thu 21/02/2019

black culture

Brighton Festival 2019 launches with Guest Director Rokia Traoré

The striking cover for the Brighton Festival 2019 programme shouts out loud who this year’s Guest Director is. Silhouetted in flowers, in stunning artwork by Simon Prades, is the unmistakeable profile of Malian musician Rokia Traoré. Taking place...

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Monsters and Men review - an impressive debut

This well-crafted addition to the films inspired by the Black Lives Matter movement is subtler and less commercial than last year’s The Hate U Give but covers similar terrain. Writer-director Reinaldo Marcus Green sets Monsters and Men in...

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The Convert, Young Vic review - Africa's electric cry for justice

Wow! First, the Black Panther team took cinema by storm; now, they have conquered theatre as well. Or, at least, two of them have. The Convert has been written by actor and playwright Danai Gurira (Okoye), and stars Letitia Wright (Shuri)....

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ear for eye, Royal Court review - powerful and passionate anti-racism

Two countries; two histories. Being black in the US; being black in the UK. Compare and contrast. Which is exactly what debbie tucker green’s amazingly ambitious new epic, which straddles centuries and continents, succeeds in doing. Taking a...

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The King review - the myth behind the man

The most famous face in musical history, and perhaps the instigator of modern culture as we know it; he truly was the King. But for a documentary focused on such an icon, The King touches very little on Elvis Presley the man. This is not another...

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CD: Lotic - Power

An extraordinary musical movement has been bubbling over from the far left field into the public consciousness in the last couple of years. A very loose international alliance of musicians like Elysia Crampton, GAIKA, Ziúr, Arca, Rabit, Yves Tumor,...

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Sancho: An Act of Remembrance, Wilton's Music Hall review - pure entertainment

One space, one person, one story, one voice – the monologue is theatre distilled, the purest form of entertainment. On a stage of packing boxes and boards, over the course of just over an hour, Paterson Joseph relays and plays the life of...

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A Change is Gonna Come, Brighton Festival review - lively, winning jazz adventure

Watching this band in action is a treat. They gel absolutely and play off one another in a manner that’s easy and mellow, yet also sparks by occasionally teetering on the edge of their virtuosic abilities. The songs played throughout the evening at...

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Picks of Brighton Festival 2018 by writer-director Neil Bartlett

Director, playwright and novelist Neil Bartlett has been making theatre and causing trouble since the 1980s. He made his name with a series of controversial stark naked performances staged in clubs and warehouses, then went on to...

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Nine Night, National Theatre review - Jamaican family drama full of spirit

The good news about so-called black drama on British stages is that it has broken out of its gangland violence ghetto and now talks about a whole variety of other subjects. Like loss. Like death. Like mourning. So London-born actress Natasha Gordon’...

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The Wound review - gay love hurts in strong South African drama

The title of South African director John Trengove’s powerful first feature works in more ways than one. In its literal sense, it alludes to the ritual circumcision, or ukwaluka, that accompanies the traditional rite of passage for young Xhosa men,...

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Stephen: The Murder That Changed A Nation, BBC One review - ‘He was a cool guy and everybody loved him’

When doctors told Doreen Lawrence her son had died she thought, "That’s not true." Spending time with his body in the hospital, aside from a cut on his cheek, it seemed to her he was sleeping. The death of a child will always be strange, and in the...

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