history
josh.spero
What was originally a coincidence of reviewing – two dispatches from the Dark Ages, Treasures of the Anglo-Saxons on BBC Four and Domesday on BBC Two – in fact turned into a remarkably instructive diptych of how and how not to make history programmes for the television.In reverse historical order, Domesday is the exemplum of what not to do, which is turn an average idea for In Our Time on Radio 4 into an hour-long documentary for the television. This is the greatest sin: when given time on the television, fill it with interesting pictures. There is nothing – almost nothing at all – in this Read more ...
Ismene Brown
Two giants of dance died last year: Pina Bausch and Merce Cunningham. Right now audiences aren’t being deprived of seeing why their names are written permanently in lights in dance history (Bausch’s company performs in Edinburgh and London later this year, Cunningham’s is in London in October), but after 2011 they may be. Cunningham’s company will close, while Bausch’s will be in its last of an uncertain three-year grace period. It was in this light that Frances Byrnes made a remarkable programme broadcast last night.A world that carries on with rotten Swan Lakes and interminable Lloyd Webber Read more ...
gerard.gilbert
My surname came to Britain with the Normans, and I must say that my forebears have had a bad press in their adopted homeland. From Hereward the Wake to Robin Hood, Anglo-Saxon legends have depicted us as despotic and cruel, whereas we were great builders of castles and cathedrals, brilliant horsemen and tip-top administrators, as well as being despotic and cruel. Anyway, it was good to have the refreshingly un-youthful and un-strident Professor Robert Bartlett (more Norman names) giving us his authoritative account of the antecedents and legacy of 1066 and all that. It’s about time we Viking- Read more ...
joe.muggs
It's very hard to ever know what to expect from Alan Moore, the Mage of Northampton. The author of era-defining comics like Watchmen, V For Vendetta and From Hell has long maintained that art and magic are one and the same, and since the mid-1990s his works have often tended to be long and complex explications of various occult principles, which while eye-opening can often lose readers in all their baroque unfoldings. However, his 1996 novel Voices of the Fire, showed his writing could work powerfully untethered from the panels of comics, so I was cautiously optimistic for his new prose-art- Read more ...
Veronica Lee
This, Heinrich von Kleist’s last play, was completed not long before he committed suicide, aged 34, in 1811, when the map of Europe - and indeed that of his native Prussia - was changing with indecent frequency. It is loosely (very loosely) based on the real Prince of Homburg and events at the Battle of Fehrbellin in 1675, and with its leitmotif of honour, duty and loyalty to the Fatherland, it is no wonder that the play was appropriated (with suitable adjustments) by the National Socialists in the 1930s (it was a favourite of Hitler's apparently) and then fell out of favour in German Read more ...
fisun.guner
Rupert Everett knows who he is: he is English, he’s a toff and he’s a poof, thank you very much. And that’s just about all you need to know to tell you that, as a breed, they’re pretty damned sure of themselves, these English toffs, poofs or not. But he’s also a pretty memorable actor. Yes, really. Let me try to convince you. I once saw him – and this must have been just before Another Country hit the big screen, for his name didn’t mean much to me then – on stage in Webster’s The White Devil. He looked cute enough in his period costume, but his energy was a thunderbolt. Not only did he Read more ...
Veronica Lee
Themed seasons are often the invention of programmers who have run out of ideas; they string together loosely related output under a cleverly non-specific season title when any old dross gathering dust in the cupboard is given an airing. So I read the notes of BBC’s The Call of the Wild season - with its mix of repeats and new material, and the dread phrases “the great British love affair with the countryside”, “nostalgic exploration” and “a light-hearted look at”- with a sinking heart. But fear not, because one of the first programmes in the season (and the first of a six-part series) was Read more ...
carole.woddis
Political playwright Howard Brenton (b. 1942) is always in the process of being "rediscovered". Yet at the same time he has been at the heart of British theatrical life for the past 40 years, since his debut in 1969 with Christie in Love. True, he has spent the odd decade out of the theatrical limelight - a few years ago, he "went out of fashion" in his own phrase – and then he just happened to pen some of the liveliest scripts on television with the BBC’s spy drama series, Spooks (2002-2005).Brenton’s play tally now amounts to 40 plays, either alone or often in collaboration – David Hare and Read more ...
howard.male
As an 11-year-old boy, I was awestruck from the first moment I saw Concorde on our three-channel black-and-white television, seemingly rearing up from its runway like a cyborg swan. At that age - and during that era - fact and fiction became vertiginously blurred when it concerned the fast-forward march of science and technology. While Factual-man was taking one slow-motion giant leap for mankind, Fictional-man was going where no man had gone before. And even if the US Enterprise did have warp-drive, our very own Concorde didn’t seem that far behind, as it hurtled through the blue at the Read more ...
Adam Sweeting
The part played by Polish fighter pilots during the Battle of Britain has hardly gone undocumented, and the Hun-zapping exploits of the Polish 303 Squadron will be familiar to anyone with a historical interest in the subject, so you’d have to say that calling this film The Untold Battle of Britain was a wee bit of an exaggeration. Guy Hamilton’s 1969 Battle of Britain movie must be due for its umpteenth TV airing soon, and does of course feature the RAF’s Polish contingent, depicted as itching to get into action but being held back by grouchy group captains and sarcastic squadron leaders. Read more ...
Veronica Lee
If you happen to be in Trafalgar Square in London any time soon, you should take a close look at the friezes that adorn the ground portion of Nelson’s Column. For there you will find, most unexpectedly, that one of the sailors depicted is a black man, one of 1,400 non-British seamen among the 18,000 who took part in the Battle of Trafalgar on 21 October, 1805.That striking factoid comes from The Untold Battle of Trafalgar, the first in a four-part season, Bloody Foreigners on Channel 4, which aims to show how foreigners were at the heart of some of Britain’s most important historic events. Read more ...
Russ Coffey
Richard Thompson’s appointment as curator of Meltdown 2010 split opinion at theartsdesk. I was one of those who hoped the hoary old maverick would exhilarate with daring new acts. Others feared it would just be a folk-in. In the end the program contained Iranian punk, some folk and a whole lot of Thompson himself. He's offered film scores, a new show, and a collaboration. And this afternoon he turned “cover band”, romping through 818 years of songwriting. If this were Stars in their Eyes, then last night Thompson was everyone from King Richard I to Britney Spears.Thompson has occasionally Read more ...