England
Adam Sweeting
As Aerosmith’s guitarist Joe Perry put it, “there’s a certain amount of fuck you-ness in everything Jeff does.” Perhaps it’s this which has allowed Jeff Beck to achieve the rare feat of surviving into his seventies as what you might describe as a guitar legend without portfolio. He does what he wants when he wants to, is revered by the great and good of the electric guitar universe, and has avoided being trapped into playing The Yardbirds’ greatest hits until the end of time.He isn’t known as an eager interviewee, but the Beck on show here seemed relaxed and vaguely amused to be taking a Read more ...
Matt Wolf
Two fast-rising actors, Jessie Buckley and Johnny Flynn, lend genuine flair to a thriller that needs its mesmerising star turns to rise above the murk. Densely plotted, if sometimes suffocatingly so, TV director Michael Pearce's feature film debut keeps you guessing on matters of culpability right through to the closing exchange. But one can't help but feel in places that less would be more, however pleased one is to clock the continued career ascent of its leading players. The near-ubiquitous Buckley plays the novelistically-named Moll, who has a job as a tour guide that she loathes and Read more ...
graham.rickson
Ealing Studios veteran Basil Dearden may have directed it, but 1944’s They Came to a City is mostly a JB Priestley film, an engaging blend of the mundane and the metaphysical. The work’s stage origins are clear; apart from the newly-written prologue and epilogue, this is predominantly a solemn, talky affair, shot mostly on a studio lot. Though we begin with an exterior shot of a sergeant and a WAAF sat on a hillside overlooking an industrial town, discussing what post-war British society might look like. Priestley himself strolls past and asks for a match, before joining in with the couple’s Read more ...
Marina Vaizey
QCC isn’t the name of a new football club, nor some higher qualification for those toiling at the Bar, but stands for "Queen’s Commonwealth Canopy". Had you heard of it? On the eve of the Commonwealth conference, along came Jane Treays's gently hilarious, and finally rather tender film to fill in the gaps. Its central focus was on the nation’s favourite nonagenarians, the Queen herself and Sir David Attenborough, pottering about and chatting in a garden – that quintessential English idyll – and not just any old garden, but that of Buckingham Palace. Quietly, they talk about saving the Read more ...
David Nice
"What could be more serious than married life?" asked Richard Strauss, whose operas became a surprising pillar of Glyndebourne's repertoire some time after the early days dramatised in David Hare's play. "Honour" might have been the answer of conductor Fritz Busch, who unlike Strauss never made accommodations with the Nazi regime. The two ingredients, personal devotion and public integrity, are interlaced with surprising shafts of depth as well as elegance in the artistic context of The Moderate Soprano. This reviewer certainly didn't leave the Duke of York's Theatre at the end of Jeremy Read more ...
Liz Thomson
For as long as I can remember, and long before I set foot in America for the first time at age 24, I have been intrigued by America – the “idea” of it, conjured up through music, and, as it turned out, the reality – and the common language which (depending on your point of view) binds us, or separates us. I’ve spent time in 10 of its major cities and, over the last three years, a great deal of time in New York where my (crazy to many British friends) proposal for an arts festival was welcomed, as was I – and by officials whose London equivalents would probably not have granted me the time of Read more ...
Sarah Kent
“I start out as an outsider, usually photographing other outsiders, and then at some point I step over a line and become an insider,” wrote American photographer Bruce Davidson. “I don’t do detached observation.” A large number of the images in Another Kind of Life were taken by photographers who took care to befriend their subjects. Given that these were people on the margins of society – either from choice or necessity – gaining their trust was no mean feat. Once accepted, though, the photographer was in clover.In the mid-1960s, Danny Lyon took many memorable shots of Chicago bikers burning Read more ...
Nick Hasted
Country darkness falls quickly when Alice (Ruth Wilson) goes back to the farm. She stops before entering to gratefully absorb the Yorkshire countryside’s sunny beauty. But after that, Clio Barnard’s third film deals mostly in mud, rain, silence and pain, as memories of Alice’s recently dead dad (Sean Bean) stalk her through every farmhouse room, his sexual abuse plainly implied. Brother Joe (Mark Stanley, pictured below with Wilson) stayed behind when she escaped for 15 years, helping to keep the farm staggering on. Alice’s desire to take over the tenancy their dad promised her – guilty blood Read more ...
Tim Cumming
The spiky, angular traditional songs that made up Stick in the Wheel's first album From Here were stripped of any varnish and any trappings of nostalgia to become direct, upfront, yanked from the parlour into the street, and out of the past into the turbulence of the present. They were songs that had things to say and ears to listen, and the album won them the fRoots and Mojo Folk Album of the Year and four nominations in the BBC Radio 2 Folk Awards.Since then, Stick in the Wheel have toured with the likes of Dublin’s brilliant young band Lankum, released the fascinating From Here: English Read more ...
Matt Wolf
A perfectionist says goodbye to an art form he has done so much to nourish by playing – you guessed it – a perfectionist. From the minute Daniel Day-Lewis first appears in Phantom Thread, looking sartorially splendid and more aquiline than ever, there's no doubt that the thrice Oscar-winning actor (and a nominee again this year) owns this movie as he has so many previous ones. Playing the wonderfully named Reynolds Jeremiah Woodcock, a 1950s fashion designer possessed of killer charm and something darker and more unknown as well, the actor cuts a presence at once alluring and Read more ...
Jenny Gilbert
Casting decisions do not usually make gripping theatre. But in Robert Icke’s version of Friedrich Schiller’s 1800 political thriller, newly transferred from the Almeida to the West End, settling the question of which of two actresses will play the title role and which her nemesis, Elizabeth I, is an edge-of-the-seat moment night after night. Heads or tails? Before the entire assembled cast, the spin of a coin (a sovereign, of course) decides it. And with the result shown on screens that flank the stage, the audience is the first to know.At Wednesday’s matinée, Lia Williams loses the call ( Read more ...
graham.rickson
Adapted by Raymond Briggs from his best-selling graphic novel, When the Wind Blows was released in 1986 and stands up so well that you’re inclined to forgive its flaws: namely David Bowie’s leaden theme song and an abundance of fairly flat black humour. Though, in hindsight, Jimmy T Murakami’s deadpan, quasi-realist look at nuclear Armageddon as it befalls an elderly working class British couple shouldn’t be amusing.As with all the best animated features, the storytelling grips to the extent that you forget that you’re not watching a flesh-and-blood cast. Not that there’s much story, other Read more ...