triangle that develops between a 17-year-old Count, his 32-year-old lover and the girl he falls for at first sight; a bass as one of opera’...

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The Walworth Farce, Southwark Playhouse Elephant review - dysfunctional Irish myth-making

The farce in question is fast and furious, but not often hilariously funny; that’s because it’s the invention of a scary Irish dad who forces his sons to act it out with him every day in their seedy Walworth Road flat. Go with conventional...

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Town of Strangers review - a whimsical foray into the meaning of home

“They say there are only two stories,” explains director Treasa O’Brien. “A person goes on a journey and a stranger comes to town.” O’Brien was born in Dublin to a naval family that had to up sticks and move every two or three years. Her first...

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Album: Lisa O'Neill - All of This Is Chance

Lisa O’Neill is a part of the new wave of Irish contemporary folk artists, one that encompasses the likes of Lankum, Ye Vagabonds and John Francis Flynn, all of them putting their albums out on Rough Trade, which makes the venerable English Indie...

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Least Like the Other, Irish National Opera, Linbury Theatre review - the harrowing of Rosemary Kennedy

This multimedia horror revue gave me heart trouble, which is an odd kind of compliment. Not at first: the assault of abrasive music, the one singer having to leap all over the place vocally, competing with spoken word and information overload, can...

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Albums of the Year 2022: Fontaines DC - Skinty Fia

This is not a rehash of my Skinty Fia review, but smoke from the same grate.Asbury Park, New Jersey, 5 October – we've driven down from NYC to see Fontaines DC play hopefully most of their blistering third album at the Stone Pony venue. Bruce...

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Top 10 Films of 2022: Conclusion

The Arts Desk’s movie reviewers voted The Banshees of Inisherin the best film released in the UK in 2022. Here are our choices for the top 10 with the names of their directors: 1. The Banshees of Inisherin (Martin McDonough)2. Aftersun (...

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Don Pasquale, Irish National Opera review - stock comedy shines at close quarters

Only a group of top musicians stood, or mostly sat, between a full but necessarily small house and Dr Malatesta’s Plastic Surgery Clinic in the bijou surroundings of Dun Laoghaire’s 324-seater Pavilion Theatre. The scaled-down wing of Irish National...

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Dinner with Groucho, Arcola Theatre review - often opaque

The set at the Arcola for Frank McGuinness’s Dinner with Groucho naturally features a table with two place settings and a backdrop of clouds in a blue sky. Overhead are pendant globe lights that will transform into stars. But the floor is a key...

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Album: Aoife Nessa Frances - Protector

There’s a song by Kevin Ayers called “The Lady Rachel”. It was on his 1969 debut solo LP Joy Of A Toy. Play it alongside “This Still Life”, the second track on the second album from Ireland’s Aoife Nessa Frances and the aesthetic kinship is clear....

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The Banshees of Inisherin review - stellar turns from Brendan Gleason and Colin Farrell

Previous works by screenwriter-director Martin McDonagh, which include In Bruges and Three Billboards Outside Ebbing, Missouri, might give you an inkling of the perverse and tantalising mindset that lies behind The Banshees of Inisherin… but then...

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