mon 20/05/2024

club music

Album: Steve Mac - Bless This Acid House

Some rock bands base their career around being musically fluid, an ever-changing what-will-they-do-next? conundrum. Others, such as, famously, Motörhead and The Ramones, simply go on doing their thing, honing it, repeating ad infinitum, with an...

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Album: SBTRKT - THE RAT ROAD

Aaron Jerome has always cut his own path through British music. After a few jazzy, groovy experiments under his own name in the 00s, he came dramatically to prominence at the end of that decade as SBTRKT. He was always associated with the post-...

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theartsdesk on Vinyl: Record Store Day Special 2023

Record Store Day is nearly here. At theartsdesk on Vinyl we have a selection of goodies which are appearing exclusively in record shops. See anything you fancy?THEARTSDESK ON VINYL’S VINYL OF RECORD STORE DAY APRIL 2023Suicide A Way of Life Rareties...

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Album: Nia Archives - Sunrise Bang ur Head Against the Wall

We are way, way past the point where it makes any sense to talk of jungle or drum’n’bass “revivals”. Thirty years from the emergence of jungle from the rave scene, its tempo and tropes have remained a staple sound for generation upon generation of...

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Album: Skrillex - Quest for Fire

Ageing boppers may bristle at the idea of a dance album where the average track length is three minutes. Yet this, Sonny “Skrillex” Moore’s first solo album since his debut nine years ago, is the most groove-based thing he’s done. It’s certainly a...

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Sugababes, O2 Academy, Glasgow review - pop perfection hampered by sluggish sound

Any younger Sugababes fans might have felt a little neglected here. “Who’s a 90s child?” yelled out enthusiastic DJ Shosh as she warmed up the crowd, followed soon after by a cry of “Who’s an 80s child?”, which received an even louder roar in...

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Album: Daniel Avery - Ultra Truth

There is now a kind of “leftfield mainstream” in electronic music. It’s populated by people a decade or more younger than the original acid house generation, but who take their core inspiration from post-rave experimentation of the early-mid...

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Glastonbury Festival 2022: an unexpurgated odyssey around the best party on the planet

Last days of June 2022, I sit in my writing hut. My liver is radioactive jelly, my nose reinforced concrete, my leg muscles marathon-cramped, and poisoned perspiration rolls down my forehead, stinging my eyeballs.You’ll already have seen a trillion...

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Transgressive Records showcase, The Great Escape, Brighton review - five acts offer intriguing pop alternatives

Onstage at The Old Market in Hove, New York’s Mykki Blanco has been waving around a knot of garlic bulbs as if it were a wand or occult aspergillum. At some point during Blanco’s punchy rendition of 2016 single “Loner”, or possibly the dizzier “...

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Album: Confidence Man - Tilt

Despite a five-year career and no breakout hits, Australian outfit Confidence Man has grabbed the attention of some heavyweights.Signed to Heavenly Records, a label which knows their Roscoff onions from the common-or-garden variety, their 2017...

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Album: Charli XCX - Crash

Charli XCX is the pop stars’ pop star. Working with everyone from K-pop megastars BTS to US rapper Lil Yachty to indie-rockers Vampire Weekend, her career arc has a meta aspect, initially personified by her joyously electro-punky second album Sucker...

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Album: Electribe 101 - Electribal Soul

There’s a period of British club music that deserves to be much better appreciated. Before hardcore and jungle, before the Underworlds and Leftfields and other arena acts, came a generation who were much closer to the most song-based US house music...

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