Americana
Liz Thomson
The only British gig in Josh Ritter’s so-called work-in-progress tour took place in the somewhat unlikely venue of St Stephen’s Church, Shepherd’s Bush, a rather fine example of gothic revival style. It’s almost opposite Bush Hall, which would have been a more logical venue: an altar was not perhaps the most obvious setting for the Idaho-born alt folkie though the acoustics were splendid.But there Ritter stood, pulpit to his right, flying-eagle lectern (the symbol of St John the Evangelist) to his left. The numbers of last Sunday’s hymns were still on display. Leonard Cohen liked to mix sex Read more ...
Liz Thomson
Ryan Adams’s 16th solo album since he debuted in 2000 with Heartbreaker reveals many influences, including AC/DC and the Electric Light Orchestra - notably on the opening track and single, “Do You Still Love Me”, where keyboards are to the fore. But mostly Adams is channelling The Boss.Bruce Springsteen seems everywhere evident – the vocal style, the keening harmonica breaks, the big echo and much besides: "Haunted House", with its pounding drum, acoustic guitar and a vocal line that coils around just a few notes; "Shiver and Shake", its vocal almost spoken over two or three gently Read more ...
Liz Thomson
The unsinkable Dolly Parton turned 70 in 2016 and the new year marks the 50th anniversary of her debut album, Hello, I’m Dolly. Pure & Simple is her 43rd studio album, its genesis a brace of stripped-down concerts given at Nashville’s Ryman Auditorium which were reprised at Dollywood. Such a back-to-basics approach is much favoured by country musicians – Johnny Cash, Emmylou Harris and Loretta Lynn have trodden a similar path. Everything is relative, however: the backing quartet multiplied in the studio yet still Dolly describes it as “almost like a garage band”.As ever, Parton’s Read more ...
Jenny Gilbert
What stroke of prescience brought two Sam Shepard plays to London in the very month America voted for Trump? The kind of people we’re learning to call the disenfranchised have been Shepard’s focus for the last 40 years, and now they’re global news. In Fool for Love (which there’s still time to catch at the pop-up venue Found III) he exposed the grubby truth behind the working-class alpha-male ideal. In Buried Child (which won a Pulitzer on its first outing in 1978) he turned his X-ray gaze on the traditional American family.The USP of this revival is its casting, with Ed Harris, Hollywood Read more ...
Liz Thomson
The 37th studio album from the man dubbed “the godfather of grunge” is raw, down and dirty-sounding – like many of the problems Neil Young grapples with. Recorded over four days at Rick Rubin’s Shangri-la Studios in Malibu with Jim Keltner on drums and Paul Bushnell on bass, this is Young in full-on angry activist mode, “fighting for clean water” and “standing against the evil way”.The Dakota Pipeline battle – “raging on sacred land” all year – against the construction of an oil pipeline on Standing Rock Sioux territory at Cannonball, is Young’s preoccupation on Peace Trail, though Read more ...
Liz Thomson
As the United States – and the world – agonises over the coming of Donald Trump, it seems to many of us that all hope is almost irretrievably lost. How timely, then, is the publication of a collection of essays which chronicle and celebrate a decade when hope abounded, when it seemed (despite manifold horrors) there was still all to play for.That’s not to say it was all peace and love. Far from it. At home, Americans fought a bloody battle for the most basic civil rights and abroad a costly and futile war in Vietnam. Khrushchev decided to park nuclear missiles on Cuba and for 13 days the Read more ...
Adam Sweeting
Good grief, was Out of Time really 25 years ago? This was the seventh studio album from the li'l ole band from Athens, Georgia, and the one with which they finally cracked open the mainstream international market. This was when people still used to buy CDs, and a time when it was still possible for bands to sustain slow-growing careers which built steadily from the ground upwards. Having been one of the trailblazers of America's mid-Eighties alternative rock movement, growing a faithful following through college radio and endless touring, REM had had it moderately large with their Read more ...
Liz Thomson
After four years, Martha Wainwright is back with her fourth solo album. While she’s been away she’s turned 40 and now says that on this outing she’s “a songwriter, but also just a singer and interpreter. This is perhaps the essence of who I truly am.”Wainwright is, of course, folk royalty: the daughter of Kate McGarrigle (whose loss understandably dominated Come Home to Mama in 2012) and Loudon Wainwright, sister of Rufus. All have washed the family laundry in full public view. Her aunt is Anna McGarrigle, one of an eclectic range of writers who share the album’s credits: novelists Merrill Read more ...
Odaline de la Martinez
This year is the sixth London Festival of American Music, and I could not be more excited about it. From the first festival in 2006 – 10 years ago now – I had a very specific idea about what I wanted the London Festival of American Music to be like. At its heart the festival is designed to celebrate the contemporary American musical landscape, and to bring the best America has to offer to UK audiences.The American music scene has never been stronger – there is an amazing range of styles and works being produced all across the states. UK audiences, however, tend to be solely familiar with Read more ...
Kieron Tyler
In 1969, a tranche of American musicians looked back to the country’s past for inspiration. Bob Dylan followed John Wesley Harding with Nashville Skyline. The Band’s eponymous second album hit the shops. The Flying Burrito Brothers debuted with The Gilded Palace of Sin. The rootsy was a default. But choosing to draw on country and Appalachian traditions did not have to mean playing it straight. On the amazing Farewell Aldebaren, Judy Henske and Jerry Yester used banjo and hammered dulcimer. They also employed the Chamberlain, a Mellotron-like instrument where the keyboard triggers tape Read more ...
Barney Harsent
Honestly, you wait years for a lengthy project to come to fruition, then two turn up at once. However, while The Avalanches had to contend with people tapping their watches and sighing wearily, The Earlies’ John Mark Lapham had only his own clock to watch. The measured pace and unhurried approach are reflected in the languorous song spectres he presents here.Starting out life as an idea for his short-lived 4AD outfit, the Late Cord, the project soon outgrew its shell and ended up a huge collaborative effort which sees turns from, among a Hollywood-sized cast, Sara Lowe (the Earlies), Swans’ Read more ...
stephen.walsh
Though composed after and based on a play by the same author, Puccini’s spaghetti western is in no way a sequel to Madama Butterfly, his whisky-sour eastern. Fanciulla is Butterfly’s opposite in almost every respect, and to tell the truth it isn’t much at home in a small theatre like the one at Grange Park. Where Butterfly is delicate and light-handed, its successor is loud and punch-drunk. Its heroine is no frail Puccini victim but a tough mother figure surprised by true love. Simpering geishas are replaced by rough gold-diggers, and mawkish tragedy by the Read more ...