fri 19/04/2024

avant-garde

theartsdesk on Vinyl 67: Squid, The Beatles, Beach Riot, Black Sabbath, Quantic, Heiko Maile and more

The first of two December round-ups from theartsdesk on Vinyl runs the gamut from folk-tronic oddness to Seventies heavy rock to avant-jazz to The Beatles, as well as much else. All musical life is here... except the crap stuff. So dive in!VINYL OF...

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Footfalls & Rockaby, Jermyn Street Theatre review - Beckett up close and personal

Like all great art, Samuel Beckett's works find a way to speak to you as an individual, stretching from page to stage and on, on, on into our psyches. This happens not through sentimental manipulation or cheap sensationalism, but through the accrual...

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Album: Amon Tobin - How Do You Live

Amon Tobin is hard to pin down. His music has mutated over the years. He initially fitted in with Ninja Tune’s late-Nineties/early-Noughties roster of post-hip hop stoner breaks, heavily jazzed. But in more recent years, he’s wandered into an area...

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Album: Scotch Rolex - TEWARI

Ask someone in the early 2000s to predict which cities were going to be influential in electronic music in coming years, and it’s unlikely many would have picked Kampala, Uganda. But here we are. Across African countries, vernacular electronic forms...

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Points of Departure, Brighton Festival 2021 review - Ray Lee's harbour-based sound art impresses

They stand in a row, nine of them, in a long, strange corridor between rows of stacked, palleted, planked wood and the red brick wall of an endless warehouse. Nine tripods, each two humans high, with a spinning helicopter head, double-ended by...

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Album: Ziúr - Antifate

It’s funny how the most high tech music can sound very traditional. In the case of producer / instrumentalist / occasional singer Ziúr, it’s the tradition of her hometown of Berlin that is expressed in her whirrs, clangs and mutated voices. Here –...

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Disc of the Day 10th Anniversary: the level playing field

Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But...

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theartsdesk on Vinyl 62: Nick Mulvey, Off The Meds, Black Keys, Kreator, Oneohtrix Point Never, Sam Cooke and more

The top-selling vinyl at independent UK record shops in 2020 was Idles' latest album (closely followed by Yungblud, which is impressive, given his only came out in December!). The Top 10 is dominated by indie, rock and retro but, actually, the...

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Albums of the Year 2020: A.G. Cook – 7G

2020 marks the year when the PC Music label’s influence became undeniable. It’s easy to forget that, founded by A.G. Cook in 2013, it was once at the centre of a mini culture war. The label’s refusal to distinguish “between high and low, between...

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Album: Sigur Rós - Odin's Raven Magic

Odin’s ravens Huginn (thought) and Muninn (memory) are the great Norse god’s messengers, at the heart of a myth that was borrowed in watered-down form for Game of Thrones. The myth inspired a suite of pieces by Sigur Rós and a star-studded...

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DVD/Blu-ray: Breathless

Just as British pub and punk rock of the mid-to late 1970's ushered in an era of music that referenced the history of pop and thrived on irony, much of the French New Wave, nearly 20 years earlier, looked back as much as forward, an avant-garde...

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Michael Clark: Cosmic Dancer, Barbican Art Gallery review - mould-breaker, ground-shaker

It must be tough being Michael Clark, subject of one the largest retrospectives ever dedicated to a choreographer still living. Post-punk’s poster boy is that curious thing, a creative figurehead who defined a very particular anti-establishment...

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