wed 06/08/2025

feminism

When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

Under the guidance of director Ralph Rugoff, the Hayward Gallery seems hell bent on reducing art to the level of fun for all the family. And as though to prove the point, cretinous captions strip the work of all meaning beyond the banal, while press...

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The Handmaid's Tale, English National Opera review - last chance saloon for sub-Atwood baggy monster

Never underestimate the enduring power of a great story over an unwieldy operatic setting. Few of us who saw the first ENO production of The Handmaid’s Tale back in 2003 thought the work stood much chance of revival. Yet Margaret Atwood’s dystopian...

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The Good John Proctor, Jermyn Street Theatre review - Salem-set drama loses some of its power in London

It is no surprise that the phrase “Witch Hunt” is Donald Trump’s favoured term to describe his legal travails. Leaving aside its connotations of a malevolent state going after an innocent victim whilst in the throes of a self-serving moral panic, it...

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The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

When it was published in 1976, “The Hite Report” caused such a sensation that it was translated into 19 languages and flew off the shelves in 36 countries to become the 30th best selling book of all time. Yet it’s author, Shere Hite was treated as...

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theartsdesk on Vinyl 81: Nobro, Adrian Sherwood, Evian Christ, Ozric Tentacles, Maple Glider, Viken Arman and more

The first of two December theartsdesk on Vinyls which will appear in quick succession. This one's mostly new artists. The next one will be our Christmas Special, filled with seasonal fare and present-suitable reissues and boxsets. For the best...

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Madonna, Celebration Tour, O2 review - spectacular, ambitious and occasionally bemusing

Exactly 40 years since Madonna’s first UK hit, “Holiday”, was skittering about the Top Five, she launches her global Celebration Tour at the O2.It is spectacle on the very grandest scale. In the latter half, following a video montage of tabloid...

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Dracula: Mina's Reckoning, Festival Theatre Edinburgh review - audacious and entirely convincing

An all-female production of Bram Stoker’s Dracula – well, kind of – that transplants the novel’s more local action to the northeast of Scotland, and finds a bloody new calling for one of its less ostentatious characters? Elgin-born writer Morna...

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'The people behind the postcards': an interview with Priya Hein, author of 'Riambel'

Priya Hein’s debut novel, Riambel, is an excoriating examination of Mauritius’ socio-political structures and the colonial past from which they have sprung. Centred around Noemi, a young Mauritian girl who lives in the novel’s titular village slum...

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Infamous, Jermyn Street Theatre review - Lady Hamilton challenges the patriarchy and loses

Towards the end of the 18th century, Lady Emma Hamilton (like so much in this woman's life, hers was a title achieved as much as bestowed) was the “It Girl” of European society.They’ve always been around – women who have the combination of...

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Makeshifts and Realities, Finborough Theatre review - Edwardian dramas with a pinch of Chekhov

We’re in (pretty much literally so in this most intimate of venues) an Edwardian sitting room, time hanging heavily in the air, gentility almost visibly fading before our eyes. Two sisters (young, educated, attractive) bicker with each other. But...

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Blu-ray: The Driver's Seat

Liz Taylor’s blowsy late-period persona is finessed to its finest point in this 1974 Muriel Spark adaptation, boldly plugging into the mains of her fragile talent.Lise (Taylor) travels from Hamburg to Rome after a mental breakdown, sporting black...

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Modest, Kiln Theatre review - tale of Victorian would-be trailblazer fails and succeeds

Whether you believe that Ellen Brammar’s play, Modest, newly arrived in London from Hull Truck Theatre, succeeds or not, rather depends on your criteria for evaluating theatre. On storytelling, character development and nuance, it is two and a half...

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