wed 23/09/2020

CBSO

CBSO 100th Birthday Celebration online review - top musicians let down by sound and visuals

Let’s start by echoing Simon Rattle’s sense of “how lucky we are”, in our case to be able to share with a 75-piece City of Birmingham Symphony Orchestra its centenary to the very day, and celebrate the programme, the performers, the front man too (...

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BCMG, Heinen, Brindleyplace Birmingham review - from the concrete canyons to the stars

Birmingham emerged from musical lockdown with Stockhausen. It couldn’t have been anyone else, really. There’s something about Stockhausen’s fusion of modernity and goofy intergalactic romanticism that clearly strikes a chord in the Second City...

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First Person: CEO Stephen Maddock on the City of Birmingham Symphony Orchestra's strange centenary year

This year was supposed to be so very different. For the best part of the last decade we have been planning a series of major events to take place in 2020 to mark the centenary of the City of Birmingham Symphony Orchestra. Having often commented on...

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Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraint

No orchestra wants its conductor to cancel in the week of a concert. Mirga Gražinytė-Tyla’s illness was announced only on Monday, but even in ideal conditions, if you needed to find a last minute replacement maestro for a programme of Bartók and...

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Frang, CBSO, Yamada, Symphony Hall Birmingham review - the tingle factor

There’s a particular moment of a particular recording – I suppose every slightly over-obsessive record collector has one – that I just keep listening to over and over again. It’s in Fritz Reiner’s 1960 Chicago Symphony recording of Respighi’s The...

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Mahler's Eighth, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - a symphony of 600

“Try to imagine the whole universe beginning to ring and resound” wrote Gustav Mahler of his Eighth Symphony. “There are no longer human voices, but planets and suns revolving.” It’s an image that captures the impossible scale and mind-boggling...

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Bauer, CBSO, Koenig, Symphony Hall Birmingham review - Christoph pulls it off

Mirga Gražinytė-Tyla’s programmes in Birmingham are so personal – so utterly bespoke – that in the event of her being indisposed, they present something of a problem. That’s what happened this week. The programme was vintage Gražinytė-Tyla –...

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Balsom, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - made in Brum

There’s nothing like practising what you preach. “I say straight out that I regard all so-called 12-tone music, so-called serial music, so-called electronic music and so-called avant-garde music as utter rubbish, and indeed a deliberate conning of...

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Simon Halsey on Tippett’s ‘A Child of Our Time’: ‘the biggest lesson was how to feel what he had written’

I was greatly privileged to know Sir Michael Tippett and to chorus-master his recording of A Child of Our Time. In my childhood, the two giants of English composition were “Tippett and Britten” - in that order. Since their deaths, Britten has...

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Prom 46: Kanneh-Mason, CBSO, Gražinytė-Tyla review - brilliant programme, brilliant playing

Let us never tire of singing the praises of the Proms, nor ever take them for granted. For two months concerts, many of which would be the highlight of any ‘normal’ week, keep coming night after night. And for all that it is a critic’s job to...

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Classical CDs Weekly: Stewart Goodyear, Nielsen, Weinberg

 Stewart Goodyear: Callaloo, Piano Sonata; Gershwin: Rhapsody in Blue Stewart Goodyear (piano), Chineke! Orchestra/Wayne Marshall (Orchid Classics)Callaloo is Stewart Goodyear’s indecently entertaining suite for piano and orchestra, the title...

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CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - joy unbounded

You can tell a lot from the opening of Brahms’s Second Symphony. Mirga Gražinytė-Tyla and the City of Birmingham Symphony Orchestra began it – and it’s not the first time they’ve done this in a big German symphony – as if in mid-...

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