China
Aleks Sierz
London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to a wider public – despite coronavirus. This week, it’s the turn of Howard Brenton’s #aiww: The Arrest of Ai Weiwei, which was first staged at this venue in April 2013, and in the intervening years it has gained in resonance and relevance. Because of COVID-19, the ideology and mentality of the Chinese government has become once again deserving of keen scrutiny. So what exactly happened to this fêted Chinese contemporary conceptual artist when he fell foul of his country’s regime?On 3 April 2011, Read more ...
Boyd Tonkin
In 1018, the Princess of Chen – a member of the Liao dynasty that ruled northern China – was buried in a treasure-filled tomb in Inner Mongolia. Excavated in the 1980s, her grave contained luxury items sourced in Egypt, Syria, Iran, India, Sumatra – along with prized adornments in carved amber imported from the Baltic shores of Europe, 6500 km away. It hardly counts as news, perhaps, that the Chinese elites of a thousand years ago stood at the wealthy heart of an international trading and information system that spanned distant continents. “They lived in a globalised world, pure and simple,” Read more ...
Veronica Lee
I must confess the sum total of my knowledge of Clarence Clemons before watching this documentary was that he was, for many years before his death in 2011 at the age of 69, the mighty saxophone player in Bruce Springsteen's E Street Band. And what a sax player...Nick Mead's film shows him to be much more than The Boss's sidekick (although that would not be a bad epitaph). Much of it is from Who Do I Think I Am?, which was about the saxophonist’s spiritual pilgrimage to China in 2003; Mead and his subject hit it off, so he kept shooting material after they returned to the US.Clemons, known Read more ...
Adam Sweeting
Director Oleg Stepchenko’s follow-up to his 2014 yarn Forbidden Kingdom swaps the latter’s Transylvania for a fantastical computer-generated frolic round 18th century Russia and China, as pioneering cartographer Jonathan Green (Jason Flemyng) sets out to map the extremities of the known world. However, the plot grows increasingly incomprehensible as layers of lunatic action scenes and fairy-tale fantasy are piled on top of it.At its core is a Chinese fable about a magic dragon chained up by a wicked princess and the Black Wizards. In a process perhaps only students of Chinese folklore would Read more ...
Mark Kidel
King Hu is the original master of wuxia or martial arts films – visual feasts of balletic conflict and near-slapstick humour – and this 1979 film is one of his best, though perhaps less well-known than Dragon Inn (1967), A Touch of Zen (1971) and Legend of the Mountain (1979). The director's trailblazing and stylish work inspired the later renaissance of wuxia films, with Ang Lee’s masterful Crouching Tiger, Hidden Dragon (2000) and Zhang Yimou’s House of Flying Daggers (2004)The action, overflowing with complex and unfolding intrigue, takes place in 16th century Ming dynasty China, in a Read more ...
Graham Fuller
Marketed as a couples-friendly romance, Bi Gan’s Long Day’s Journey into Night made a massive $37 million on its opening day in China but was subsequently denounced by irate viewers who felt they’d been conned into watching a neo-noir pastiche that bafflingly morphs into a journey into the hero’s unconscious mind. Films comprised of reality, dreams, fantasies, and memories are not for everyone. However, fans of directors Alain Resnais, David Lynch, Hou Hsiao-hsien, Nicolas Roeg, and Wong Kar-wai will likely find this art-house stunner an enrapturing experience.Bi’s follow-up to his impressive Read more ...
Nick Hasted
Two young boys play by the water. Soon, one is dead. This enigmatic tragedy is the core of a four-decade Chinese saga of grief, guilt and love, at once intimately personal and scarred by the state’s grinding turns. Director Wang Xiaoshuai shuffles time like a stacked deck’s cards, withholding vital facts, but keeping his camera on the lost boy’s parents, Yaojun (Wang Jingchun) and Liyun (Yong Mei). Although years and memories crush them, they keep on.Mao’s Cultural Revolution is recalled. But it’s the Eighties’ One Child Policy which haunts this story. Liyun and Yaojun are best friends with Read more ...
Boyd Tonkin
In 1930, a couple of romantically involved Chinese expats in Berlin – both revolutionaries in their own way – went on a farewell date. One of them, Deng Yan-da, was due to return home to continue his clandestine political work. The pair saw Marlene Dietrich smoulder through The Blue Angel. Two decades later, Deng’s former partner, Soong Ching-ling, asked a German friend to send a disc of Marlene singing “Falling in Love Again” to her in China. She had not forgotten her Berlin affair. What complicated Ching-ling’s amorous nostalgia was her current role: as vice-chair of the newly installed Read more ...
Nick Hasted
The cancer weepie is knocked off its tear-jerking axis by Lulu Wang’s sly and heartfelt autobiographical tale. Drawing on the first-generation immigrant, internal culture-clash she experienced after her Chinese grandmother’s terminal diagnosis, and the absurdly elaborate lengths their family went to hide it from her, The Farewell is a funeral-com with a fable-like structure, and a highly personal tone. Billi (rapper-actor Awkwafina) is Wang’s alter ego, a 30-year-old, Chinese-American scuffling writer, who we first see on the phone telling relentless, reassuring white lies about her New Read more ...
Aleks Sierz
New artistic directors are popping up all over British theatre. Every week seems to usher in a refreshingly versatile talent taking the reins of a major theatre. Tonight, veteran new writing advocate Roxana Silbert, the new head of Hampstead Theatre, opens her first season, as well as the celebration of the venue's 60-year anniversary, with American writer Frances Ya-Chu Cowhig's The King of Hell's Palace, a revelatory story about corruption in China in the 1990s, here given a tremendously vivid production by Michael Boyd. But while it is great to be able to witness theatre about this super- Read more ...
Tom Birchenough
Chinese director Jia Zhangke has made a masterful career from following the changes that his native land has undergone in the 21st century, catching the speed of its transition from old ideological order to the relentless dynamism of subsequent economic development – and, most importantly, the human consequences of the process. Fitting then that the action of his latest film, Ash Is Purest White, which premiered at Cannes last year, unfolds in three episodes set between 2001 and 2018. It’s a boldly drawn, sumptuously shot canvas that takes in the scale of the country, while catching the Read more ...
Tom Birchenough
Chimerica is a stage-to-screen adaptation that has certainly kept up with the times. When it opened at the Almeida back in 2013 – a West End transfer followed, along with an Olivier award for Best New Play – Lucy Kirkwood’s drama was (very loosely) about the geopolitical symbiosis between the world’s two largest economies, China and America (hence, the title). It was seen through the prism of a story that began back in 1989 on Tiananmen Square and continued through to the present day.Channel 4’s new four-part drama, adroitly directed by Michael Keillor, retains the original’s sense of Read more ...