electronica
Thomas H. Green
This month we have some unjustly hyped rubbish electro-pop, some unjustly ignored brilliant eletcro-pop, some postmodern retro-disco, some dubstep, some grime, some sampledelic New York punk, and, at the top of the pile, one of Britain's brightest young actors proves he's equally adept on the microphone. Thomas H Green and Joe Muggs plough loudly through the lot with glee and the odd barbed word.Riz MC All in the Ghetto (Confirm/Ignore)
So actors shouldn't try to become hip-hop MCs, right? Remember Warren Beatty in Bulworth? Riz Ahmed, however, was an MC long before he made his name with a Read more ...
joe.muggs
Club music has always been hard to keep track of, and never more so than in the current climate of constant genre meltdown and cross-fertilisation. Which is why the DJ's art is more important than ever, particularly in the case of scene figureheads like the indefatigable Gilles Peterson – known for over 20 years as a patron of all things jazzy, but lately proving brilliantly adept at reaching all corners of what he refers to as “left-field dance music”. Shows like his are ideal – necessary, even – for nurturing, contextualising and showcasing new generation genre-agnostic talents like Read more ...
joe.muggs
I'm absolutely horrified to hear of the death this morning from pneumonia, following a swine-flu infection, of Trish Keenan of the band Broadcast. I had only ever spoken to her on the telephone, but many friends knew her well and she was one of those rare people in music who was universally liked and admired by all who met her. Far more than just a singer and frontwoman, Keenan, 42, was a visionary artist: from their beginnings in the Birmingham alternative scene, she and her partner James Cargill, who always formed the core of the band, always blended art and life, and created a beautiful Read more ...
joe.muggs
Simon Raymonde's Bella Union label occupies an enviable position within the music world. Successfully (although, as you'll see below, only just) weathering the travails of an industry beset by downloading and market fragmentation, it enters the 14th year of its existence strong and confident, with an impressive roster of maverick artists with actual or potential mainstream appeal. But then Raymonde knows a thing or two about making the weird popular: as part of the Cocteau Twins from 1979 to 1997 he brought some really intensely strange and beautiful music to mass audiences around the world. Read more ...
joe.muggs
2010 saw some major shifts stirring up the UK club music ecosystem and unleashing some fascinating hybrids and variants of existing sounds out into the wild. As the hefty bass of dubstep muscled its way firmly into the heart of the mainstream, everything else was forced to rearrange its position, with some surprising results. The most aggressive sounds proved to have a sensitive or celebratory side, the hoariest old rhythms were given a new lease of life and – despite the supposed globalisation of the weird wired world – highly localised club scenes were once more at the forefront of Read more ...
theartsdesk
In the next instalment of our Year Out/Year In series, theartsdesk's New Music writers cast a critical eye over 2010, and offer some recommendations for 2011, incorporating some very funky videos. Our selection of recommended albums from the past year ranges wildly over electronica, world, jazz, indie, rock and folk. We also note some disasters and sad losses. Written by Howard Male, Peter Culshaw, Russ Coffey, Peter Quinn, Bruce Dessau, Kieron Tyler and Thomas H Green.PETER CULSHAWGood things about 2010 Brad Mehldau's surpisingly successful mix of classical, film and jazz music for the Read more ...
joe.muggs
I once passed up the chance of meeting Peter "Sleazy" Christopherson, who - it was announced by his Throbbing Gristle bandmates on Twitter - died in his sleep last night aged 55. In the late 1990s I was invited to interview him and his long-term partner Geoff Rushton aka John Balance at the country house where they recorded their ritual electronic music as Coil, but being a young and inexperienced writer at the time, I got scared off by their reputation as exploratory occultists and opted instead for a phone interview with Rushton. He proved to be a spectacularly charming and fascinating Read more ...
Peter Culshaw
Dick Flash shows us wannabe interviewers how it's done with this masterful and enlightening exchange with pop's favourite brainbox Brian Eno, who seems to have a new album out, also. Watch Dick Flash's interview with Brian Eno:
theartsdesk
This month's epic collection has a somewhat retro feel, with CDs by Ray Davies, Neil Young, Elvis Costello and Bob Dylan. The CD of the Month is all-conquering Tennessee rock band Kings of Leon. The Box Set of the Month comes from the vaults of Apple records and there's an amazing compilation of music from Angola in the 1970s. The rest of the selection is bang up to the minute, with the latest electronica, jazz, grime and alt-country dissected by theartsdesk's team of critics, Adam Sweeting, Howard Male, Russ Coffey, Joe Muggs, David Cheal, Peter Quinn, Thomas H Green, Bruce Dessau, Kieron Read more ...
igor.toronyilalic
I would call them burglars: musicians from the experimental rock, electronica and sound-art traditions who cross the genre divide, sneak into the world of classical music, pillage its more easily pillaged valuables, thieve its respectability, filch its original ideas, and sprint back breathlessly to their wide-eyed fans to show off this brilliantly clever "new" classical music (much of which is made up of techniques that George Benjamin would have grown out of by the age of six) in double quick time lest someone from classical music pins them down for long enough to inform them how rubbish Read more ...
joe.muggs
Its authenticity was helped no end by a torrential downpour leaking through the brickwork and creating puddles in various parts of the uneven floor – and by the rousing mix of hyperkinetic Nineties jungle beats cut up with seemingly humanly impossible dexterity over a dazzlingly crisp soundsystem by Japanese man-machine DJ Kentaro (pictured below) who was playing as we entered.Rather less rough and ready was the preponderance of expensive specs on punters everywhere you looked, indicating a disproportionate number of designers in the crowd. But that's Ninja Tune for you – since its foundation Read more ...
theartsdesk
This month's extraordinary, rich and strange releases are led by Ninja Tune's 20th-anniversary album of new tunes and remixes ("hard to know when to stop throwing the compliments"), Robert Plant's new band ("puts most vintage rockers to shame") and the new one from fellow veteran and "louche Lothario" Bryan Ferry. There's electronica from Magnetic Man and theartsdesk writer Joe Muggs's new Dubstep Compilation, cyber-pop from Tinie Tempah and a terrific new project featuring musicians from Eritrea. Stinker of the Month is the Motown covers record from Phil Collins. Reviewers this month are Joe Read more ...