Greece
Aleks Sierz
Although some contemporary plays — notably Posh and 13 — have accurately taken the temperature of the times, what about the timeless classics? Does Sophocles’s Antigone (dated about 441BC) have anything to say to us today? How can it be of our time too? As the National Theatre wheels out this play, with a cast led by Christopher Eccleston and Jodie Whittaker, onto its main stage, such questions hang in the air like the smoke from an ancient funeral pyre.The third of the Theban plays, Antigone is a perfect tragedy: everyone behaves in the right way, but with fatal results. It's a true tragedy Read more ...
Thomas H. Green
Kooky ladies are very much of the moment, an ongoing moment, actually - the last couple of years, to be precise - but they seem to be with us to stay which is surely a good thing, especially in the playground. Better them than unreconstructed pole-dancing, as promulgated by the Pussycat Dolls et al. Then there’s Gaga, of course, who’s a lot of both. Now the kook generation, from Ellie Goulding to Paloma Faith, have to decide (once they've steered clear of wannabe-Mariah X Factor tedium) what ratio of gay club 3am hard house stomp to inject into their cod-Kate Bush freakery.Marina Diamandis Read more ...
Nick Hasted
Theo Angelopoulos (pictured below) was hit and killed by a motorcyclist on 24 January, as this now final collection of his work was readied. The films of this 76-year-old Palme d’Or-winner (for 1998’s Eternity and a Day, included) wrestled with the tragic recent history of his native Greece and Balkans at sometimes notorious, slowly unfolding length. An old-time maestro aspiring to novelistic depth, he lured Willem Dafoe, Michel Piccoli, Bruno Ganz and Irene Jacob to his unintended swansong, 2008’s The Dust of Time (unreleased in the UK in any form till now). These DVDs are an elegy to the Read more ...
Kieron Tyler
Although 2010 was undeniably a bad year for Greece, the arrival of Attenberg was a timely reminder that despite the country’s financial bankruptcy, it wasn’t culturally bankrupt. Suffused in melancholy, Attenberg nonetheless recognises that courage and facing change head on are core to the human spirit.theartsdesk has already remarked on Attenberg’s “peculiarity and pathos”. Two other things are central to Attenberg. At one point, Marina’s architect father remarks that the project he’s part of “might as well be constructing ruins”. That, and his and Marina’s strategy to cope with and organise Read more ...
Kieron Tyler
There’s a scene in Theo Angelopoulos’s The Travelling Players where those gathered in a square hear “the wind of freedom is blowing” being sung. The wartime Nazi occupation is over. Greek, Russian and American flags are aloft. A bomb goes off. In asking whose freedom this was, Angelopoulos had chosen his moment carefully. The film was released in 1975, a year after Greece held its first election since the Colonels took power with American backing in 1967.Angelopoulos made his first film in 1968, just after the coup d’état had installed the quasi-fascist regime. A new four-DVD box set collects Read more ...
judith.flanders
There’s a lot of Soviet art about at the moment – the excellent show that opens this Saturday at the Royal Academy has Constructivist and Suprematist paintings and drawings loaned by the George Costakis Collection in Thessaloniki. Now, at Annely Juda, a smaller, but no less excellent, show highlights one single Malevich painting, Black Square (main picture, above), a tiny gem of the early 20th century, also from the Costakis Collection, together with a series of Malevich’s working drawings.The painting is only 17 x 24cm, not much bigger than a couple of postcards, but what a punch it packs. Read more ...
emma.simmonds
In Attenberg Greek director Athina Rachel Tsangari illustrates that there is no species on earth more peculiar than man. A hit at the 67th Venice International Film Festival, where its lead Ariane Labed rightfully claimed Best Actress, it is on first inspection something of a hodgepodge. On the one hand it’s a quietly confounding and deeply moving study of a woman’s alienated (and almost alien) existence and, on the other, it’s a joyously infantile amusement. With the occasional disconcerting dash of prurience, this is a film which blows a raspberry in the face of convention and decorum. Read more ...
Kieron Tyler
"Anyone for Demis?" wasn’t the only question posed by this trawl through some of the foreign – not American - popular music that’s been hugged to our collective bosom. That the large, hirsute, kaftan-shrouded Greek wonder that’s Demis Roussos was popular is obvious. He landed in the Top 10 in 1975 with “Happy to be on an Island in the Sun” and became a chart regular for the next two years. Everyone was for Demis. The other poser was the self-cancelling, “Now that pop music’s gone global, has the appeal of the foreign pop song gone forever?”Thankfully, this wasn’t the sniggersome jaunt through Read more ...
stephen.walsh
The funny thing about updating is how old-fashioned it can seem. Perhaps that’s why opera directors “update” to the Fifties, building in their own obsolescence. Steven Berkoff didn’t deliberately do this (I suppose) in his Oedipus play Greek; yet behind the interminable shits and fucks, the inyerface monkey farts, the snot and the vomit, there does lurk a rather touching aproned and flat-capped mum-and-dad Family Favourites world that was certainly long dead by 1980, when the play was first done. And it’s one of the strong points of Mark-Anthony Turnage’s 1988 opera that it preserves all the Read more ...
graeme.thomson
David Frost and Richard Nixon. Melvyn Bragg and Dennis Potter. Parky and Ali. The list of seminal TV interviews is a relatively short one, and it's not about to get any longer. Alan Titchmarsh’s hopelessly mismatched bout with Prince Philip saw the Queen’s "liege man of life and limb" endure not so much a meaty grilling as an obsequious basting in Titchmarsh’s uniquely bland brand of conversational oil.The royals are enjoying a distinct upswing at the moment, what with Wills and Kate's nuptials and last week’s trip to Ireland. On 10 June, Prince Philip of Greece and Denmark (“Philippos – Read more ...
Aleks Sierz
Men. They say these strange creatures never leave the playground. Even when the years have passed, boys stubbornly remain boys, chatting rubbish, competing manfully and finally burning out. In Enda Walsh’s Penelope, which was a hit at the Edinburgh Festival last year and now visits London, four men compete for the love of one woman, and they are as likely to be found bickering over a small barbecued sausage as they are to be seen fighting to the death with knives. The only question is: can they also work together?Penelope, produced by Galway’s Druid theatre company, was commissioned by Read more ...
Matt Wolf
What's the Greek for "oy"? All the bouzouki dancing and retsina in the world wouldn't be enough to make a satisfying play out of Onassis, Martin Sherman's rewrite of his own Aristo, seen two years ago at Chichester with the same director (long-time Sherman collaborator Nancy Meckler) and absolutely invaluable leading man (Robert Lindsay). The star gives the piece his customary highly theatrical all, in the process making you think perhaps the material really is the stuff of genuine tragedy. But all the high-flown talk of "destiny" and whatnot can't shift what Onassis actually is - less a Read more ...