house music
Joe Muggs
There's a current running through the underground club / electronic music of the 2010s that cares not a jot for progress – but neither is it retro as such. It's been called “outsider house”, which is a pretty lame name for stuff that is often extremely accessible and welcoming, and is certainly not just house music. Rather it's a kind of neo-psychedelia, a sound that plays tricks with memory and expectation, collapsing oppositions between sophistication and naiveté, between kitsch and sincerity, and between low and high fidelity in the pursuit of beautiful discombobulation. And as the none- Read more ...
Barney Harsent
Producer Ruf Dug has released a slew of singles and remixes, both on his own label, Ruf Kutz, and other independent imprints, including Porn Wax and Banoffee Pies, that have made the UK such an exciting prospect for new music for the past few years. For this, his debut LP, he decamped to Guadeloupe, a location that has clearly influenced the very bones of the work. After a vinyl release earlier this year, it’s now getting the full treatment later this month, and deservedly so.This is an album that will undoubtedly be hailed as a Balearic classic. No surprise there, the genre is so wide, it’s Read more ...
Barney Harsent
There used to be a time when albums would regularly come in at around the 45-minute mark. It was pretty much the perfect length for fitting on to one side of a C90 (disclaimer: Home Taping Is Killing Music) and made the most of the vinyl format’s sonic limitations. Now, with the endless digital stream imposing no such restrictions, Four Tet’s latest offering – two tracks spread over 40 minutes – feels almost like a novella by comparison. That’s fine though, I like novellas: good ones scale back the grand plan, trim the fat and focus on what’s important.The first of the tracks, “Morning”, Read more ...
Thomas H. Green
“Julio Bashmore” is actually the nom-de-dancefloor of Bristolian DJ-producer Matt Walker who’s been slowly building a rep over the last five years. Outside clubland, music-lovers may have heard of him via his production on Jessie Ware’s early singles. In the nightworld, he’s better known as the purveyor of classy, propulsive house sprinkled with a smidgeon of grit. His debut album combines both these aptitudes to increasingly enjoyable effect as it progresses.It opens with the title track, which samples early Eighties easy listening R&B-disco queens The Jones Girls and, for a few songs, Read more ...
Joe Muggs
Here's a funny one: used as an adjective, “lifestyle” has lately become a popular pejorative term for music (see, most recently, the kerfuffle over Jamie xx's debut solo album). It's taken the place of “coffee table”, which was the Nineties phrase of choice to deride trip-hop and other styles that were considered too smooth or sedentary to meet required criteria of rebelliousness or authenticity or whatever.This tends, of course, to be a thin veil for inevitably middle-class commentators' neuroses and noble savage view of musicians – and it never involves any examination of who listens to the Read more ...
Barney Harsent
Every 75 years or so, Halley’s Comet comes round to say, "Hi". When it does, there’s genuine excitement, not because there’s any kind of stock trade in fond reminiscence when it comes to glowing lumps of rock, but because it’s a genuinely captivating event. The Orb’s latest offering is similarly hurtling through space once more, and reminding us of their conceptual debut that slapped us around our collective face back in 1991. It feels like a similar event.The first thing to say is that this is, without doubt, the most coherent offering from the Orb (currently comprised of Alex Paterson and Read more ...
Barney Harsent
The mysterious figure of Man Power has been making waves for a while now. A series of mixes and remixes and frankly jaw-dropping EPs have seen his star rise, though his actual profile has remained obscured – largely by his hand in a series of promo shots. His true identity remains a secret. So, who is Man Power and why should you care?The first of those questions will remain unanswered. The second is, in any case the more important. You should care because this is clever music aimed at the head, heart and feet, made by an artist capable of wringing emotion out of machines in a way that, if I’ Read more ...
Barney Harsent
Last month, Theo Parrish released his album, American Intelligence, on vinyl and CD. Now it’s available on digital, but make sure you’ve got room on your hard drive – it’s long. Seriously, marathons have been run quicker than the two hours and three minutes here.Things start well. “Drive” is a long, straight road of a track with all exits barred by stuttering cymbals. It’s compelling stuff, but Parrish, having created an audio autobahn, sticks to 70 all the way – presumably trying to pace himself. “Life Spice” is next and the sample, which sounds like it was cut on a slant, is more in keeping Read more ...
Joe Muggs
As dance music once more sweeps the mainstream, we're returned to the situation of the 1990s where singer and song can seem to become a little detached. Parades of “featured vocalists” deliver refrains for the producer teams who are queueing up to repeat the success of Route 94, Clean Bandit, Duke Dumont and above all Disclosure. And as the field gets more crowded, so the requirements for the singers to sit back, know their place and deliver the simplest hooks become more pressing.Some new generation singers do manage to step into the spotlight of course. Rita Ora parlayed her big hit with DJ Read more ...
Joe Muggs
It's rare that you can trace a genre to one man. But house music is well documented: “house” originally simply meant the music played at the Warehouse club, by one Frankie Knuckles, who died yesterday in Chicago from diabetes-related complications. Knuckles was a disciple of New York disco, who'd served his DJ apprenticeship in the city's spectacularly decadent gay bathhouses in the mid-Seventies as an understudy of Larry Levan (who would set up the Paradise Garage, which itself gave its name to another genre – garage).Seeking a club where he could have complete creative freedom, he moved to Read more ...
Joe Muggs
The thought of attending a dance music conference in Amsterdam frankly gave me the creeping horrors. I'd never been to Amsterdam Dance Event before, and the combination of DJ egos, business hustling and relentless partying through hundreds of club venues in a renownedly liberal city presented so many opportunities for both boredom and complete catastrophe, it just seemed like a fool's errand. But this, of course, wasn't fair. The dance music business is far more interesting than rumour and memories of the ego-bloated nineties superclub era would have it, and Amsterdam is a delightful place to Read more ...
Joe Muggs
When drum'n'bass emerged from hardcore rave's interactions with London's pirate radio culture, 20-odd years ago, it created some of the most radical grassroots music ever to come out of the British Isles. It came in such a white heat explosion of underground, transforming repeatedly and rapidly through different iterations its first few years, that nobody could have predicted that it would reach a commercial high-point two decades on. Yet here we are with the likes of DJ Fresh creating chart toppers, d'n'b's top rank of DJs still touring the world to arena crowds, and a whole range of new Read more ...