drawing
ash.smyth
When the subversive graphic artist Sarnath Banerjee won a MacArthur grant he opted "to research the sexual landscape of contemporary Indian cities", embroiling himself in the aphrodisiac market of old Delhi and introducing the English reading public to the great Hindi word swarnadosh (erm, "nocturnal emissions"). Banerjee (b. 1972) is generally credited with having introduced the graphic novel to India. Incorrectly, as it happens; but with Corridor (2004) and The Barn Owl’s Wondrous Capers (2007) – over and above his work as illustrator, publisher and film-maker – the Goldsmiths-trained Read more ...
fisun.guner
This exhibition may claim to reveal the real Van Gogh through his letters, but what of the Sunflowers, the Self-Portrait With Bandaged Ear, oh, and Starry Night, with its roiling night sky and dark, mysterious cypress tree? What even of the dizzying Night Café, with its migraine-inducing electric lamps, its violent clash of reds and greens and the walls that threaten to collapse inwards, as if the painter had been hitting the absinthe all night? Surely these are the knock-out masterpieces that we expect to see in the first major UK exhibition of Van Gogh’s work for over 40 years?We may know Read more ...
Ismene Brown
Christmas ballet would be unthinkable without The Nutcracker. But what kind of Christmas should it be? This year the UK fields an astonishing array of visions, from Biedermeier formality at the Royal Ballet, to Fanny and Alexander romanticism at Birmingham Royal Ballet, Elvis cartoons at English National Ballet, and expressionist German psychodrama at Scottish Ballet.Three of Britain's most famous designers, Gerald Scarfe, Antony McDonald and John F Macfarlane, talk here about their preoccupations as they set about picturing the fairytale ballet, and in the gallery elsewhere see a fabulous Read more ...
Ismene Brown
Is the look to be Beckmann, Bergman or Nicky Haslam? To accompany the interviews with Nutcracker designers elsewhere, here are three very different design portfolios tackling the eternal magic of this favourite ballet with unexpected reference points. Sketches by John F Macfarlane for Birmingham Royal Ballet, Antony McDonald for Scottish Ballet and Gerald Scarfe for English National Ballet are seen with production stills alongside.Read interviews with the three designers elsewhere on theartsdesk, where they explain their thinking and working methods. John Macfarlane for Birmingham Royal Read more ...
howard.male
The first thing to say about Drawing Attention is that its title decidedly undersells the scope of this compelling and unpredictable exhibition, which spans five centuries and includes 100 works from the Art Gallery of Ontario’s collection. Most of us might define a drawing as some kind of monochromatic sketch, either produced by the artist as preparatory work for a finished painting, or to capture some ephemeral moment. The drawing represents artists, paradoxically, at their most casual and yet most focused, transcribing what is seen with intense concentration, yet often rendering it with Read more ...
Graham Fuller
Outwardly the Morgan Library & Museum is a citadel of sedateness - inside it may be the locus of turbulence. Thirteen years ago I walked around one of the rooms with the actress Charlotte Gainsbourg, on whom I was writing a profile. She was then starring in Franco Zeffirelli’s Jane Eyre, and it made sense for us to look at the Morgan’s exhibition of Brontë juvenilia together. She seemed vaguely haunted by the show; I know I was. It was the sight of the tiny writing, the tiny gloves (Charlotte’s), and the locks of thin blondish Brontë hair - close enough to touch - under the glass cabinets Read more ...