country
Thomas H. Green
Kitty, Daisy & Lewis, a highlight of Tapestry's Supersonic Sunday mini-festival
The Tapestry Festival is a labour of love. It's the ongoing adventure of a Camden plasterer called Barry Stilwell who decided a decade ago that he wanted a festival of his own. Irritated by the way corporate branding was piggy-backing festival culture, and disgusted by stringent spoilsport ground-rules at many outdoor events, he started his own in 2003, mostly showcasing bands who'd played his monthly Euston-based club night.In previous years Tapestry has taken place at a Cornish Wild West theme park and a medieval castle in Wales, with attendees dressing to match. This year, Barry Read more ...
Russ Coffey
On the face of it, comparisons could be drawn between Dawn Kinnard and fellow preacher’s-offspring-cum-country-singer, Diane Birch. Except Birch’s music comes from every musical advantage, whereas Kinnard still has a day-job as a hairdresser. Moreover, her voice remains totally unproduced - a glorious mix of Tom Waits and Marge Simpson. This summer, for the second time in three years, she has put her savings on the line to try to make it here. Last time round, Kinnard, then staying chez Cerys Matthews, enjoyed a barnstorming session on Later with Jools Holland. Last night things Read more ...
graeme.thomson
A few years ago I wrote a book about Willie Nelson. Keith Richards supplied the introduction – a Kafkaesque saga which deserves a book in itself - during which he opined that Willie had a severe case of “white line fever”. This (for once) had nothing to do with exotic Peruvian powders and everything to do with the odd compulsion that keeps a man in his late seventies on the road for nine months of each year, rattling around the world in a bus while his wife and kids make hay in Hawaii.Last night I again realised how perceptive Richards’ words were. There are times during a Willie Nelson Read more ...
Peter Culshaw
Nashville is much more than the Grand Ol’ Opry, big hairdos and rhinestones, and I was looking for something beyond the occasionally enjoyable kitsch. I was failing to make much sense of the place and fell back on a technique which I’ve often found produces results when somewhere unfamiliar – ask the musicians themselves who they most respect. One name kept coming up – Guy Clark, who it became obvious was a city legend, a songwriters’ songwriter.  I turned up at Clark’s house at 11 in the morning, and he offered me a drink from an already open bottle of Bourbon.  I asked him for an Read more ...