England
Boyd Tonkin
From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for Victory” cabbages arrayed in Ford’s garden, all the period flourishes that helped make Richard Jones’s Falstaff such an audience hit twice before at Glyndebourne look as spruce and smart as ever in this revival.However, the opera does not belong to any director, however imaginative, nor even to his ever-ingenious designer Ultz – but to Verdi, his inspirational librettist Boito, and the singers and players who truly possess the power to restore this Read more ...
Helen Hawkins
The 2024 play at the National Theatre that put writer Beth Steel squarely centre-stage has now received a West End transfer. Its title taken from an Auden poem urging people to dance till they drop, it’s probably the most passionate show in that locale, and definitely the lewdest.It opens with the female equivalent of locker-room talk as the women of an extended family in what was once Notts and Derby pit country bicker and banter while preparing for the wedding of young Sylvia (Sinead Matthews). Topics of conversation range from the naughtiness of next door’s "sex pond”, ie hot tub, to the Read more ...
Helen Hawkins
A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr Darcy at his gorgeous country pile tries to reset her life post-breakup with a grown-up new job in London. Welcome to Bridget Jones country as seen through the lens of New Yorker Lena Dunham. The 10-part Netflix series that Dunham and her English musician husband Luis Felber have created, Too Much, is just that: a welter of verbiage, weird characters and relentless squelchy sex – though the sex scenes are virtually the only occasions our heroine stops Read more ...
Sarah Kent
When in the 1990s, Jenny Saville’s peers shunned painting in favour of alternative media such as photography, video and installations, the artist stuck to her guns and, unapologetically, worked on canvases as large as seven feet tall. While still a student at Glasgow School of Art, she painted Propped, 1992, one of the most challenging and memorable female nudes in the history of art (pictured below right). This enormous painting confronts you on entry to her retrospective at the National Portrait Gallery, and it is still a knock out. Perching awkwardly on a tiny pedestal is a Read more ...
Helen Hawkins
The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s rock musical about teenage angst in 1960s Britain. What follows isn’t so easy to recognise.Quadrophenia started life in 1973 as a double album, and six years later became a film; now it’s a contemporary dance piece with an outstanding cast. Yet it seems to be a case of diminishing returns.The powerful vocals of its songs are silenced, with just a heavenly choir in the closing numbers representing a human presence. And the thrilling axeman chords Read more ...
Helen Hawkins
Fans of the character comedian Graham Fellows will possibly turn up for this British film starring the man who created the punk parody single “Jilted John” and Sheffield’s finest, the car-coated singer-songwriter John Shuttleworth. But they may leave disappointed.The action is set in one of the backwaters of rural Britain getting a lot of attention these days; on paper the plot is serviceable. Chicken empire heir Lee Matthews (Ramy Ben Fredj, pictured below, left with Ethaniel Davy) skids on black ice and wipes out a Nativity scene outside his local church but gets the blame pinned on his Read more ...
Helen Hawkins
If somebody submitted a treatment for a new costume drama series set in the 1930s in which not just one but two fictitious sisters from a fading aristocratic family pair off with leading fascists, while the cousin warning them off these liaisons is a future British PM, the pitch meeting probably wouldn’t last that long. Yet Britbox’s Outrageous, a six-parter on the U+Drama channel, tells exactly this true extraordinary story, and tells it well. Even without the lavish budgets of other period projects, it looks the part, with spot-on interiors and costumes. It even gets to grip with the Read more ...
Nick Hasted
The 23 years since 28 Days Later and especially those since Danny Boyle’s soulful encapsulation of Britain’s best spirit at the 2012 Olympics have offered rich material for a franchise about deserted cities, rampaging viruses, hard quarantines and an insular, afraid country hacked adrift from Europe.28 Years Later takes this chance with punk chutzpah, right from a pumped-up prologue in which children watch Teletubbies to mask the sound of the adult world being eaten by Rage virus-infected zombies, only to be devoured too in a frenzy of close-up Anthony Dod Mantle camerawork, vintage digital Read more ...
Sarah Kent
It’s unusual to leave an exhibition liking an artist’s work less than when you went in, but Tate Britain’s retrospective of Edward Burra manages to achieve just this. I’ve always loved Burra’s limpid late landscapes. Layers of filmy watercolour create sweeping vistas of rolling hills and valleys whose suggestive curves create a sexual frisson.Take Valley and River, Northumberland 1972 (pictured below right), for instance. A spring emerges from a fold in green hills that resemble limbs. The landscape doubles as a body, with an inviting recess nestling between parted thighs.These pastoral Read more ...
Graham Fuller
On leaving prison, Lollipop’s thirtyish single mum Molly discovers that reclaiming her kids from social care is akin to doing lengths in a shark-infested swimming pool teeming with naval mines. Thanks to Posy Sterling’s technically astounding performance – a whirligig of fluctuating, gut-level emotions – audience sympathy with Molly never flags. Despite her Cockney toughness, she’s a woman under the influence (of traumas galore), on the verge of a nervous breakdown, at the end of her tether.But as a frantic, flailing woman constantly going off the deep end, she harms her cause. More Read more ...
James Saynor
Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the decades. As we brave the salutes on this side of the Channel to arch irony-spinner Jane Austen’s 250th birth-year – from gushing BBC documentaries to actually quite witty Hallmark cable movies – France offers up Jane Austen Wrecked My Life, a cordial, low-energy rom com that sets out to Austenify the lovelorn of Paris.In Laura Piani’s debut feature, Agathe (Camille Rutherford) works at the Shakespeare and Company English bookshop on the Left Bank and is a ultra- Read more ...
Justine Elias
If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can favour mature competitors, but Skelton was twice the age of his rivals. He'd survived numerous injuries – including a broken neck – by the time he propelled Britain to showjumping gold in 2012. Fifty-four at the London games, he wasn’t done. Both he and his horse Big Star returned to the Olympics four years later to win the individual gold medal.In a handsomely mounted but unrevealing documentary, Big Star: The Nick Skelton Story, admirers from inside and out of Read more ...