mon 11/08/2025

avant-garde

The Story of Film: An Odyssey, More 4

After the first two parts of Mark Cousins’s magisterial The Story of Film: An Odyssey, I’m still in two minds as to whether it’s fair to call the presenter a generalist. He has already managed to piece together details from the cinema cultures of...

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King Creosote & Jon Hopkins, Queen Elizabeth Hall

There are some acts you’d rather not catch in a concert hall. The relatively recent pairing of King Creosote and Jon Hopkins isn’t, however, one of them. Diamond Mine, their seven-year project, is a deceptively serious piece of art that prefers...

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Attenberg

In Attenberg Greek director Athina Rachel Tsangari illustrates that there is no species on earth more peculiar than man. A hit at the 67th Venice International Film Festival, where its lead Ariane Labed rightfully claimed Best Actress, it is on...

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CD: Lucas Santtana - Sem Nostalgia

I first heard Bahia-born Lucas Santtana on the best compilation of contemporary Brazilian music of the past couple of years, Oi! A nova musica Brasileira. His track “Hold Me In”, an acoustic slice of bossa nova, was a quiet interlude amonst all the...

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Rain Dogs Revisited, Barbican

So how did you survive the 1980s? I don’t mean money-wise; I’m sure you had plenty of that. I mean musically and therefore spiritually. It was a diet of Thomas Mapfumo and old Nina Simone albums that got me through the first half, until the Red...

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Last Year in Marienbad

It is resonantly famous, picking up plaudits from the off, with one Sight & Sound commentator claiming in 1962 that it was the "greatest film ever made", for which he'd been waiting "during the last 30 years". That now seems slightly hysterical...

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Colin Currie, Pierre-Laurent Aimard, CBSO, BCMG, Oliver Knussen, Aldeburgh Festival

Yesterday afternoon's final concert at the Aldeburgh Festival saw an astonishing world premiere. A major new double concerto from a 102-year-old Elliott Carter. Imagine Schubert premiering a song cycle in 1900, or Van Gogh unveiling a self...

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Sónar 2011: Day 3 and Round-up

This is where the delirium kicks in. Tired but happy, the attendees started the third day of Sónar festival slightly boggled by how to pick and choose from the strange delights on offer. Saturday was when the true musical variety of the festival was...

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The Vorticists: Manifesto for a Modern World, Tate Britain

Henri Gaudier-Brzeska's phallic head of American poet Ezra Pound

Who were the Vorticists? Were they significant? Were they any good? And does this little-known British avant-garde movement – if it can be called anything as cohesive - really deserve a major survey at Tate Britain? Many of the group’s paintings...

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tUnE-yArDs, Scala

Sometimes you hear something new and your perspective on music shifts seismically, making everything you were listening to previously sound safe and predictable by comparison. Inevitably, as one gets older and more musically knowledgeable, such...

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European Festivals 2011 Round-Up

Be different - take a festival break in Europe instead of the UK, and catch a different landscape. While artists in both new music and classical are constantly circling the world in search of more picturesque settings, you can find your alternative...

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CD: tUnE-yArDs - whokill

Merril Garbus: A more three-dimensional refinement on her debut-album homemade charm

Even the cover artwork refuses to conform, breaking the first rule of graphic design by utilising a dozen different typefaces and alternating upper and lower-case lettering for maximum optical anarchy. In fact, the inference is that we should play...

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