America
Barcelona, Duke of York's Theatre review - Lily Collins migrates from France to SpainWednesday, 06 November 2024
The Catalan capital has given its name to a famous number in the Stephen Sondheim musical, Company. And here it is lending geographical specificity to the second two-hander, following the far-superior Camp Siegfried, from American writer Bess Wohl... Read more... |
Anora review - life lesson for a kick-ass sex workerSaturday, 02 November 2024
Anora has had so much hype since it won the Palme d’Or at Cannes in May that it doesn’t really need another reviewer weighing in. Sean Baker has crafted a high-velocity drama in three acts with a star-making turn by its lead Mikey Madison in the... Read more... |
Album: Chuck Prophet - Wake the DeadSaturday, 02 November 2024
Chuck Prophet speaks the old language of rock’n’roll as if it’s bright and new. His long gone band Green On Red were R.E.M.’s Eighties peers, and as rock’s cultural tide has receded, his loyalty to its spirit of liberty, askance at authority and... Read more... |
Road Diary: Bruce Springsteen and the E Street Band, Disney+ review - the Boss grows older defiantlyFriday, 01 November 2024
Director Thom Zimny has become the audio-visual Boswell to Bruce Springsteen’s Samuel Johnson, having made documentaries about the making of Born to Run and Darkness on the Edge of Town, Springsteen On Broadway and several more. Road Diary takes as... Read more... |
Rigoletto, English National Opera review - another hit for Miller's MobThursday, 31 October 2024
How we used to mock those stuck-in-the-mud opera houses that wheeled out the same moth-eaten production of some box-office favourite decade after decade. Well, Jonathan Miller’s 1950s New York mafiosi version of Verdi’s Rigoletto first arrived on... Read more... |
London Film Festival 2024 - Nickel Boys, crime and punishment and UkraineSaturday, 26 October 2024
RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black Southern teenage boys, this time in Sixties juvenile prison the Nickel Academy, where beatings and unmarked graves... Read more... |
London Film Festival 2024 - a shaman and shamSaturday, 26 October 2024
Justin Kurzel’s Australian film subjects are out on the malign edge, from Snowtown’s suburban serial killer and Nitram’s mass shooter to Ned Kelly. His debut documentary’s protagonist Warren Ellis is a contrastingly loving renegade, an escapee from... Read more... |
Venom: The Last Dance review - Tom Hardy's people-eater bows outSaturday, 26 October 2024
The once invincible superhero genre may have finally hit the skids, but Tom Hardy’s alien anti-hero stays intermittently fresh in his saga’s supposed finale, styled by writer-director Kelly Marcel as a partial romcom between parasitic, people-eating... Read more... |
The Fear of 13, Donmar Warehouse review - powerful analysis of a gross injusticeFriday, 18 October 2024
There is star casting, and there is casting the right star – not the same thing. The Donmar’s new production, The Fear of 13, succeeds in the latter category, in spades. The star in question is Adrien Brody, a child actor who left stage work... Read more... |
The Apprentice review - from chump to TrumpFriday, 18 October 2024
It’s common to say that Shakespeare would have liked such-and-such a modern story, but I think he actually might have gone for this one. The Bard’s eye was drawn to cruelty at every turn, and bad-to-the-bone cruelty seeps from each scene of The... Read more... |
Land of the Free, Southwark Playhouse review - John Wilkes Booth portrayed in play that resonates across 160 yearsFriday, 18 October 2024
Straddling the USA Presidential elections, Simple8’s run of Land of the Free could not be better timed, teaching us an old lesson that wants continual learning – the more things change, the more they stay the same.We open on the Booth family kids... Read more... |
Woman of the Hour, Netflix review - gripping drama follows a true-life Seventies serial killerThursday, 17 October 2024
“I knew he was risky, but like fuck it, everyone’s risky.” A young woman (Kelley Jakle) poses for pictures on a deserted mountain road in Wyoming in 1977, telling Rodney, a charming, award-winning photographer (Daniel Zovatto), about the boyfriend... Read more... |
