history
William Boyd: The Romantic review - historical soap opera, anyone?Saturday, 22 October 2022
Writing in the Edinburgh Review in 1814, Francis Jeffrey began his review of Wordsworth’s The Excursion with a provocative denunciation of romanticism: “This will never do,” he complained. “It bears no doubt the stamp of the author’s heart and fancy... Read more... |
The Lost King review - fact or fiction?Tuesday, 11 October 2022
Richard III is a controversial figure, and will remain so after this film, which tells the remarkable story of how Philippa Langley, a woman with no background in academia, archaeology or as a historian, led the search to find the grave of the “... Read more... |
James IV: Queen of the Fight, Festival Theatre, Edinburgh review - revelatory historical dramaThursday, 06 October 2022
"The poem is real," intones entertainer-turned-courtier Ellen solemnly as a prologue and epilogue to Rona Munro’s vivid, vibrant new James IV: Queen of the Fight, presented by Scottish producers Raw Material and Edinburgh’s Capital Theatres in... Read more... |
Andrew Murray: Is Socialism Possible in Britain? review - what went wrong and why Corbynism failedTuesday, 04 October 2022
The title of Andrew Murray’s new book poses a question that also vexed Friedrich Engels over 130 years ago. The German co-author of The Communist Manifesto despaired of English socialism, "that abomination of abominations", on the grounds... Read more... |
'The first thing I do when I wake up is write.' Hilary Mantel, 1952-2022Friday, 23 September 2022
Hilary Mantel, who has died at the age of 70, was a maker of literary history. Wolf Hall, an action-packed 650-page brick of a book about the rise and rise of Thomas Cromwell, won the Man Booker Prize in 2009. Three years later its successor,... Read more... |
The Two Popes, Rose Theatre review - sparkling with wit and pathosThursday, 15 September 2022
It can’t have been an easy pitch. “Popes. Both foreign, yes. German and Argentinian – sorry, can’t change either. Eighty-something and the other’s a decade younger. Mainly just talking about their pasts and their different approaches to Roman... Read more... |
Olivier Guez: The Disappearance of Josef Mengele review - the Nazi who was never foundThursday, 01 September 2022
Bringing Olivier Guez’s novel The Disappearance of Josef Mengele on a beach holiday may seem like an odd choice (such is the lot of a reviewer). This incongruity transformed into something stranger, however, when I learned that the Nazi doctor Josef... Read more... |
Meeting Gorbachev review - Werner Herzog offers a swansong tributeWednesday, 31 August 2022
You react differently to Meeting Gorbachev knowing that the film’s subject was on occasions brought to its interviews from hospital by ambulance; his interlocutor, Werner Herzog, doesn’t mention that fact, of course, anywhere in the three encounters... Read more... |
Treason The Musical In Concert, Theatre Royal Drury Lane review - plenty of musical gunpowder but not enough plotThursday, 25 August 2022
A semi-staged concert performance of a musical is a little like a third trimester ultrasound scan. You should see the anatomy in development, the shape of what is to come and, most importantly, discern a heart beating at its centre. But you can’t... Read more... |
Philip Ball: The Book of Minds review - thinking about the boxFriday, 17 June 2022
Years ago, one of the leading mathematicians in the country tried to explain to me what his real work was like. When he was on the case, he said, he could be doing a range of other things – having his morning shave, making coffee, walking to a... Read more... |
Bliss, Finborough Theatre review - bleak but tenderWednesday, 25 May 2022
When Bliss, a new play adapted from an Andrei Platonov short story by Fraser Grace, made its debut in Russia in early 2020, Cambridge-based company Menagerie were told that their production was “very Russian”.I’m no expert on Russian culture, but I... Read more... |
DVD/Blu-ray: Parallel MothersTuesday, 24 May 2022
Parallel Mothers unfolds at a daringly slow pace, and there are moments in the first half of Pedro Almodóvar’s 2021 drama when you wish that things would speed up. And then you’re wrong-footed by the unexpected shifts in tone and direction, and... Read more... |
