England
Katherine Waters
It seems they’re having trouble with the lights. Thirty-five past five and they’re not yet on. “Typical,” laughs a woman, surveying the huddle of hi-vis chaperones. Palm fronds wave in the wind, suits leave work. St James’s Square slowly fills with people. The huddle of technicians breaks up and in a short moment, candy coloured bulbs strung in rainbow belts between plane trees light up and everyone goes “Oooooh” and gets out their phone.It’s the second year of Lumiere London, the four-day (or rather four-night) festival of light across the capital put on by maestros of urban show, Artichoke Read more ...
Katherine Waters
Art fairs are vaguely promiscuous. So much art, so many galleries, so very many curators. They’re a glut for the eye yet curiously anodyne — the ranks of white cubicles could belong to a jobs fair, except there’s a Miró round the corner. And it’s impossible not to price-perv, that sly flick of the eye down to the label just happens.Not so at Art UK. They’re the London Art Fair’s museum partner this year, and this is their first ever exhibition. Nothing’s on sale because they hold none of the works themselves. Instead, all the pieces on display are publicly owned, if seldom seen. They’re on Read more ...
Matt Wolf
The revival that almost didn't make it into town has got the Royal Court's 2018 mainstage offerings off to a rousing start. For a while, it looked as if this fresh appraisal of a benchmark 1982 Court title would close on the road, a casualty of the "metoo" campaign and charges of inappropriate behaviour that were brought against its original director, Max Stafford-Clark (himself a former Court artistic director). All praise then to current Court supremo, Vicky Featherstone, for reversing her initial cancellation and allowing Kate Wasserberg's terrific production to get the London run it Read more ...
Marina Vaizey
“I am going to find out how much my trees live, breath, and even communicate. I am Judi Dench, and I have been an actor for 60 years – but I have had another passion ever since I was a little girl: I have adored trees. My six acres are a secret woodland, and my trees are part of my extended life.”What a lovely introduction! In My Passion for Trees, we spent a year, condensed into an hour, with Dench in her Six-Acre Wood in Surrey. A national treasure speaking of national treasures, she was wide-eyed at the wonder of trees. Indeed, there are more trees on our planet than stars in our galaxy. Read more ...
Adam Sweeting
For the third and allegedly final time, we hasten back to the Kent coast for another outbreak of cross-Channel crime. Not all that surprisingly, this new series of the Franglais cop show focuses on a people-smuggling racket bringing bedraggled Syrian refugees over to Britain from the French coast, though it might have been a bit more fun if we’d had a mackerel war between French and British fishermen, or were plunged into the unfolding crisis as a Eurostar-load of Brussels bureaucrats were forced to drink Kentish sparkling wine.Anyway, it’s bonjour all over again to dogged British detective Read more ...
Jenny Gilbert
If this play really were “A Debate in One Sitting” as its author called it in 1909, it would have sunk without trace. “Talk, talk, talk, talk”, complains Hypatia Tarleton (Marli Siu), daughter of an Edwardian underwear magnate. Sick to death of the menfolk talking at her and over her, she longs to be “an active verb”, and we sympathise. One expects loquacity in a Bernard Shaw play but in Misalliance the ideas tumble forth like a river breaking its banks: the evils of Empire and British class snobbery; the benefits of socialism, feminism, physical exercise, free libraries and frank Read more ...
David Kettle
It’s shameful to admit it, but it’s perhaps rather surprising that a film about a fashion photographer and designer should end up being so profoundly moving and inspiring. Lisa Immordino Vreeland’s deft biopic about Cecil Beaton starts off dancing across the surface of his achievements – his iconic fashion images; his striking photographs of the royal family; his sumptuous designs for My Fair Lady, Gigi and other movies. But by the end, the director achieves a really rather remarkable portrait of a complex, cussed and equally remarkable man, one whose work continues to exert a profound Read more ...
graham.rickson
Herbert Howells: Music for Clavichord Julian Perkins (Prima Facie)Herbert Howells was at a low ebb in the 1920s. His energies were sapped by ongoing health issues and resultant medical treatment. A severe creative crisis followed the disastrous first performance of his Piano Concerto No. 2 in 1925. Help arrived in the form of Howells’ friendship with the photographer Herbert Lambert, who sidelined as a maker of clavichords. This quirksome instrument delighted him. Inspired by collections of Tudor keyboard music, he began to assemble Lambert’s Clavichord: 12 short pieces, each one dedicated to Read more ...
Tom Birchenough
“There is something odd, I suppose, about anyone who betrays their country.” It’s an excellent opening line, particularly when delivered in director George Carey’s nicely querulous narrative voice, for Toffs, Queers and Traitors (BBC Four). He certainly knows what he’s talking about: Carey’s last two documentaries for Storyville have been about Kim Philby and George Blake, two other prominent entries in the roll-call of British Cold War intelligence infamy.But spies, like Tolstoy’s unhappy families, are surely odd in their own unique ways. They turn traitor for all sorts of reasons, even if Read more ...
Matt Wolf
Can it really be a quarter-century since that finest of all Merchant-Ivory film adaptations, Howards End, was first released? So it is, astonishingly, which surely means the time is ripe for a fresh celluloid take on EM Forster's enduring 1910 novel about morality, love and loss in Edwardian-era England. The current outing grants the creators of this collaboration between the BBC and the American channel Starz four Sunday nights to capture what the glorious Anthony Hopkins/Emma Thompson film conveyed in half that time. The verdict so far: compelling stuff that doesn't as yet fully Read more ...
Katherine Waters
Word wizard. Grammar bully. Sentence shark. AA Gill didn’t play fair by syntax: he pounced on it, surprising it into splendid shapes. And who cared when he wooed readers with anarchy and aplomb? Hardly uncontroversial, let alone inoffensive (he suggested Mary Beard should be kept away from TV cameras on account of her looks, and shot a baboon), he was consistently brilliant. Wherever he went, he brought his readers with him. His journalist’s eye and performer’s hunger made him a natural raconteur, one who could induce synaesthesia so you could taste words.People dear to me loved his writing Read more ...
Adam Sweeting
And so the mini-boom in motor racing movies continues, this time with a look back at the history of Ferrari and the intense on-track battles of the 1950s, a decade in which the Scuderia won four of its 15 Formula One World Drivers Championships. In particular, Race to Immortality zooms in on the unique partnership of the British drivers Mike Hawthorn and Peter Collins, who called each other “mon ami mate” and would split their race winnings equally between themselves. Their machiavellian boss Enzo Ferrari began to suspect that their great friendship was blunting their will to win races.The Read more ...