guitar
Kieron Tyler
Although Duane Eddy will forever be identified with his deeply twangy late-Fifties/early-Sixties instrumental hits like “Rebel Rouser”, “Ramrod” and “Peter Gunn”, he’s never gone out of style. His 1958 debut album was titled Have “Twangy Guitar” – Will Travel. And he has – through time and space. He scored a British hit with “Play Me Like You Play Your Guitar” in 1975. It didn’t chart in the US. His 1986 re-recording of “Peter Gunn”, made with The Art of Noise, was Top 10 in Britain. Now, here he is again with a new album, recorded in Sheffield with big-time fan Richard Hawley. His homeland Read more ...
Thomas H. Green
Seasick Steve Wold (b 1941) has achieved widespread popularity over the last five years with his raw, rootsy, blues-flavoured sounds. He's also renowned for his customised guitars, such as one featured on his new album, You Can't Teach an Old Dog New Tricks, that's made from Morris Minor hubcaps, and for his stage patter which combines US Southern charm with hobo lore and anecdotes.Wold left his Californian family home in his early teens after falling out with his stepfather and spent many years hopping freight trains and working as an itinerant labourer. Over the decades he travelled Read more ...
david.cheal
Did Wolfmother spring from outer space, or drift down to Earth from the tail of a comet? Did they slip into our age from another dimension, burrowing through a wormhole in the space-time continuum to land in Sydney, Australia in the 21st century? Where did they come from? Never, except for tribute bands, have I witnessed a group performing in one era whose music owes so much to another. These hairy Australian rockers are steeped in the lore of late-Sixties psychedelia and early-Seventies hard rock, their singer Andrew Stockdale shrieks like Ozzy Osbourne, Ian Gillan and the rest of Read more ...
matilda.battersby
Music folklore has it that this band from Seattle changed their name from Pineapple back in the hazy days before their debut album went platinum because frontman Robin Pecknold thought Fleet Foxes sounded like a weird, outmoded English sport - a bit like fox hunting. Seeing them live at a teeming Hammersmith Apollo last night, the sense of something anachronistically older, somehow simpler and just a touch esoteric that their name suggests seems wonderfully appropriate. After all, the band’s success rides on their mellifluous Sixties sound. Every note they play feels familiar, like Read more ...
Kieron Tyler
Sometimes you stare at live bands and question why they bother. It’s a pact - the band plays, the audience looks on and claps. Last night’s debut British show by Chicago's Disappears raised that question. The night before, they’d played Amsterdam’s Paradiso and here they were at a venue in central London with an audience of 60 or 70. White-light intense, their conviction shone. This hypnotic show became a secret, even with the draw of Sonic Youth's drummer Steve Shelley in their line-up. But still, Disappears delivered.Disappears’ intense psychedelic rock is relentless, hypnotic and seductive Read more ...
david.cheal
A guitar with one string? There is indeed such a thing. It’s played by Seasick Steve, and it consists of a stubby plank of wood, a pick-up and a couple of nails. And a string. The man born 70 years ago as Steven Wold plays it with a slide, and it makes a fabulous, sleazy sound. It’s one of a collection of manky-looking instruments played by Seasick Steve, the former hobo, drifter, session musician and studio engineer who has experienced a late blossoming in popularity as a bluesman and raconteur.His other instruments include a guitar made out of a broom handle and two Morris Minor Read more ...
Russ Coffey
Explosions, 40ft flames, light shows and back projections. It may have been at the Dome but at times it felt more like being in a music video. A mini-film opened the concert. Rush circa 1973 were boys called Rash, and they’d play only when professor Alex Lifeson operated his music machine. The contraption also had a button marked “Time Machine”. When pressed this catapulted the band, on stage, back and forth through their 37-year career. Every time the trio played songs from a different era, screens announced the year. Hours later, when we shot forward to the song "2112", several thousand Read more ...
graham.rickson
The trick is to transform something relatively easy into something dazzling and bewilderingly complex. Seeing the Ukulele Orchestra of Great Britain is like watching eight masters of close-up magic. You’re not quite sure where to look, unable to believe quite what you’re hearing. These are boom times for the four-string ukulele. You can pick up a functional instrument for a tenner and learn three chords in five minutes, meaning that a huge repertoire of Western pop songs is yours for the taking. Simply strumming isn’t particularly difficult. But what the Ukulele Orchestra do is pluck Read more ...
Adam Sweeting
Always renowned as an interpreter of other artists' material, Emmylou Harris has been a late developer as a songwriter. On 2008's All I Intended to Be, she successfully balanced cover versions with her own songs, but this time she has written eight songs single-handed, and three more in collaboration with Will Jennings. It's a sign of her writerly progress that her own work comfortably holds its own against the non-originals "Cross Yourself", composed by producer and multi-instrumentalist Jay Joyce, and Ron Sexsmith's slightly turgid title track.Hard Bargain was cut in a brisk four Read more ...
David Nice
Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s Foyle Future Firsts scheme presenting two varied sets and Karadaglić headlining. And now I’ll just revert to old habits and declare the meat to be a slice of Classicism chromatically spiced (Mozart) and a 20th-century maverick pushing Neo-Baroque into near-atonality (Stravinsky), our top guitarist serenading by way of late-night coda. All this to Read more ...
Kieron Tyler
Pål Moddi Knutsen is from Senja, an island off north Norway’s west coast. Inside the Arctic Circle, it’s so far north as to be all but adjacent to the borders with Sweden and Finland. Due east, Murmansk is less than half the distance of Oslo. It’s no surprise that Moddi’s debut album evokes solitude, the endless light, the unbroken night and the contemplation that has to come with the territory.Accordion is his lead instrument. He also plays acoustic guitar. Floriography was produced in Reykjavik by Valgeir Sigurðssun, who has filled out the sound with gentle strings, pattering percussion, Read more ...
Kieron Tyler
Jet Harris was one of the architects of British rock'n'roll. His death rams home just how distant that era now seems. A former skiffler, he joined The Shadows after a spell backing Terry Dene, British rock's first bad boy. In time, Harris became a bad boy too, setting the template for the self-destructive lifestyle that would become a cliché. But his moody image will survive too. His rumbling bass guitar will forever be synonymous with those evocative Shadows' hits.The Shadows' world-changing moment came in August 1960 when they topped the British charts with “Apache”. Everything in British Read more ...