wed 14/05/2025

installation

Christine Borland & Kerry Tribe, Camden Arts Centre

Christine Borland: 'Cast From Nature'

“As a student at Glasgow School of Art I used to visit the amazing anatomy, zoology and ethnographic collections at Glasgow University,” says Christine Borland. “I couldn’t understand why I was so intrigued, except for the question of how something...

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Ai Weiwei, Lisson Gallery & Somerset House

Ai Weiwei: 'Circle of Animals/ Zodiac Heads'

It is now 37 days since Ai Weiwei was detained at Beijing international airport by the Chinese authorities. His family and friends have heard nothing since. His lawyer, to whom under Chinese law he must have access, was arrested as well, and since...

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Mike Nelson to represent Britain at the Venice Biennale

Mike Nelson: 'The Memory of HP Lovecraft'

Mostly the Venice Biennale passes me by entirely: ho-hum, another tired bit of Brit Art, I think, and turn the page. But Mike Nelson, twice nominated for the Turner Prize, is a terrific artist, too little seen, too odd, too unsettling to have...

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Revealed, Turner Contemporary

The opening of Turner Contemporary is being heralded as one of the most important cultural events of the year. Described as "a national and international venue in the regions" the gallery, it is hoped, will attract visitors from London and abroad...

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Mona Hatoum: Bunker, White Cube Mason's Yard

The latest exhibition from Beirut-born, sometime Turner Prize-nominee Mona Hatoum – best known for sending a camera through her inner tubes and projecting the results – explores themes of displacement and geographical and political tension. I know...

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Martin Creed, Hauser & Wirth

Installation view of Martin Creed's 'Mothers' at Hauser & Wirth, Savile Row

Who could not love Martin Creed? The tweed-encased harumphers of the world adore him, because they can say, “That’s not art,” and, “My cat could do that,” and have an all-round wonderful time. Conceptualists have it easy: what could be more fun...

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Southbank Centre, 2011 Season

Mahler, Mahler and anyone who even remotely knew Mahler. There is, of course, more to the South Bank's 2011 season listings than this but the great symphonic agoniser (and his many chums) forms the bedrock of the classical programming as we all go...

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Terje Isungset's Ice Music, Somerset House

Clichés about the frozen North aside, music from the Nordic countries is often described as redolent of glacial landscapes or icy wastelands. But the music of percussionist Terje Isungset goes further – his instruments are carved from Norwegian ice...

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Never the Same River (Possible Futures, Probable Pasts), Camden Arts Centre

Simon Starling’s wonderfully eccentric exhibition Never the Same River (Possible Futures, Probable Pasts) will inevitably mean more to those who have visited the Camden Arts Centre regularly over the years. Places gradually acquire a patina of...

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Bloomberg New Contemporaries, ICA

Johann Arens ('Untitled', above) 'steals the show with a video installation'

As I wandered round this year’s New Contemporaries at the ICA, a few yards away in Trafalgar Square, thousands of students braved the cold for the third time to protest against the Government’s proposed spending cuts on education. How many art...

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Philippe Parreno, Serpentine Gallery

'Invisibleboy', a 'docu-fantasy' about an illegal child immigrant conjuring up monsters in New York

Lovers of the beautiful game may already be familiar with the name Philippe Parreno, or at least with his best-known work. In 2006 he collaborated with artist Douglas Gordon (24-hour Psycho) on Zidane: A 21st-Century Portrait, a film that trained 17...

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British Art Show 7, Nottingham Galleries

'NUD CYCLADIC 10' by Sarah Lucas: 'Typical Lucas representations of the human body, its sexual habits, functions - and ridiculousness'

Nottingham always had an eye for beauty. When I was growing up near there, the boast was that its women were the most beautiful in England. Today, it could and should be boasting about Caruso St John’s magnificent concrete landmark adorned with...

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