tue 20/10/2020

avant-garde

Michael Clark: Cosmic Dancer, Barbican Art Gallery review - mould-breaker, ground-shaker

It must be tough being Michael Clark, subject of one the largest retrospectives ever dedicated to a choreographer still living. Post-punk’s poster boy is that curious thing, a creative figurehead who defined a very particular anti-establishment...

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Max Richter's Sleep review - refreshing as a good night's rest

If there was ever a balm for these confusing times, then it’s Max Richter’s Sleep, a lullaby of a documentary that explores the composer’s eight-hour-plus experimental 2015 composition based on sleep cycles. Richter is a remarkable...

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CD: Soundwalk Collective with Patti Smith - Peradam

"The gateway to the invisible must be visible." So intones Patti Smith on the third and final journey in sound with Stephan Crasneanscki and Simone Merli, AKA Soundwalk Collective, musical psychogeographers and field recorders whose journey for this...

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BCMG, Heinen, Brindleyplace Birmingham review - from the concrete canyons to the stars

Birmingham emerged from musical lockdown with Stockhausen. It couldn’t have been anyone else, really. There’s something about Stockhausen’s fusion of modernity and goofy intergalactic romanticism that clearly strikes a chord in the Second City...

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Album: Conrad Schnitzler & Frank Bretschneider - Con-Struct

When does the avant-garde become folk? Both of the participants in this album have certainly been on the very cutting edge of sound-making, on multiple occasions. Conrad Schnitzler was a student of radical artist Joseph Beuys and leading light in...

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Album: bdrmm - Bedroom

Shoegaze stable Sonic Cathedral has, in truth, always been a much broader church than its name implies. From the psychedelic, sunshine pop of Gulp, to the blistering art noise of Spectres, it has consistently released music that shares a similar...

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theartsdesk on Vinyl 57: Gramme, Terry Edwards, The Orb, The Monochrome Set and much more

After C19 delays theartsdesk on Vinyl is back. My initial policy, reckoning that new vinyl would dry up under COVID conditions, was to do regular lockdown mini-editions with the material already set aside here, until it ran out. That didn’t work out...

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10 Questions for Irina Nalis

Normally we'd put a descriptor - "cellist", "film maker", "techno producer" for example - in the title of this interview, but for Irina Nalis there isn't space. Like, "10 Questions for psychologist, ministerial adviser, festival founder,...

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Francesca Wade: Square Haunting - Bloomsbury retold

These days, Bloomsbury rests in a state of elegant somnolence. The ghosts of Virginia Woolf and Vanessa Bell linger on in the shabby gentility of Russell Square and its environs, the bookish institutions that are the bones of the place conferring...

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Robert Henke CBM 8032, Barbican - a vision of possibilities from 40 years ago

Robert Henke is to techno fans as Leo Fender and Les Paul are to rock lovers. The Ableton Live software which he co-created is every bit as influential as any guitar they built, and probably more used. However, of course, being just a piece of code...

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Haas Hommage à Bridget Riley, London Sinfonietta, Lubman, QEH review - vibrant abstraction

Music and visual art, at least at the highest level, should go their own separate ways; put them together, and one form will always be subordinate to the other. A composer being inspired by an artist's work, or vice versa, is something else...

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CD: 65daysofstatic - replicr, 2019

65daysofstatic, the instrumentals-only post-rock experimental band from Sheffield, have suffered from the obsessive need to brand every supposed sub-genre of music when, in their case, they are much more than a math rock or glitch band. They are...

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