England
alexandra.coghlan
“Suicide, parricide and salivation!” Not the ecstasies of a masochist, but the mangled verbal fanfare announcing that The Rivals – Richard Brinsley Sheridan’s classic comedy of manners – is once again a fixture in London’s West End. When it comes to powerhouse comedic casting, the National Theatre has long had the laurels for 2010 sewn up in Simon Russell Beale’s voluminous britches. Partnered by Fiona Shaw in Dion Boucicault’s London Assurance, the pair were mighty indeed. Now, in the dying breaths of the year, we have Penelope Keith and Peter Bowles reunited in two much-beloved comedy roles Read more ...
Nick Hasted
“How many derelict gasworks can you shoot?” director Patrick Keiller asked almost in despair, at an early screening of his third psychogeographic amble through Britain. Not too many more may be the answer, as Robinson in Ruins significantly misses the mark set by its predecessors, the wonderful London (1994) and Robinson in Space (1997). This long look at the landscapes of Oxfordshire and Berkshire does still find sharp moments of beauty and oppression in England’s rolling hills.Keiller’s original conceit had Robinson, a fictional, shifty type, wandering obsessively through first London then Read more ...
hilary.whitney
Peter Blake (b 1932) seems to have gone seamlessly from a groovy Sixties mover and shaker – he would probably dispute that but, after all, he did hang out with The Beatles – to National Treasure. His new one-man exhibition, Homage 10 x 5 – Blake’s Artists, is a tribute to 10 of the artists who have excited and interested him over the past 50 years. “These are my nod of appreciation,” he says. “A way of saying thank you to the artists I like.”Trained at Gravesend School of Art and the Royal College of Art, Blake quickly decided to paint the subjects that had enthralled him since his teens - Read more ...
alexandra.coghlan
To vajazzle or not to vajazzle; it’s the question on everyone’s, er, lips. Thanks to ITV’s unlikeliest of hits, The Only Way is Essex, tans will be brighter, teeth whiter and bodies more diamante-encrusted across the nation this winter. It’s the aesthetic equivalent of missionary work, and boy are these guys devout. Just when Big Brother has stopped watching and we’ve finally waved goodbye to The Hills, reality television has taken a new and sinister turn with a series so holes-in-your-fishnets, last-night’s-cold-pizza-eaten-off-a-copy-of-Heat-magazine trashy as to make even Christine Read more ...
alexandra.coghlan
There is an excess about the Wigmore Hall’s Arts and Crafts cupola that lends itself to extravagant musical passions. The mural’s cloudy images may profess to picture music as an abstract creature, but the golden tangle of rays and warmly naked limbs make a rather more human case for its attractions. It was a case matched for persuasive enthusiasm (and significantly bettered for taste) last night by The English Concert and Alice Coote, in a programme of charged highlights from 16th and 17th-century repertoire.To the passions of love and death – those stalwart emotional bookends of the Read more ...
Sarah Kent
Thomas Lawrence was a child prodigy; from the age of 11 he supported his family by making pastel drawings of the fashionable elite who spent the season in Bath. The next step for an aspiring young artist was to learn how to paint in oils and Lawrence taught himself by doing self-portraits. He learned fast. The first painting in this exhibition of sumptuous portraits shows a diffident 19-year-old sitting sideways and glancing nervously towards us, as though fearful that his efforts will be laughed at.Thirty-seven years on, we see him again (main picture). What a difference! He may have lost Read more ...
alexandra.coghlan
Christmas has come early to the Royal Opera House this year. Without a single shout of “He’s behind you!” or even an implausibly-uddered dancing cow, pantomime season is well and truly underway in the form of The Duenna – a corset-straining, britches-splitting, liquor-quaffing delight of a comedy. All of Richard Brinsley Sheridan’s familiar wit and whimsy are here, and if they frequently need to pause and sprawl themselves out upon a comfortable melody, then so much the better. What a pity then that the music-making itself is often so uncertain.English Touring Opera has a fine track record Read more ...
David Nice
Elgar and Delius are two geniuses who only ever composed themselves - the first drawing heavily on psychology and physiognomy, the second drenching his country visions in painful nostalgia. So it made good sense to have man and nature side by side in Sir Andrew Davis's latest enterprising concert. Oh, and there was a commission from the Royal Philharmonic Society's Elgar Bursary too, though this was only "new" music by the old guard. I suspect that the BBC Symphony players could have done without Edwin Roxburgh's Concerto for Orchestra in a heavy programme, resplendently though they tackled Read more ...
alexandra.coghlan
“I want to disrupt your sense of logic and show you something really thrilling,” explains a young academic, as her animated scribbling on the whiteboard gains pace and incomprehensible complexity. It’s a promise that Complicite’s A Disappearing Number – now making its third London appearance – has little trouble fulfilling. A maths lecture may seem an unprepossessing (if not downright unappealing) start to a play, but in loosing their theatre from the conventional unities of time, space, chronology and even the axes of vertical and horizontal, Complicite have also freed maths from the lecture Read more ...
Ismene Brown
It must have been with a leaden heart that the BBC Proms planning team realised that 2010's Last Night would fall plumb on 9/11. How to reconcile all the traditional Brit triumphalism and singing of Jerusalem with the rather more contemporary need to reconcile all, whether out of Jerusalem or not? They did, and full marks for a delicate balancing-act of culture politics and a moving occasion last night (admitted by one who had spent a lifetime avoiding the Last Night of the Proms).Booking Renée Fleming, for one, was a canny move. She is most people’s favourite American soprano, gorgeous to Read more ...
Jasper Rees
Part 2 @bbcproms. The madness begins. Ms Derham has not switched gowns in the interval. No sign of Titchmarsh, for which we must give thanks.The "traditional" necklace of laurels for Sir Henry Wood's bust. Wonder if he'd welcome his head being polished by a pink rag.How do they pick these pieces? Apols but the Marche joyeuse did not fill this tweeter with joy. On the other hand, here's Renée plus a mike.Not many sopranos can address an audience like Renée F. America's sweetheart sings Czech stuff now: back to her rootsWhile Renée continues blowing a hole in the Read more ...
alexandra.coghlan
That an action hero should have many lives at his disposal is a given in these days of bullet-proof Bonds and Bournes. Perhaps greatest in his reincarnatory skills however is Richard Hannay. Originally the cerebral hero of John Buchan’s novel The 39 Steps, Hannay was reinvented in an altogether more comedic vein for Hitchcock’s 1935 film, returned for two more celluloid outings (with a new interest in bomb-disposal), and landed a self-titled TV spin-off. Most recently it is his stage exploits that have captivated audiences. Celebrating four years in London’s West End this week, will the Read more ...