Africa
Adam Sweeting
"How terribly strange to be 70", sang Simon and Garfunkel in "Old Friends", back in 1968. Paul Simon will be 70 in October, so this isn't a bad time for him to be taking a panoramic look at life, love, loss and the universe in this latest set of songs (it's his first since 2006's Surprise).One of the things Simon has left far behind is his mid-Sixties sophomore self, who wrote earnest songs performed with worried sincerity. Today's wizened veteran is more wry and sardonic, but has reached greater understanding, as suggested in his prediction of what the hereafter will look like in "The Read more ...
howard.male
Over the past five years, Justin Adams and Juldeh Camara have made two albums and an EP together, but it’s only now that they’ve got round to doing what most bands can’t wait to do, which is give themselves a groovy band name. Even though I’m a poo-pooer of most band names (they’re usually either stupid or pretentious, or both) I actually rather like "JuJu". The double “ju” represents the first two letters of Adams’s and Camara’s first names, and the resulting word has a nicely sinister black-magic ring to it. It also has the onomatopoeic bonus of sounding like the band sounds, with their Read more ...
stefan.simanowitz
During the 1960s, when decolonisation movements were sweeping the world, it was joked that, after achieving independence, a country had to do three things: design a flag, launch an airline and found a film festival. Western Sahara has a flag but no airline and, despite a 35-year struggle, has yet to achieve independence. The closest Western Sahara comes to its own film festival is the Sahara International Film Festival (known as FiSahara), the world's most remote film festival, whose eighth edition took place this month in a refugee camp deep in the Algerian desert.FiSahara takes place Read more ...
howard.male
When Western musicians add their bit to traditional African music it can be disastrous: a programmed beat awkwardly forcing sinuous, sensual music to conform to its rigidity, or some dreadful rock vocalist doing a Bono all over some exquisite interplay of mbira and talking drums. But here we have a London collective working with a bunch of musicians from Nairobi, and refreshingly their presence doesn’t for one moment seem unnatural or intrusive.The first indication of a London sensibility at work on this debut album appears on the opening track “Gone thum mana gi nyadhi” in the form of the Read more ...
howard.male
Even the cover artwork refuses to conform, breaking the first rule of graphic design by utilising a dozen different typefaces and alternating upper and lower-case lettering for maximum optical anarchy. In fact, the inference is that we should play by Merril Garbus’s rules by typing “tUnE-YaRdS” rather than “Tune-Yards”. Such wilful solipsism could be interpreted as pretentiousness, but after several listens to this New England lass’s second album I’d be more than happy to write her band’s name in raspberry jam with my finger, if that was her wish.Once in a bright blue moon some new music Read more ...
howard.male
Given that Seun Kuti and Egypt 80’s new album nearly blew my speaker covers off with its focused punch and irrepressible energy, the band really shouldn’t have had a problem making an impression on Tuesday night’s lacklustre Later… with Jools Holland. But bafflingly, they chugged awkwardly into life but never got up a proper head of steam. A frustratingly bass-light sound mix obviously didn't help, but nevertheless it somewhat dampened my previously high expectations for last night’s Royal Festival Hall gig.But this muted TV performance must have been down to the fact that a good Afrobeat Read more ...
howard.male
Alarm bells went off when I learnt that Brian Eno was co-producer of Seun Kuti’s second album. The last thing the son of the legendary Fela Kuti needed was his personal brand of Afrobeat to be given a distancing sheen, or diluted by some space-age Enoesque sound effects. But it’s easy to forget that Eno isn’t only Mr Ambient – he also produced the groundbreaking Afrobeat-influenced work of Talking Heads in the late 1970s.Alarm bells went off when I learnt that Brian Eno was co-producer of Seun Kuti’s second album. The last thing the son of the legendary Fela Kuti needed was his personal brand Read more ...
Mark Kidel
Concerts are not what they used to be: in an attempt to break the mould of conventional performance styles, promoters and artists are increasingly turning to explanatory introductions, visual aids and other means of drawing the audience in, as if music alone could not work the crowd. The Senegalese singing star Baaba Maal is touring with the journalist and playwright Kwame Kwei-Armah, and their show combines relaxed but clearly scripted conversation with stunning songs from Maal’s Fulani repertoire.Advertised as Tales from the Sahel, and an exploration of “how such mythological tales Read more ...
Joe Muggs
The Sónar festival occupies a very special place in the New Music calendar – and is this year expanding outwards temporally and geographically, with new franchises in Tokyo and A Coruña, Galicia. Now into its 17th year, the parent festival in Barcelona serves as a vital meeting point for those of all stripes who refuse to acknowledge the polarisation of avant-garde and populism, or of club culture and the mainstream music industry. With 10 or more main stages and untold off-piste club events around the city, it would be impossible to condense even a single day and night of Sónar Barcelona Read more ...
andy.morgan
Benda Bilili! is in some ways very Hollywood – the story of a dream of stardom which comes true despite incredible odds. On the other hand, the subject matter of a group of homeless paraplegic musicians in a band called Staff Benda Bilili (which means something like “looking beyond appearances”) in one of the most dangerous cities in the world – Kinshasa – is hardly Tinsel Town. As the film-makers relate below, they themselves were also “nobodies” when they started filming, in the sense that they had no experience of film-making and little money.Their friendship with the band was sealed by Read more ...
howard.male
On first hearing about Staff Benda Bilili - a Congolese band partly made up of paraplegics – I felt a little uneasy at the prospect of reviewing them. The last thing that one wants as a (hopefully) trusted critic is to feel compromised by an obligation to either give a positive review, or feel guilty about lessening their chances of bettering their circumstances with a bad review. Yes, rather embarrassingly, the vanity and solipsism of your reviewer has no limits.But this visual treat of a film wastes no time in informing us that there is no room for pity in the story of this resilient Read more ...
Peter Culshaw
Old joke: when is N’Dour not N’Dour? When he’s Frank Sinatra. The comparisons of the Chairman of the Board with Senegal’s biggest star may seem a bit far-fetched, but I wondered as I watched him whether there’s a current European or American star who has the sheer authority, laid-back charisma and utterly distinctive voice that Frank used to have and Youssou has. In Youssou’s case, his voice of warm honey and mahogany is one of the seven wonders of the world. As it happens, for the first few numbers, Youssou was also as lounge-musicy as I’ve ever seen him.This meandering into MOR was Read more ...