dubstep
Thomas H Green and Joe Muggs
After a nine-month absence, during which Joe Muggs explored the world's largest natural bassbin in the Amazonian rain forest and Thomas H Green waited to receive his passport back from the Bolivian government, Singles & Downloads returns to celebrate the best in new music. From the ambient to the danceable, the glorious to the outright embarassing, we present the juiciest possible representative cross section of modern popular music.Rebecca Ferguson, Too Good to Lose (Simco/Sony)X Factor runner-up and fabulously husky purrer Rebecca Ferguson's album is based on the sort of wholesome Adele Read more ...
joe.muggs
A mea culpa from me: I never gave Sbtrkt's records the attention they deserved. I always thought they were a capitulation, a softening of the radical developments of the post grime and dubstep generation with more traditional musicality and indie affectations to reach out to a more generalist, NME reading audience... and in a way they are – but, I came to realise, that's not a bad thing, and certainly not cynically done.Having listened to last year's self-titled debut album more thoroughly, it became clear that there is a distinct and often deliciously absorbing character to Aaron Jerome's Read more ...
joe.muggs
Tonight on Channel 4, a new music series begins with a fantastic premise. A group of music obsessives drive around the USA in a London black cab, finding interesting musicians and recording them performing and talking in the back of the cab. Sounds a little bit like the 2008 Stephen Fry in America series, doesn't it? Well maybe, except Black Cab Sessions has been broadcast online since 2007.Watch the Black Cab Sessions trailer:And there's the rub. BCS has now featured hundreds of acts in various cabs, from complete unknowns to top ten-bothering popstars, from gangsta rappers to Brian Read more ...
joe.muggs
I first heard Zed Bias's Biasonic Hot Sauce – Birth of the Nanocloud last autumn. He may have been one of the key players in the London-centric sound of UK garage, but he was never of that scene. Based in Milton Keynes through the first phase of his career, he releases through a Brighton label and is now resident in Manchester. This is key to understanding the connections in his tracks, which reflect the clubs in those cities that sidestep metropolitan scene micro-delineation and rave parochialism and lock into a wider soulboy set of connections.His sprawling album as Maddslinky earlier in Read more ...
Thomas H. Green
Of all the unlikely and incompatible collisions of genre imaginable, thrash metal with clubland trance must be pretty near the top of the tree. One is beefy, roaring, angry and punctuated by vocals akin to a dyspeptic troll burping, the other is electronic, poppy, air-headedly euphoric and can contain divas wailing banalities. This combination, however, was the horse a young St Albans band chose to ride for their 2006 debut single “Sorry You’re Not a Winner”. It summed Enter Shikari up and – although they’ve moved on musically since – it still does; the gutsy earnestness of metal but with Read more ...
joe.muggs
Against all the odds, I find myself going into 2012 with a strong sense of optimism. And the reason? I am a born-again rave zealot. I saw it at Outlook Festival in Croatia, I saw it at Sónar in Barcelona, and I saw it at the Big Chill where I was running a stage; participatory, constructive, creative partying, where the crowds go not just to be entertained but to plug into something bigger, to be part of something.Now, I love Kanye West's music with all my heart, but the sight of his latest whining pseudo-breakdown on stage at the Big Chill just seemed like the latest peeling away of the Read more ...
joe.muggs
If 2011 was the year when dance music's natural tendency to fragmentation was taken to extremes, this album was the one that bound those fragments together into one demented but scintillating vision. Russell Whyte – Rustie – comes from a very particularly Scottish club scene that is the perfect antidote to the idea that musical connoisseurship means nerdiness.From the very simple imperative of moving a dance floor in fresh ways comes an explosion of ideas and influences: retro video game soundtracks, obscure Japanese noise bands, the hyper-capitalist hyper-pop of 21st-century R&B, the Read more ...
Thomas H. Green
Example seems a most unlikely sex symbol but the four-fifths full Brighton Centre (capacity 5100) contains multiple gaggles of young women in their late teens and early twenties who want a piece of 29-year-old Elliot Gleave (EG = Example). My pal Don is bemused. “He looks like a bloke you’d see at a bus stop,” he exclaims above female screams. He does, albeit more stylishly dressed and with a hint of Edmund Blackadder (series one) about his severe fringed haircut. This vocal, partisan crowd – also, it should be noted, filled with men of a similar age - appear willing to lap up anything Read more ...
joe.muggs
I almost feel duty bound to make a declaration of interest here. I have done several pieces of paid writing for the Red Bull Music Academy, including a piece of course material for this year's Academy, and a few days ago I went to Madrid to see the Academy for the first time on their tab. But here's the thing: music writers rarely, if ever, feel the need to say that they have written sleeve notes or other material for a major record label when writing about an artist on that label, let alone that the label is paying their expenses for a story (which they generally do, as magazine and Read more ...
Thomas H. Green
A decade and a half ago I was junglist correspondent for Eternity magazine, a long since defunct organ that catered to the then thriving print press for rave devotees. This was how I ran into Aquasky, a trio of studenty, long-haired guys from Bournemouth making chill-out drum and bass. A lot has happened to them since then. Most notably - apart from being much less hirsute - they long ago dumped the marijuana’n’jazz approach and make, under the radar, contagiously ballsy rave music that takes no prisoners but also welcomes anyone with a party bone in their body to their party.Their new album Read more ...
joe.muggs
The “remix album” has a patchy history. From bodged-together cash-in collections of already-released B-sides via showcases of hipness (hello Radiohead!) to focused collaborations (Mad Professor's reworkings of Massive Attack being the best known), the range of approaches is diverse to say the least. If anyone can get it right, though, it's King Midas Sound's Kevin Martin. An inveterate compiler, collaborator and shape-shifter with many years' worth of extraordinary sound experiments behind him from industrial metal to lovers' rock, he is unquestionably adept at forcing unlikely aesthetic Read more ...
joe.muggs
Joker, aka 22 year old Bristolian Liam McLean, is one of the most individual talents of the dubstep/grime generation. His long run of dancefloor-directed single releases, some originally recorded when he was in his early teens, showed natural gifts for finding the funk in the sparsest rhythms and for frazzlingly catchy melodic synth riffs which meant his productions leapt out of DJ sets wherever and whenever they were played. Now, following a quiet 18 months, his debut album shows that he's not content to rest on his laurels.The Vision is a high-gloss affair. McLean has always been a Read more ...