family relationships
The Darkest Part of the Night, Kiln Theatre - issues-led drama has its heart in the right placeSaturday, 23 July 2022
Music plays a big part in the life of Dwight, an 11-year-old black lad growing up in early 80s Leeds. He doesn't fit in at school, bullied because he is "slow", and he doesn't fit in outside school, would-be friends losing patience with him.But he... Read more... |
The Dance of Death, Arcola Theatre review - hate sustains a marriage in new version of Strindberg classicFriday, 08 July 2022
Rebecca Lenkiewicz's adaptation of August Strindberg's 1900 paean to the power of loathing over loving uses the now familiar trick of dressing characters in period detail while giving them the full range of the 21st century's argot of disdain and... Read more... |
The White Card, Soho Theatre review - expelling the audience from its comfort zoneFriday, 01 July 2022
We’re in New York City, in an upscale loft apartment, with that absence of stuff that speaks of a power to acquire anything. There are paintings on the walls, but we see only their descriptions: we learn that the owner (curator, in his word) really... Read more... |
Katya Adaui: Here Be Icebergs review - odd relationsFriday, 01 July 2022
The title of Katya Adaui’s debut collection in English is taken from one of the 12 short stories it contains: an allusion to the depths hidden below the surface, which is also one of the book’s central motifs.Adaui is the Peruvian author of three... Read more... |
Moon, 66 Questions review - captivating daughter-father dramaWednesday, 29 June 2022
It takes some confidence for a first-time feature director to interrupt her essentially realistic first feature with a splash of psychedelic abstraction, but Jacqueline Lentzou doesn’t lack for visual or aural daring. Two-thirds of the way... Read more... |
Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family dramaMonday, 27 June 2022
For sheer extremes of family dysfunction Theresa Rebeck’s Mad House must be aiming to set new records in American drama. The latest in a line that stretches back to Eugene O’Neill, the plentiful other contenders that have appeared over the decades... Read more... |
A Doll's House, Part 2, Donmar Warehouse review - Noma Dumezweni nails itWednesday, 22 June 2022
Slamming the door on experience comes with repercussions in A Doll's House, Part 2, the thrilling Broadway entry from American writer Lucas Hnath that has arrived at the Donmar as part of an America-friendly season at that address including Marys... Read more... |
The Wedding, Gecko Theatre, Barbican review - eccentric, ebullient exploration of our contract with societyFriday, 10 June 2022
You never forget your first Gecko production. I experienced mine almost 20 years ago at the Battersea Arts Centre, when the company performed Tailors’ Dummies, its ingenious surreal show about obsession. This had all the hallmarks that would make... Read more... |
Bergman Island review - Mia Hansen-Løve's joyful English-language debutFriday, 03 June 2022
French director Mia Hansen-Løve’s graceful, intriguingly open-ended seventh feature, and her English-language debut, is set on Fårö, the island that Ingmar Berman loved.“This is your landscape, Bergman. It corresponds to your innermost imaginings of... Read more... |
Girl on an Altar, Kiln Theatre review - machismo, murder and motherhood in mesmerising mythSaturday, 28 May 2022
Playwrights return to classical myths for two main reasons – to shine a light on how we live today and because they're bloody good yarns.Marina Carr's re-telling of Clytemnestra's story is boldly innovative in its conception and execution, but... Read more... |
Luzzu review - a Maltese fisherman struggles with modernityFriday, 27 May 2022
In Maltese-American Alex Camilleri’s debut feature, it’s a case of follow the swordfish. This terrifically atmospheric, almost documentary-like film – Camilleri cites Italian neo-realism, including Visconti’s La Terra Trema, as an influence – ... Read more... |
Kim Hye-jin: Concerning My Daughter review - room for complicationFriday, 27 May 2022
In this best-selling Korean novella, recently translated into English by Jamie Chang, Kim Hye-jin offers us the perspective of a Korean mother. It’s narrated entirely from the perspective of a woman of around 60 who has a daughter in her thirties... Read more... |
