It’s begun: very limited access to live music, the chance to sit before one or two players in the same room – as we were doing only three and a half months ago, in some cases thousands of us before an orchestra of up to a hundred musicians.

Next month (July 2020) marks 20 years since I started work at Birmingham Contemporary Music Group, initially as their first Education Manager and then in my current role as Director of Learning and Participation.

The odd-couple comedy duo is a time-tested concept, and Rob Beckett and Romesh Ranganathan have discovered a chemistry that works. Rob is the giggling excitable one, while Romesh, aided by a sleepy right eye which conveys a sense of harsh judgmentalism, adds a blast of deadpan scepticism.

This year was supposed to be so very different. For the best part of the last decade we have been planning a series of major events to take place in 2020 to mark the centenary of the City of Birmingham Symphony Orchestra. Having often commented on how remarkable it was that this institution should have been started by civic leaders in the wake of the First World War and the Spanish flu pandemic, the last thing I expected was that the worst pandemic since then would wipe out most of our centenary activities.

No orchestra wants its conductor to cancel in the week of a concert.

Think of the phrase “music memoir”, and you might conjure images of wild nights and heavy mornings. You’re unlikely to think of suburban West Bromwich and tributes to Mike Batt’s Wombles back catalogue. But then, Pete Paphides’s story is comprised of unlikelihoods.

In its seventeenth incarnation, Transatlantic Sessions - a concert comprising music from some of the finest names in Scottish, Irish and American folk - had its penultimate night of its UK tour in a packed-out Symphony Hall, Birmingham on Friday evening. At first it might feel like an overly large venue for a group of around fifteen musicians.

Dubbed “classical music’s guitar hero”, the 36-year-old London based Montenegrin guitarist  Miloš Karadaglić – more commonly known by just his first name – is back on the international stage. He returned in 2019 after a devastating hand injury which led him to take time out from playing professionally around the time of the launch of his 2016 release Blackbird: The Beatles Album.

“Try to imagine the whole universe beginning to ring and resound” wrote Gustav Mahler of his Eighth Symphony. “There are no longer human voices, but planets and suns revolving.” It’s an image that captures the impossible scale and mind-boggling ambition of this so called “Symphony of a Thousand”.