America
Matt Wolf
“Get me rewrite!”: That’s likely to be a common reaction to Late Night, the well-meaning but surprisingly slipshod star vehicle for Emma Thompson set in and among the writing world of a New York late-night chat show that is hitting the skids. Thompson brings a peppery command (and some seriously stylish hair) to the role of Katherine Newbury, a disdainful small-screen personality who refers to her writing staff not by their names but by numbers.And yet time and again, Mindy Kaling’s script seems itself in need of doctoring from one of Katherine’s put-upon scribes. You applaud the film’s Read more ...
Adam Sweeting
With Gloria (2013), A Fantastic Woman (2017) and Disobedience (2018), Chile’s Sebastián Lelio has earned a deserved reputation as a sympathetic director of women. It may seem a strange move for him to remake Gloria only a few years after the Spanish-language original, but Lelio claims he was inspired to do it by a meeting with Julianne Moore, who said she’d do it if he would direct.The action has been transplanted to Los Angeles from Santiago, with both the English script and many of the camera shots closely following the 2013 version. It’s the story of a 50-something divorcée determined to Read more ...
Matt Wolf
Sun, snow, and some unadorned silliness danced to the music of Björk: no one can accuse San Francisco of casting an insufficiently wide tonal (or climatic) net in this second of four programmes on view from San Francisco Ballet as part of their Sadler's Wells season (continuing to June 8). Having largely thrilled to their all-Shostakovich opener, I found this line-up more of a literally mixed bag. And yet, just when the sobriety of Cathy Marston's take on the American novel Ethan Frome is beginning to pall, along comes the tinsel-infused, take-no-prisoners kitsch of Arthur Pita's Read more ...
Graham Fuller
A chronic recycler, Dennis Potter fashioned five feature films from his earlier TV dramas and another from one of his novels. The best of them are 1985’s Dreamchild (from the BBC's Alice, 1965) and Track 29 (1987), which he adapted from the BBC's Schmoedipus (1974). The latter was one of Potter’s "visitation" plays, in which frustrated or guilty protagonists conjur into existence an angel – or the devil, in the case of Brimstone and Treacle (banned in 1976, remade in 1982) – to commit an act of liberating violence.As in Schmoedipus (which starred Anna Cropper and an inspired Tim Curry), Read more ...
Tom Birchenough
The huge achievement of the last two decades of August Wilson’s life, right up to his death in 2005, was his “American Century Cycle”, in which he charted the African American experience over that time frame decade by decade, its action set largely in the downtown Hill District of Pittsburgh where the playwright grew up.Premiered in 1999, King Hedley II represents the Eighties – the front curtain makes much of it being the beginning of the Reagan years – though Wilson’s concerns go far beyond standard documentary. History in this black neighbourhood extends back a long way, something that Read more ...
Liz Thomson
Outside the Palladium a couple of months back for Joan Baez’s farewell, I was given a flyer for this album – by Naomi Bedford herself it turns out. We had a brief chat which left me with a good feeling about the project and I was disappointed to see I’d be away for the London concert marking the launch of Singing It All Back Home: Appalachian Ballads of English and Scottish Origin. My intuition was correct for this, the third outing from Bedford and Simmonds and a talented group of confrères, among them Ben Walker on banjo, Rhys Lovell on bass and Ben Paley (son of the Read more ...
Adam Sweeting
This is a painful and poignant study of character-disintegration, and a triumph for its writer, director and star Jim Cummings. He plays small-town police officer Jim Arnaud, a man trying to do his best while a rising sea of troubles threatens to drown him.Thunder Road is based on Cummings’s original 12-minute film, which won him the Short Film Grand Jury prize at the 2016 Sundance Festival. This provides the material for the opening scene, a daringly extended single shot in which Jim delivers the eulogy at his mother’s funeral. Despite looking pressed and formal in his police uniform, inside Read more ...
Matt Wolf
A small-scale Off Broadway venture late in 2009, The Starry Messenger has arrived in London to mark the belated British stage debut of Matthew Broderick, the movie name much-loved on the New York stage. Reuniting the two-time Tony-winner with his lifelong chum Kenneth Lonergan, who since this play's premiere has become an A-list Oscar-winner, Sam Yates's production is equal parts intriguing and irritating, and Broderick's singular theatrical deadpan may alienate as many people as it attracts. It may not help this play's cause that Lonergan has been represented in successive Broadway Read more ...
Saskia Baron
The release of Booksmart is perfectly scheduled for half term, this high school buddy comedy is guaranteed to tempt youngsters away from their exam revision. It’s fast and funny and packed with squirm-inducing sex gags and a peppy soundtrack. Its heroes are Molly (Beanie Feldstein) and her best friend Amy (Kaitlyn Deaver), the class swots who forswore all extra-curricular fun in order to study hard and get into top universities. They are the teens who got fake ID not to go drinking underage but to use the 24-hour library. Molly corrects the punctuation on the graffiti in the toilets Read more ...
Rachel Halliburton
Our Town was written shortly before World War Two about a small town in America in the years leading up to World War One, yet it makes its extraordinary impact by focusing its lens on details as apparently unexciting as pond-water. Just as a microscope reveals a universe within a drop of liquid, this happy-as-apple-pie portrait of a simple community shows how every life – no matter how seemingly ordinary – is conducted against the unforgiving backdrop of eternity.In the nature of the questions it raises about human existence the play anticipates It’s A Wonderful Life (1946), though its Read more ...
Chris Harvey
Back in 2001, after the release of their debut album This Is It, The Strokes weren’t just the most fashionable band in the world, they were also regarded as the group that could “save rock”. That was asking quite a lot.This Is It was 36 minutes of near-perfect guitar pop, delivered with New York cool, insouciance and sex appeal, but it was also as retro as their East Village thrift-store threads. It seemed to contain echoes of every guitar riff you’d ever loved. Didn’t "Alone, Together" sound like the Undertones? "Last Nite" like Tom Petty? "Someday" like the Buzzcocks?It didn’t matter. These Read more ...
Saskia Baron
This is a toothsome treat for Sunday nights and one of those rare occasions when the BBC has got hold of the kind of nifty comedy series that Netflix usually pumps out. What We Do in the Shadows started out as a New Zealand vampire flick in 2014. Two Kiwi friends, comedian Jemaine Clement and Taika Waititi (who went on to helm The Hunt for the Wilderpeople and most recently Thor Ragnarok), created it. Their affectionate portrait of the every-night life of a house occupied by squabbling vampires living in downtown Wellington became something of a cult hit.Now comes the spin-off tv series Read more ...