Barbican
Ottone in Villa, Barbican HallSaturday, 22 May 2010
A beloved regular of concert hall, radio and recording, the music of Vivaldi has more or less failed to find its way into the contemporary opera house. If we are to believe his own claims, the composer died with over 90 operas to his credit – double... Read more... |
Iram: Shalom Aleichem's shtetl life comes to LondonWednesday, 19 May 2010
Tonight at the Barbican's Pit, kicking off a run of ten performances, a rather unusual piece of theatre opens. It's not a big play, it probably won't make great waves and it does involve reading surtitles. Called Iram, it's an Israeli adaptation, in... Read more... |
After Life, BarbicanSunday, 16 May 2010
"We need to inform you officially. Mr Walter, you died yesterday. I’m sorry for your loss." It comes as no great surprise to learn that Michel van der Aa’s opera After Life is based on a Japanese film. The Borgesian hyper-real scenario, the no-place... Read more... |
Peter Pan, Barbican TheatreFriday, 14 May 2010
“All over the world children are safe – but not here, not on my ship.” Despite its wild pack of homeless children, a flesh-eating crocodile and some of the most gut-punching depictions of parental grief in all literature, J M Barrie’s Peter Pan has... Read more... |
Juan Diego Florez, Barbican HallSaturday, 08 May 2010
Can we clear something up once and for all, please? Yet again this week an all too familiar headline caught my eye: “Is Juan Diego Florez the heir apparent to Pavarotti?” Or words to that effect. Why do these lazy (and/or ill-informed) editors and... Read more... |
London Symphony Orchestra, Pappano, Barbican HallThursday, 29 April 2010
It didn’t take long for memories of Anatoly Liadov’s The Enchanted Lake to fade in the dramatic shift Stateside which dominated Antonio Pappano’s latest outing with the London Symphony Orchestra. Every tone fleetingly shimmered as Liadov’s dreamy... Read more... |
Thomas Adès, Barbican HallTuesday, 27 April 2010
It's still not clear whether his clever, brilliantly orchestrated compositions are here to stay (though they're certainly having a good run at the moment). As a conductor, he's not yet nimble on his feet. Yet after yesterday evening's colossal... Read more... |
Would Like to Meet, Barbican CentreMonday, 26 April 2010
Is there such a thing as iPod theatre for a new digital generation? Given the enormous boom in site-specific performances and the growing use of electronic gadgets, the answer seems like yes, and this new show by non zero one - a group of recent... Read more... |
Interview: Heiner Goebbels, on staging strange worldsMonday, 26 April 2010
First, the name. There’s no family link between the 57-year-old German composer and Hitler’s Doctor Death. This Goebbels cuts an impressive figure. Solidly built, with thick white hair and slightly cherubic features, and speaking fluent English, he’... Read more... |
BBCSO, Bĕlohlávek, Barbican HallSunday, 18 April 2010
It needs saying yet again, until the message gets through: Bohuslav Martinů is one of the great symphonic masters of the 20th century, and his fellow Czech, chief conductor of the BBC Symphony Orchestra Jiři Bĕlohlávek, once more proves the right... Read more... |
Laurie Anderson, Barbican TheatreThursday, 15 April 2010
“I want to tell you a story. About a story.” Thus spake Laurie Anderson at the beginning of her new show, Delusion, which is running for four nights as part of the Barbican’s Bite season. It was a typically cryptic, teasing prologue from a woman who... Read more... |
Breakfast with Laurie AndersonFriday, 09 April 2010
Laurie Anderson's new show Delusion opens at the Barbican in London next week. Since the late 1960s she has been at the forefront of artistic innovation. From early pieces where she appeared in art galleries (wearing ice-skates in a block of ice... Read more... |
