sat 20/04/2024

Edinburgh Fringe

Edinburgh Fringe 2022 reviews: Hal Cruttenden / Zach Zucker / The Delightful Sausage

 Hal Cruttenden, Pleasance Courtyard ★★★★ Hal Cruttenden is the kind of observational comic who talks about his home life a lot, so when his wife announced recently that their marriage was over it could have meant a quick swerve away from...

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Edinburgh Fringe 2022 reviews: Randy Feltface / Sarah Keyworth / Andrew Maxwell

Randy Feltface, Assembly George Square ★★★★ Despite being made of felt, with a gash for a mouth and two googly eyes, Randy Feltface (always seen in the vicinity of Heath McIvor) can, astonishingly, appear to emote. Of course, he can't – we are...

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Counting and Cracking, Edinburgh International Festival 2022 review - ambitious, powerful, but sadly under-attended

First, a bit of housekeeping. Maybe it was the three-and-a-half-hour duration, or maybe the unfamiliar Sri Lankan subject matter, or maybe even the very un-festival-like hot weather that put people off an evening inside Edinburgh’s Lyceum Theatre....

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Edinburgh Fringe 2022 reviews: Temping / Work.txt

Temping, Assembly George Square Studios ★★★★Sarah Jane is away in Hawaii. But don’t worry – she’s left plenty of instructions for your day temping in the actuaries’ office, checking voicemails, answering emails, updating spreadsheets. After all, it’...

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Edinburgh Fringe 2022 reviews: Afghanistan Is Not Funny / Yippee Ki Yay / Eh Up, Me Old Flowers!

Afghanistan Is Not Funny, Gilded Balloon ★★★★ Henry Naylor’s Arabian Nightmares trilogy - about the West’s misadventures in Syria and Iraq and how we have learned nothing - were hits at previous festivals; now he presents this new show,...

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Edinburgh Fringe 2022 reviews: Every Word was Once an Animal / Tim Crouch: Truth’s a Dog Must to Kennel

Every Word was Once an Animal, Zoo Southside ★★★★Ghent-based theatre company Ontroerend Goed have been prodding and provoking Fringe audiences for years, sometimes forcefully – as in 2001’s controversial, confrontational, crowd-baiting Audience – or...

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Edinburgh Fringe 2022 reviews: Colin Hoult / Nick Helm / Susie McCabe

Colin Hoult: The Death of Anna Mann, Pleasance Courtyard ★★★★★ Anna Mann – actress, singer, welder (you’ve got to have a back-up in this business, darling) – is the monstrous creation of Colin Hoult.She was last seen at the Fringe five...

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Edinburgh Fringe 2022 reviews: The Last Return / Psychodrama / Exodus

The Last Return, Traverse Theatre ★★★★★ Put a leafless tree prominently on stage – especially in an Irish play from an Irish company – and you’re asking for parallels to be drawn. And indeed, there’s a god-like figure that the characters in Sonya...

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Edinburgh Fringe 2022 reviews: Kathy and Stella Solve a Murder! / Hiya Dolly!

Kathy and Stella Solve a Murder!, Summerhall ★★★★★ What a pleasure to be in the audience for this terrific musical whodunnit, about best friends Kathy (Bronté Barbé ) and Stella (Rebekah Hinds), who live in Hull and have a podcast devoted...

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Burn, Edinburgh International Festival 2022 review - bold, risky, sometimes baffling

In retrospect, all the clues were there. A star actor embarking on a new performance genre; a fresh reappraisal of one of Scotland’s cultural icons; a hi-tech production of sumptuous video and prop trickery; a dance score from a major name in new...

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Edinburgh Fringe 2022 reviews: Boy / Intruder|Intruz

Boy, Summerhall ★★★★ Nature or nurture? It’s the perennial question behind so much in human development – and the central issue, too, behind Carly Wijs’s very moving Boy for Flemish theatre company De Roovers at Summerhall.Twins Brian and Bruce had...

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Edinburgh Fringe 2022 reviews: Les Dawson: Flying High / Boris III

 Les Dawson: Flying High, Assembly George Square ★★★ Any opportunity to watch impressionist Jon Culshaw at work is not to be missed. Here he gives a spot-on rendition of the gruff-voiced comic who hosted BBC’s Blankety Blank in the...

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