thu 25/04/2024

class system

Standing at the Sky's Edge, National Theatre review - razor-sharp musical with second-act woes

Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill...

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Sylvia, Old Vic review - great leads, rambling story

For many years, I would ask groups of students to vote in elections because “it’s important to honour those who gave up so much to ensure that the likes of us can”. Some would nod, others would shrug, a few might have inwardly scoffed – too...

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Graceland, Royal Court review - quiet desolation is too literary

Is new writing becoming increasingly literary? Recently, some of the language being used by younger playwrights seems to me to be becoming too subtle, something to be savoured on the page rather than strongly felt in live performance. Certainly,...

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Dolly Parton's Smoky Mountain Christmas Carol, Queen Elizabeth Hall review - Scrooge goes to Tennessee

We’ve had 75 years to get used to Scrooge McDuck, so we can hardly complain if the Americans indulge in a little cultural appropriation and send Charles Dickens’ misanthrope to Depression-era Tennessee for another whirl on the catharsis-redemption...

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Kerry Jackson, National Theatre review - new writing nadir

Is British new writing in deep trouble? With the Arts Council defunding venues such as the Hampstead Theatre, the Donmar and the Gate, and past masters such as Terry Johnson underperforming, the signs are not good. But what about the National...

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A Christmas Carol, RSC, Stratford review - family show eases back the terror and winds up the politics

Life is full of coincidences and contradictions. As I was walking to the Royal Shakespeare Theatre, the Chancellor of the Exchequer was on his feet in the House of Commons delivering yet another rebalancing of individual and collective resources. On...

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Ravenscourt, Hampstead Theatre review - strong, but slender

Therapy is inherently dramatic. After all, it’s all about character – and it has the aim of producing a recognizable change. But who is the most affected by the process: client or therapist?Georgina Burns, a graduate of Hampstead Theatre’s Inspire...

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The Caucasian Chalk Circle, Rose Theatre review - new production of classic proves a gruelling experience

Brecht – as I suppose he intended – is always a shock to the system. With not a word on what to expect from his commitment to the strictures of epic theatre in the programme, a star of West End musical theatre cast in the lead and a venue...

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Iphigenia in Splott, Lyric Hammersmith review - raises as many questions as answers

It’s hard to keep up with what terms are in vogue amongst those who insist on classifying and vilifying young people, but one that you don’t hear so often these days is NEET (Not in Education, Employment or Training). Back in 2015 when Gary Owen's...

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Silent Land review - an inconvenient death mars their holiday

How people dance always gives them away. Alone on the floor of a Sardinian coastal nitespot in Silent Land, the bourgeois Polish couple Adam (Dobromir Dymecki) and Anna (Agnieska Żulewska) fling themselves around as dementedly as if red...

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The Darkest Part of the Night, Kiln Theatre - issues-led drama has its heart in the right place

Music plays a big part in the life of Dwight, an 11-year-old black lad growing up in early 80s Leeds. He doesn't fit in at school, bullied because he is "slow", and he doesn't fit in outside school, would-be friends losing patience with him.But he...

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Freddie Flintoff's Field of Dreams, BBC One review - Lancashire all-rounder adds new strings to his bow

After the sensational reinvention of the England cricket team this summer, with their so-called “Bazball” technique, the second-best thing to have happened to the Summer Game is Freddie Flintoff’s new series.Here, the former dynamic all-rounder and...

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